Branca de Neve

For me it is very difficult to talk about this film, I hated it so much that it is very hard to me to have an opinion, i just feel like writing curse words, and start a huge rant on how bad this film is.

Basically in this version of the classic "Snow White" we are presented with a black screen from start to finish and, about a dozen characters narrating the story, this movie is incredibly bad, and a huge waste of time.

I strongly believe this isB he worst movie Portuguese of all time and one of the worst I've ever seen, surely.

There isn't anything good about this movie. My vote is 1.

Title (Portugal) - "Branca de Neve" ("Snow White")

One of the most beautiful films ever. Because it is almost entirely a black picture, with no images, it is kind of regarded as a hoax. It was polemic in Portugal for the director released a picture with no images, leaving the viewer in front of a black screen. But the dialogues are just great, the text is beautiful, and the fact it has no images creates a magical moment for anyone assisting to it.

João César Monteiro was known for his excruciatingly lengthy movies and awkward humour, but nothing could prepare both the audiences and the critics for his outrageous 'Branca de Neve'! A huge debate followed its debut, it has been labeled everything, from a masterpiece to a fraud and four years later it still angers and baffles a great deal of people. The first shocker is the movie itself. All of us have heard of and may recall with fondness the silent movie era, but 'Branca de Neve' introduces us to the 'radiophonic movie' concept, that is, a movie that has no image at all! Most of the movie leaves the viewer staring at a monotonous black canvas, interrupted only by a few occasional and might I add, very brief still shots. The story itself is an adaptation of Robert Walser's 'Schneewittchen' and the dialog between the characters happens in complete darkness, like a radio play. But a very strangely acted one, like some weird cross between the melodramatic characters of 'Frei Luís de Sousa' and some cheap soap opera.

The outcome is bizarre and in my opinion truly unbearable. I have sat through César Monteiro's 'Comédia de Deus' and laughed at his 'Bodas de Deus' but I couldn't bear to watch the whole movie. Believe me, I tried! I have no problem with slow paced movies, Andrei Tarkovksy and István Szabó are two of my favorite directors, but 'Branca de Neve' is the ONE movie that crushed my will, and in accordance with a famous Hitchcock quote, the endurance of my bladder! This movie is practically unwatchable. But does it really matter?

Which brings us to the second part of the controversy raised by this movie: the art versus entertainment debate. I remember reading an article reviewing this movie that referred to it as 'a mindf***'. And indeed it is! It's like the director wanted to tease us, play with our conceptions and prejudices, defy our notion of what a movie is or should be. I'll give it credit for that, it's a very provocative movie, but again, it's unwatchable, maybe it's a piece of 'higher art', but, as movies go, it's a terrible movie in all respects.

The first question that popped into my mind when I realized the movie had no image was the budget issue, because this movie was sponsored by ICAM, that is, with the tax-payers' money. Where did the money actually go to? There's practically no camera work, unless you discount the lonesome two or three images here and there. The cast is small and all they needed was a recording studio to act out their lines. What happened to the funds? It just adds to the outrage!

So I have mixed feelings about 'Branca de Neve'. I like the concept and the thought that César Monteiro, in the true spirit that always made his movies so provocative, is trying to mess with our brains, gloves off, in a very unsanitary way. But this movie may be pushing the 'trying to be too artsy for its own sake' edge. I also think it was a terrible waste of resources, ICAM's sponsorship could've been spent in other ways, especially since money seems to be an issue as of late.

Final word: do watch this movie if you can and even if you can't endure the whole thing. If you are amused by it or if you feel insulted, I'm sure João César Monteiro will be pleased, wherever he may be. And should this fail to satisfy you, well, there's always Walt Disney's.

It's fundamental ideia is the choice between the horrors darkened by emotions or the beauty enlightened by reason. The director makes his choice and invites the audience to choose.

The movie has an original communication technique. And, like all artistic expression, may or may not reach the spectator. As it is so fresh and a violent cut on the established way of communication through cinema, it produces a lot of negative response.

Because it's so original, because it's Wasler adaptation is so beautiful, I recommend this movie as a philosophical experience.

The author shows that we can «see» a movie even if there are not images in the screen: you can «see» what happens following the dialogs and the description of the scenes. Like a story before sleep in a dark room. Anyway, there are some color plans (a few minutes): clowds on the sky, stone figures and César Monteiro itself in front of a wonderfull tree in the Lisbon's botanic garden.