Emily Bronte's classic story of destructive passion and immortal love.Emily Bronte's classic story of destructive passion and immortal love.Emily Bronte's classic story of destructive passion and immortal love.
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As a collector of versions of Wuthering Heights, I was very excited to obtain this 1967 miniseries on DVD and watch it for the first time. On the whole, this is an impressively faithful rendering of the novel – although a few minor liberties might have created a stronger production. Here are my impressions of the positive and negative aspects:
Good: The black and white photography and ever-present howling wind both contribute much to the general bleakness in a way that I found appealing (the wind made it a little hard to hear the dialog at times, though!). They helped to create an atmosphere that seemed musty, suffocating and hostile (the interior scenes), and wild and unpredictable (the moors). Ian McShane is an ideal Heathcliff, dusky and moody and quick to anger. All of the actors were quite well-chosen for their parts, with Isabella, Hareton, Edgar and Linton particularly fine. Cathy is tough to get right but Angela Scoulari is convincingly childish, petty, fervent and hysterical by turns.
Bad: The acting is a little over-the-top in a manner usually found in the theater, not in a film, where subtlety can be appreciated. Even the hairpieces and mustaches seemed like stage contrivances that would be fine at a distance, but not good enough for close camera scrutiny. And Angela Scoulari is appealingly pretty but her voice was quite high-pitched and forced, as though she was trying hard to sound younger. I found myself turning the volume down at times to soften the squealing tone of it. As for the storyline, they gave us almost none of the tender moments on the moor between young Heathcliff and Cathy; one moment she and Hindley are tormenting him relentlessly, then Hindley goes to school and suddenly she and Heathcliff are inseparable. They could have easily spent a little more time establishing their unnaturally close bond, and sacrificed a little of the slower, dragging pace of the 4th part.
Well worth seeing for viewers who love the novel
Good: The black and white photography and ever-present howling wind both contribute much to the general bleakness in a way that I found appealing (the wind made it a little hard to hear the dialog at times, though!). They helped to create an atmosphere that seemed musty, suffocating and hostile (the interior scenes), and wild and unpredictable (the moors). Ian McShane is an ideal Heathcliff, dusky and moody and quick to anger. All of the actors were quite well-chosen for their parts, with Isabella, Hareton, Edgar and Linton particularly fine. Cathy is tough to get right but Angela Scoulari is convincingly childish, petty, fervent and hysterical by turns.
Bad: The acting is a little over-the-top in a manner usually found in the theater, not in a film, where subtlety can be appreciated. Even the hairpieces and mustaches seemed like stage contrivances that would be fine at a distance, but not good enough for close camera scrutiny. And Angela Scoulari is appealingly pretty but her voice was quite high-pitched and forced, as though she was trying hard to sound younger. I found myself turning the volume down at times to soften the squealing tone of it. As for the storyline, they gave us almost none of the tender moments on the moor between young Heathcliff and Cathy; one moment she and Hindley are tormenting him relentlessly, then Hindley goes to school and suddenly she and Heathcliff are inseparable. They could have easily spent a little more time establishing their unnaturally close bond, and sacrificed a little of the slower, dragging pace of the 4th part.
Well worth seeing for viewers who love the novel
Pretty faithful to the book except the actors as children were much too old as well as when they're adolescents. McShane is too short at 5 9' and the actor playing Edgar is taller and has a bigger frame. It's hard to picture Heathcliff being stronger and more threatening in the key thrown in the fire scene- which they changed. Cathy doesn't throw the key in the hottest part of the fire she just tosses it across the room. Also cut is the scene where Cathy chases after Heathcliffthe the night he runs off and she ends up very sick. Her first near death experience isn't depicted. Also Heathcliff runs off before Hareton is even born therefore he never catches him when he falls from Hindley's grasp at the top of the stairs. Scoular is one of the best Cathys I've seen. She's pretty enough and delivers her dialogue in a natural way which is hard to do with the way they talk in the book. She delivered her lines fast., how ppl naturally talk, not slow and melodramatic. I liked Anna Calder Marshall as Cathy but they didn't make her powerful or bratty enough. Timothy Dalton was the best Heathcliff in my opinion. I would say this version is worth watching. Too bad it's not in color.
I remember this as a wonderfully rugged version of the story, very earthy and passionate. It captured the wildness of the moors and the Yorkshire weather in a way that the Olivier version never managed.
McShane was born to play Heathcliff and I am sure set many other teenage hearts pounding as well as mine. Cathy was alternately lyrically beautiful and utterly terrifying.
This hallmark BBC production has a second claim to fame. The terrifying spectre of Cathy at the window inspired Kate Bush to write that song.
I wish someone would bring it out on video. It may not be as good as I recall it, and indeed often older TV productions seem stilted by today's standards- but nonetheless, I am certain it would be worth a second look.
McShane was born to play Heathcliff and I am sure set many other teenage hearts pounding as well as mine. Cathy was alternately lyrically beautiful and utterly terrifying.
