Ripper

When people ask me what are some of the best things in life, I being a horror guru reply, a good direct-to-video horror flick. Straight on the heels of above average (or well above average) direct-to-video horror movie such as, Cube, Ginger Snaps, Cut, and The Truth About Demons, comes the latest DTV installment, Ripper: Letter From Hell. While one may find the premise to be undeniably cliched (it is), the film comes off stylish and ultimately becomes engaging as the body count increases in a most elaborate fashion.

Now for that all-too-familiar premise: Molly Cook, young woman who survives the attack of a sadistic killer now finds herself in a college course studying serial killer theories. When the people around her begin to die, she believes a new serial killer is hunting them down, imitating the slayings of Jack the Ripper.

The killings in Ripper: Letter From Hell, are much more extensive than the average slasher film. Horror fans are used to seeing the killer show up, swing his weapon of choice, and then the scene is cut, going back to the more boring part of the movie. In Ripper, the killer spends more time with his victims, making them scream in agony, stabbing them to death, and then heaving them through a window, or ramming them off a cliff and leaving them to hang onto a rock before finishing them off.

The direction by John Eyers keeps the film moving along at a brisk pace. While the editing tends to be a little MTV-ish at times, it is not overdone. The fast action editing actually works well and adds to the brutality of the killings in the movie. The beginning comes off as a Brothers Grim-like fairy tale with the serial killer's pursuit of Molly through a dark, rainy, forest. The scene in the club where the camera follows the trail of blood from the ceiling and onto the dance floor, is one of the most stylish murder scenes I have seen in a while and dare I say it, reminded me of those elegant murder scenes from the Italian giallos of yesteryear.

There are some major set backs in the film such as a highly unlikeable cast of characters. A.J. Cook (Molly) holds her own and is a convincing lead character. She gets support from veteran actor Bruce Payne. The script has more than a dozen ridiculous lines as one user pointed out, "Shut up!"..."No! You shut up!" However, dialogue in the class lecture scenes about Jack the Ripper are impressive and well researched.

The ending is a grand showdown as the killings become even more graphic and intense. The handful of suspects begin to wind down, and although you may have it figured out who the killer is, you'll be flip-flopping back and forth until the final scene. It's a beautiful scene, without giving anything away, as we are given a glimpse of 1800 London. It's an ending you will either love or hate or just not grasp entirely.

Ripper: Letter From Hell is a stylish, well orchestrated effort and deserves a spot with the recent array of worthy direct-to-video horror movies.

In this one, someone is killing students at a college campus using the same techniques as London's very own Jack the Ripper. The students try and catch him. The audience falls asleep.

This is another misogynist fantasy in which several young women are brutalised by a killer with a stainless steel kitchen knife. One of the suspects looks and acts like a young Bobcat Goldthwaite, Bruce Payne proves once again that he's Britain's most embarrassing export since Julian Sands, and Jurgen Prochnow, as a twitchy detective, continues his regrettable career slide. Rubbish.

Oh, and although I'm no expert on the history of serial killers, I think I can safely say that Jack the Ripper never ran any of his victims over in a jeep.

This is a terrible movie, absolutely dire. I can't think of a single good thing to say about it, except that watching Jurgen Prochnow prowling and slithering around, dressed all in black, whispering half his lines and over-emphasising the other half gave me the best laugh I've had for a long time. What a waste of a good actor. The rest of the cast are terrible too, but perhaps that's their normal standard of acting, I don't know as I've never seen any of them before, and I hope I don't see them again. The entire film is badly written, badly acted and very badly directed. At the end I still didn't know for sure who the killer was. At first I thought this was because my brain had atrophied during the course of watching the movie, but when I listened to the Director's commentary on the DVD I discovered that he'd 'deliberately left the film open-ended so that we could all make up our own minds'. Now there's a novelty. If you can't make up your mind how to end a film, leave it to the viewers! I wouldn't recommend this film to my worst enemy.

When I saw the title and cover I was hoping that the movie would be like "Ripper" (videogame 1996 starring Christopher Walken). It was an excellent game that combined the old legend about Jack the Ripper with cyber technology. The result a "killer" thriller. But sadly I have to report that "Ripper: Letter from Hell" is nothing like that game. It is just a slasher movie with a very pretentious story. First of all there were some good moments. But overall I missed tension. The murders seem brutal and bloody, but the violence isn't explicit. Also a big problem is that the characters are not very likable. So you won't care for them if they die. The only exciting thing is wanting to find out who the killer is. When the characters have a dialog in one scene it somehow doesn't connect with what happened before the scene. I got the feeling that scenes were missing. This should not have been a problem if the the story was straightforward and clear. This is not the case. The story is confusing as hell. (Maybe that is why we would need a letter to explain things.) And if you were hoping for a decent climax than you will be disappointed. The way it is presented leaves room open for different interpretations. Normally I would love such an ending. Here it isn't very effective. The ending doesn't clear up motive for the killings. Also the connection between Jack the ripper and the killer is not explained very well. There is very little background given on the original Jack the Ripper murders. Assuming that you are not familiar with the murders committed by Jack the Ripper you could easily put some other famous serial killer in his place. The end result would be the same. Since good old Jack still makes quite the impression today he deserves much better treatment. I could have forgiven the pretentious ending if the movie would have been entertaining and exciting but as I said earlier the movie lacked tension and is quite boring. Jurgen Prochnow and Bruce Payne should be ashamed with their performances. It clearly shows that they don't believe in this project and only are in this movie for the money. You know I get it sometimes you have no choice but to be in certain films in order to make a living. But is it that too much too ask that once you are involved you can give it a little effort.

I know that like me some of you will be intrigued because of the name Ripper but believe me that nothing remotely interesting has been done with it. A giant waste of your time.

Girl-running-in-a-thunderstorm-with-killer-close-behind-girl-trips killer-gets-her kind of story. Lots of blood, no originality. One would expect more from a movie which promises serial psycho killers copying Jack the Ripper. No real motivation for the blood bath, least of all a psychological one. Except for the ending which at least creates a little bit of confusion, one could predict every scene at least 10 minutes before it unfolds. Everything in this movie has been done, redone and overdone. It's like watching Scary Movie and taking it seriously. It's been a real disappointment. Where are the calculated blood thirsty psycho killers? What happened to movies like Seven or Silence of the Lambs, with original plots and motifs? Because personally I'm tired of watching helpless blonds being butchered like cattle while instead of defending themselves they scream in agony and then always manage to trip and fall.