How I Killed My Father

This is a film whose title i find highly significant. It creates a tension throughout all the action which i find highly integral to the significance of the piece.

The casting, however, i found cliché. The 'rich yet forlorn' wife of Jean-Luc is predictably docile looking. Beautiful she is, yes, and aristocratic in movement, also, but she is exactly what one expects. Equally, Jean-Luc's lover, who is more Mediterranean looking, with more spirit and with a more voluptuous body, is also the archetypal affair. Why, in 2001 are we still type-casting? However, I find Jean-Luc immaculately chosen, with the touch of 'froideur' in his eyes that hints at a depth in the character, and also, an 'un-depth' for it is very difficult to penetrate his often emotionless actions.

Not a film that i would say was beautifully shot...i don't find the photography breathtaking, but it is a perfect french thriller: classy, subtle and psychologically deep.

I was very interested to see the previous film of director Anne Fontaine before she did the excellent 'Nathalie'. 'Comment j'au tue mon pere' did not disappoint, although it may not be a easy film for everybody's taste.

Despite the title this is no detective story, and there is almost no physical violence in this movie. It is the world of the French middle-high class, people are polite and talk quiet. A well-doing doctor lives with his wife and his brother when their lives are changed by the arrival - as in a inverse parable - of the prodigal father, the one who left the boys as kids. Not only that the characters cannot re-do the time lost, but they do not seem to even look or express any affection. The emotions behind their cold masks are however not less stronger, with frustration and fear dominating the father-sons interaction.

The movie is very well acted with Michel Bouquet and Charles Berling giving powerful performances in the principal roles. Although the cinematography is a little banal, the movie is to be remembered for the intensity of the hidden conflicts, well brought to the screen.

How I Killed My Father (aka My Father and I) is a story about parental abandonment and filial rage, told in a very calm way. The characters hardly ever break a sweat as they deal with irresponsible fathers, feckless siblings, childlessness and the other griefs of life. The locale is, after all, Versailles, and the emotional temperature never gets above zero in those manicured gardens.

Jean-Luc invents a family for himself to replace the one he lost at the age of ten. He becomes a father substitute for his brother Patrick--imagine having your brother as chauffeur and gofer. He presides over this clinic for rich middle-aged people trying to regain their youth, much like a father and his children. If his wife is tiring of being an ornament, he can handle her moods: after all, he's got her believing she can't have kids. The mistress at the clinic can be kept happy by the promise of an apartment. The only thing he can't allow is to be abandoned by any of them.

The conflict with his father is the occasion for many droll exchanges between Charles Berling and Michel Bouquet. Jacques Fieschi, the co-author of this script, also wrote Un coeur en hiver, Nelly & Monsieur Arnaud and Sade, some of my favorite studies of bleak hearts in comfortable surroundings.

"My Father and I", as the DVD was entitled, spends its time examining the emotional erosion of an icy, controlling, stilted, and successful Gerontologist upon the return of the father who abandoned him as a child. A well presented psychodrama with a solid cast, good production value, and a meager storyline, this film tells its tale of gathering rage cloaked in polite conversation through nuances of body language, behavior, and minimal dialogue. Subtitled and ambiguous in beginning and end, "My Father and I" was well received by both critics and public the public at large given allowances for subtitles. Recommended for French film fans into psychodramas. (B+)

The last opus of Anne Fontaine is a combination of two influences: Oedipus complex and Nettoyage A Sec (Fontaine's previous film).

What it takes from the Oedipus story is of course the conflictual relationship between Charles Berling (the son) and Michel Bouquet (the father), and how Berling tries to 'kill' his father to affirm his own identity. From Nettoyage A Sec, the film takes his structure: how a seemingly ideal couple (Berling and Regnier) copes with the unexpected intrusion of the father.

If it were just for the acting, How I killed my Father would deserve a 10. Bouquet and Berling share an astounding intimacy on screen which interestingly happened off the set as well (they wrote a book of thoughts together just after the shoot). Regnier is surprisingly convincing in the beautiful up-class wife; what a versatility after her role in the Dreamlife of Angels when she was a young insecure squatter. However there is no special twist in the storyline, like one which made Nettoyage A Sec so disturbing...

To sum up, a good acting piece which failed to deliver in the drama.