This hallmark BBC production has a second claim to fame. The terrifying spectre of Cathy at the window inspired Kate Bush to write that song.
I wish someone would bring it out on video. It may not be as good as I recall it, and indeed often older TV productions seem stilted by today's standards- but nonetheless, I am certain it would be worth a second look.
In recent months some generous fellow has uploaded this to Dailymotion. I was getting round to purchasing the DVD at some point which is the only way I believed this was available. However it is now online so that is a boon. However, was the wait worth it? Probably not. I have seen most other adaptations of WUthering Heights. None of them really seem to hit the spot, but my favourite is the 1978 TV version because it is a complete rendering of the novel and also it highlights the gothic aesthetic and vibe of the novel which I enjoy. This 1967 version is very similar in that regard. It is a complete rendering of the novel, it doesn't just focus on Kathy and Heathcliff's relationship, it includes all the revenge and Heathcliff's decline after Kathy leaves the story. It also also play sup the gothic aspect of the story. There is a fantastic continuous gale that blows in the background of the entire thing, giving it a gusty and cosy and dark atmosphere. It is a shame that the version on the DVD and online is only a black and white print, it would have been better to see it in its original colour, alas this version no longer exists.
The main criticism which lets the whole thing down is that the character portrayals are not nuanced enough. Heathcliff comes across as almost entirely an unliveable character, we don't see any of the other side of him. The story becomes very dark with absolute no sense of redemption. And the do change some plot elements to make it even more depressing than it is unecessarily. If I could pick and choose the best elements form all the WH adaptations we may have the perfect version, but alas, on its own this is not it.
The main criticism which lets the whole thing down is that the character portrayals are not nuanced enough. Heathcliff comes across as almost entirely an unliveable character, we don't see any of the other side of him. The story becomes very dark with absolute no sense of redemption. And the do change some plot elements to make it even more depressing than it is unecessarily. If I could pick and choose the best elements form all the WH adaptations we may have the perfect version, but alas, on its own this is not it.
Ian Mcshane is a wonderful Heathcliff. The story is complete. Including the 2nd half of the book featuring the next generation of both families.
Heathcliff is not a nice person in this production. Just like he is not in the book. Vindictive and cruel. But as we all know he stated out in life behind the eight ball and mocked by everyone, including Kathy. McShane (Heathcliff) is dark and handsome, with a great speaking voice.
None of the characters are one dimensional in this version. Emily Bronte did not create characters simplistic and easy to categorize in this her only novel, She was herself the oddest of the Bronte siblings, practically a female Heathcliff.
This version is complex and deep and not a romance romp. I loved every minute of it. I first saw it years ago and had trouble finding it later. All the other versions disappointed me.
Although Timothy Dalton's Heathcliff in another version (1970) is the best Heathcliff (he is also the best Rochester in Jane Eyre, 1983, eleven half hour episodes, which is by far my favorite Jane Eyre).
Finally, on Amazon there is a $90 set with 10 older BBC TV series, three by the Brontes, one each by the three sisters, and five by Jane Austen. All of them are older versions, and all of them are among my favorite versions. The Ian McShane Wuthering (Emily Bronte), the Tim Dalton Jane Eyre (Charlotte Bronte), and the fantastic Tenant of Wildfell Hall (Anne Bronte). Wildfell is my favorite novel by a Bronte, by the way.
Black and white 182 minutes.
Heathcliff is not a nice person in this production. Just like he is not in the book. Vindictive and cruel. But as we all know he stated out in life behind the eight ball and mocked by everyone, including Kathy. McShane (Heathcliff) is dark and handsome, with a great speaking voice.
None of the characters are one dimensional in this version. Emily Bronte did not create characters simplistic and easy to categorize in this her only novel, She was herself the oddest of the Bronte siblings, practically a female Heathcliff.
This version is complex and deep and not a romance romp. I loved every minute of it. I first saw it years ago and had trouble finding it later. All the other versions disappointed me.
Although Timothy Dalton's Heathcliff in another version (1970) is the best Heathcliff (he is also the best Rochester in Jane Eyre, 1983, eleven half hour episodes, which is by far my favorite Jane Eyre).
Finally, on Amazon there is a $90 set with 10 older BBC TV series, three by the Brontes, one each by the three sisters, and five by Jane Austen. All of them are older versions, and all of them are among my favorite versions. The Ian McShane Wuthering (Emily Bronte), the Tim Dalton Jane Eyre (Charlotte Bronte), and the fantastic Tenant of Wildfell Hall (Anne Bronte). Wildfell is my favorite novel by a Bronte, by the way.
Black and white 182 minutes.
Did you know
- TriviaIan McShane sprained his wrist early in the filming, but struggled on to complete the mini-series.
- ConnectionsFeatured in Reader, I Married Him: Heroes (2006)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Rüzgarlı Bayır
- Production company
- See more company credits at IMDbPro
- Runtime
- 50m
- Color
- Color(original broadcast)
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