Stoked: The Rise and Fall of Gator

I think Stickler's documentary, "Stoked: The Rise and Fall of Gator" gave us an interesting look at the character of Mark Anthony Rogowski through the comments of those who knew him. It was as objective as it could have been. It certainly didn't glorify him as the demigod he seemed to think he was during the peak of his career. I learned a lot from this movie about the skateboarding culture and how it affected the participants and the fans. There was a lot of hype given to Gator's abilities and personality during the 80's. As talented as he may have been, I'm sure there were other skaters just as talented who were not being promoted with the same enthusiasm. It was clearly Gator's reckless regard for his own well being that put him in the limelight in the first place. Would Stickler or any other director in the industry have wanted to do a documentary on this troubled youth if he hadn't turned his fame into notoriety by brutally raping and murdering an innocent young lady who had the misfortune of crossing his path? It gives one cause for pause. I think it's sad that the victim, Jessica Bergsten, like most other victims of violent crimes, became nothing more than a segment of Gator's seedy past. It's almost as if Jessica's death was merely a springboard to more publicity for Gator, long after he deserved it. He even said it himself over the phone from prison in this documentary: "Since 1991 I thought about this over and over...They say the past does not define the future but it'll always be a part of who I am. I know that." Not that he'll regret for the rest of his life killing someone who was no threat to him, but that it tainted his reputation permanently. He'll never be able to live it down. In his mind, it's still about Gator, even after ten years in prison. He hasn't changed his perspective at all. Chilling! It was a story worth telling, and my praises to Helen Stickler and everyone who had a hand in this production for telling it.

This film NAILS it by juxtaposing the fast rise and rocky descent of 80's counter-culture commercialism with the tragic story of Gator and his victim. We get to know Gator as a wild punk, arrogant jock, immature romantic, and finally, a violent and dangerous man. He was made for stardom, but the path to skater stardom was even younger than its pioneers... he was the era's most notable fallen angel.

I haven't yet seen a more vivid reflection on the style and attitude of California in the 1980s. It's very easy to get lost in this one; it's a sad, enlightening, and socially significant piece of journalistic film-making. Kudos to the filmmakers.

Using the life of Mark 'Gator' Ragowski as the thread, director Helen Stickler tracks the rise of skateboarding from underground pastime to cultural phenomenon. As corporate America jumped all over the sport, the proponents got richer and the sport of skateboarding more mainstream, but some of the players weren't equipped for the fame and money - Gator amongst them.

With a great soundtrack, excellent original resources and unparralleled access to the sports biggest names (many of whom skated with Gator and are now owners of Skateboard companies), Stoked is as much a look at the Eighties and the gluttony of the times; some made it through unscathed, some profited nicely, and one at least is going to be in jail for some time to come!

Stoked is a great documentary, for fans of skateboarding and pop culture junkies alike

Stoked: The Rise and Fall of Gator is a documentary about the former skateboard star Mark "Gator" Rogowski, his troubled youth, his rise to fame and fortune and his inevitable fall from grace. However, his no ordinary fall: He is currently serving a 25 year to life sentence for the first degree murder of his ex-fiancé's friend, Jessica Bergsten. The story begins with how he began his rise. He started in the 70's in the skate parks of Southern California as a wild child with a gift for skateboarding. Skateboarding itself has risen and fell in popularity over the years, and each time it comes back it seems to be reincarnated, new styles, new tricks, new medium. In Gator's case, it was the half-pipe or vert. He was only 14 when he was sponsored and went pro. He had a good-looking but bad-boy look, a snotty punk rock attitude and loads of talent to boot. He was a hit, both in the corporate world (He became a mascot of sorts for Vision, a leading skateboard company at the time), and with the cute young girl groupies, or Bettys. At one point in his career he was making $20,000 a month before he was 18. His story is told by many of Gator's former associates and friends (including Tony Hawk and Stacy Peralta), and it lays the groundwork for his sense of entitlement and the madness that includes alcohol and drug excesses, anger, mental illness and eventually murder, that shows his slow but definite fall.

Because the skateboarding community was so shaken by this event, many who knew anything about it or even Gator did not want to talk about it at all for a long time. So this movie is to be commended for trying to tell the story of what happened. It makes some excellent points about what happened to Gator once the limelight and money was gone, in particular by Pro skaters Steve Cabellero and Stacy Peralta. To be washed up before you are even 25 would pretty hard to take, with nothing to fall back on once it is over. But nothing else is really explored at all, and that is where the documentary really falls short. For example, his troubled childhood is glossed over, they give the bare-bones of the case, you learn nothing about his victim other than she was the friend of his ex-fiancé's, they merely mention the conditions of depression he was diagnosed with after he was in prison, and it seemed to me that so many more people should have been interviewed that were more directly related to the story. They show lots of pictures of him with his mother, yet his mother is not interviewed, to name but a few. Overall a good attempt but when the majority of the case is treated so lightly, the feeling I was left with was that the whole story was not heard. It could have been much better with a deeper look at all the sides of the story. 6 out of 10.

This film doubles as a peerless document of skateboarding as a legitimate American phenomenon *and* an unflinching look into the dark and doomed life of Mark Rogowski.

Ms. Stickler deftly handles the thrill of Rogowski's career triumphs and the chilling fall from grace that no one could have anticipated or, sadly, prevented.

'Stoked' stands bravely as neither celebratory nor exploitive; nor does it presume to answer 'Why?'. Instead, like the Maysles brothers' finest work, this film presents a 'fly on the wall' look at the Who, What, Where, and How with the precision and objectivity of a postmortem exam.

It's tough to successfully reconcile the duality this film presents to its audience - the great retrospective fun of high octane 80s culture sits uncomfortably next to what is essentially a grim and unsettling story. Viewers have to sort out for themselves if Rogowski's doom was a product of his huge fame and subsequent & abrupt fall from the top, or if it was, sadly, bound to happen anyway.

Rogowski could have been one of those elementary school teachers or office workers or Home Depot employees gone bad in what would have been an otherwise anonymous American murder story - but he wasn't: he was Gator. And as the authorities & families involved (and perhaps most tellingly, the friends & skaters in the periphery) in this dark tale will tell you, that may have made all the difference in the world.