Wendigo

The story is about a man who along with his wife n son takes a weekend off n head to an isolated house to cut off from the city n work life stress. On the way, the man hits a deer who was running away from some hunters. After being towed n reaching the house, the man notices bullet stuck in the wall n a hole in the window. The next morning the family goes to a store where the boy is given an idol of wendigo, a so called creature by a Red Indian...... This film is utterly boring. Nothing happens. Most of the scenes r shot in the dark n to add to the turmoil, the shaky cam stuff is even more irritating. Ther is zero kills, no gore, tension n suspense is lacking n forget bah the lousy sex scene with nada nudity. Generous with 5 cos of decent acting n a lil eerie atmosphere. Saw this recently for the first time.

Larry Fessenden is an independent director who has focused his career in making horror movies with philosophical and existential subtexts. Despite his sparse production (four movies in 16 years), his original approach to the genre and the quality of his work has given him recognition and praise in festivals and in the independent scene. "Wendigo", the third of his horror-themed films is probably the weakest of them, but it has many of the unique characteristics of Fessenden's film-making that make it stand out among the genre.

A young family of three heads to upstate New York hoping to spend a time relaxing hoping to relieve from the stress from the city. However, they find problems as they find an angry local named Otis (John Speredakos) who is not very happy with having them as neighbors. His strong and intimidating presence serves as catalyst for the family's inner conflicts and fears, specially those of little Miles (Erik Per Sullivan), whose feelings of loneliness are increased due to the fear Otis creates in him. As he learns about the legend of the Wendigo, Miles will learn to face the harsh world that is out there.

Very loosely based on the Anishinaabe legend of the Wendigo, the movie is a haunting drama mixed with horror that perfectly combines a lucid visual style with a clever storyline. Told from Miles' point of view, the film is genuinely creepy and the snowy landscapes together with the feeling of isolation Miles feels increase the haunting atmosphere of the film. Basing its scares on mood and atmosphere makes the film a rare species among modern horror movies, and the excellent camera-work makes the film look a lot better than other low-budget independent films.

Fessenden visual approach may seem a bit "style over substance" at first, but he takes a good time in developing the characters and their relationships. In fact, the relationships between them are probably the most important thing in "Wendigo". From Miles' distant relationship with his parents George (Jake Webber) and Kim (Patricia Clarkson) to both parents' struggle to keep a balance between job and family's responsibilities. The impact Otis has in the family and the Wendigo's legend work perfectly as plot devices to make the film move.

The lead cast is superb, with Erik Per Sullivan being an excellent actor despite his young age. Jake Webber and Patricia Clarkson show their talent and the three of them have very good chemistry as a family. The rest of the cast is average, but their work is fine considering that the center of the film are our three main characters. The Wendigo spirit, an important part of the plot, is very well recreated and despite its cheap low-budget look, Fessenden camera-work make it work very good.

Sadly, the movie is not perfect and despite having a very strong start, the movie loses steam and by the end it falls short to the expectations built. Larry Fessenden offers a creative and actually haunting film that is severely hurt by the lack of a competent conclusion, a shame if one considers that the characters are very well developed and the plot has lots of potential. The fact that the use of atmosphere, visuals and audio is superb makes the weak ending the more disappointing. It feels as if Fessenden had not cared about how to finish the tale as the movie feels incomplete.

"Wendigo" has been hailed as both a masterpiece and as a failure. While the movie has enough good things to be called a great film, it's disappointing pay-off and lack of conclusion are a big stain. In this case the best thing to do is to watch and judge for yourself, just don't expect a typical horror film. 6/10

This film based on Ojibwa (chippewa) and Algonquin Native American Legends.

I had expected this film to center mostly around this but it was only a small part of the plot.

The Wendigo, Windigo, or Windago is a spirit that comes with the wind. It would entice persons by calling to them in an irresistable way. It then would drag its victims along at great speeds until they burn up.

This film mostly centers around a family that vacations un upstate New York during winter and have an unpleasant run in with some local hunters. This film has some excellent cinematography and special camera angles. There is much time-lapse photography and one part with the now-famous "time slice" photography better known as "bullet time" which was made famous in "The Matrix (1999)"

It is an unusual film and I could describe it as a combination of Blair Witch, Sixth Sense, Abominable Snowman.

As a character-driven chiller, Wendigo is a thoroughly satisfying film, though not one that successfully plays out its early promise. From the establishing shot of a young family driving a winding road into the darkened wilderness I was immediately reminded of The Shining. And if Wendigo doesn't quite display that films polished visuals, it certainly borrows the themes of isolation and familial tension, especially patriarchal, that Kubrick examined so well. Cult director Larry Fessenden has gone back to horror movie basics to achieve a palpable tension in his film: black shadows in every corner of a very-underlit rural house, creaky floorboards, shrieking nighttime winds. His film starts to unravel when he pushes to far - the appearance of the Wendigo, an Indian spirit that travels on the wind, is at first frightening but ultimately overplayed; Fessenden feels compelled to reveal the monster in an extended attack sequence on the films hillbilly badguy, and in doing so belies the slyness with which we had so successfully frightened us up to that point. The ending is particularly murky, both visually and narratively, feeling rushed and a little self-consciously obscure. The cast is uniformly solid: Jake Weber and Patricia Clarkson as the yuppies-in-peril are very real, and 'Malcolm In The Middle' youngster Erik Per Sullivan provides the perfect conduit for audience fear and apprehension. The print I viewed at the recent AFM conference was particularly grainy and I am unsure as to whether this was due to the transfer from HDV-to-film or whether Fessenden shot it like that. Regardless, it proved very effective in creating a sense of dread and foreboding, especially in the early twilight scenes. Also nice to see a film that revels in its ability to scare, not always winking at the audience in a self-mocking "Scream" sort-of way. More often than not lately irony and revisionism have gotten in the way of a good fright, which Wendigo certainly provides.

If you're expecting a monster movie where dozens of victims are torn apart by a CGI behemoth, forget it. Instead, WENDIGO is a dark tale told mostly from a child's point of view. It's about imagination, mythology, and making sense out of harsh reality.

A boy named Miles (Erik Per Sullivan) is thrust into nightmarish circumstances when a family vacation becomes a deadly ordeal. After enraging a vengeful hunter (John Speredakos), the family becomes the object of his insane wrath. While his parents (Jake Weber and Patricia Clarkson) attempt to deal with the situation with logic and psychology, Miles is introduced to the spiritual world of the Wendigo.

The supernatural aspects of the story could be fact or fiction, the result of an intervening spirit or simply hallucination. To Miles, it's all too real. It's his view that drives the movie...