A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.
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I am no great fan of Lars von Trier's work but I like Melancholia and Dogville a lot. Dogville is a hard and deep look on human society and human behaviour, on moral and ethics.
Like the book Blindness by José Saramago, and the movie based on that book, it is not an easy watch, but a close, intense and realistic look on the shadow side of mankind.
On top, the method of stage acting like in a theatre adds some sense of advantgarde and extravaganza to Dogville, and makes this movie, with the theme, an exceptional piece of art.
On top, the method of stage acting like in a theatre adds some sense of advantgarde and extravaganza to Dogville, and makes this movie, with the theme, an exceptional piece of art.
Initially I found the 'play' set-up gimmicky and disconcerting, however I soon forgot all about the framing and became fixated on the picture itself. There are no special effects nor camera tricks and make-up is kept to a bare minimum, which allows us to focus purely on the story and the quality of the acting; both of which are exemplary. Nicole Kidman is amazing as usual bringing a wonderful vulnerability and frailty to her character which conceals an underlying ruthlessness and brutality. Ample support comes from co-stars Betthany and Chloe Sevigny and in truth the whole cast is frighteningly convincing.
The story is simple, a young woman who it appears is on the run from the mob seeks refuge in a small town known as Dogville. The residents who are initially wary of her soon warm to her and welcome her into their midst. This however, comes with a price she must do small favours in return for refuge. Inevitably greed, desire and mistrust take over the residents which corrupts them and has devastating consequences for all involved.
The dramatic shift in the mentality of the townspeople is so well handled and expertly crafted by Von Trier, that it makes the emotional payoff which one receives at the end of this film even greater. It is utterly compelling and has universal themes. Ultimately, this is a film which may serve as a cautionary tale for all self-proclaimed 'civilised' societies and as a treatise upon karmic retribution.
The story is simple, a young woman who it appears is on the run from the mob seeks refuge in a small town known as Dogville. The residents who are initially wary of her soon warm to her and welcome her into their midst. This however, comes with a price she must do small favours in return for refuge. Inevitably greed, desire and mistrust take over the residents which corrupts them and has devastating consequences for all involved.
The dramatic shift in the mentality of the townspeople is so well handled and expertly crafted by Von Trier, that it makes the emotional payoff which one receives at the end of this film even greater. It is utterly compelling and has universal themes. Ultimately, this is a film which may serve as a cautionary tale for all self-proclaimed 'civilised' societies and as a treatise upon karmic retribution.
Dogville maybe the only one movie using unique setting and cinematography concept. With no walls, no boundary, the viewers could see so many social environment at one time, provoking every wild perspective. Some scenes taken with presice set piece of camera works. Because in this kind of cinematography concept, camera positioning is a key, but it successfully made it.
The lead actress is really flawless. Potraiting cold, calm, and mysterious character. The acting is really charming. Provoking human emotion such as sadness, lovable, lust, toughess, and anger. She has very broad skill of characterization of many human emotion.
Overall, Dogville is a unique and well-made movie with flawless performance of it's lead actress.
The lead actress is really flawless. Potraiting cold, calm, and mysterious character. The acting is really charming. Provoking human emotion such as sadness, lovable, lust, toughess, and anger. She has very broad skill of characterization of many human emotion.
Overall, Dogville is a unique and well-made movie with flawless performance of it's lead actress.
This movie is not the best I've ever seen, and probably not as good as "Breaking the Waves". But I left the theatre astonished, shocked, sad, confused, and a bit angry with the director, for being so cruel (and true?) in portraying human behaviour with vulnerable people, for using no props, for forcing me to watch the characters in their eyes and facial expressions 'cause there was nothing to draw my attention away. But this movie deserves to be seen, because that's what an artist is supposed to do, to share a bit of his thoughts and views, without giving answers, but arousing emotions and questions: and it has probably more right to be than other blockbuster movies sold by studios with nothing but what people like to see in it.
10so4
When I started the movie and realized that it isn't really a movie, that it is more like a play and that there is really a lack of props and scenery I thought to myself, My God, what the heck did I buy???? I'm a huge fan of Nicole Kidman and she is the reason I bought it in the first place. The movie (or play), whatever u might wanna call it, drew me in and I couldn't stop watching. The end is so powerful, I was speechless. That's one of the best movies I have seen in a long, long, long, long time. I don't agree with the Anti-American comments I read here in some of the comments. Human emotions are all the same all over the world and this movie could have played in any country. Anyway, go watch this movie it's soooo worth it.
Did you know
- TriviaPaul Bettany didn't want to play Tom Edison, because they were shooting it in Sweden. Then his friend Stellan Skarsgård told him that Lars von Trier's shoots were so funny, that "you'll miss something extraordinary if you turn the part down." After shooting half the movie, Bettany asked Skarsgård when the fun would start, to which Skarsgård replied: "I lied. I did it because he is amazing to work with, and you wouldn't be able to see that before you were actually here yourself. I wanted to give you a chance, and you wouldn't have shown up if I had been frank with you."
- GoofsJack refers to the steeple casting a shadow which touches the O of the store's open sign at exactly 5 PM each day. This would actually only occur on a few days each year, as the lengths and positions of shadows are constantly changing through the seasons.
- Crazy creditsClosing credits play over photographs depicting crime and poverty in the United States.
- Alternate versionsThere are at least four distinct versions of the film in widespread distribution. Their lengths are: 1) 2h 58m. Known as the Theatrical, or Director's Cut, this is the primary version, the one in widest distribution and the one most viewers would be familiar with; 2) 2h 51m. This is the cut available on Mubi *(as of September 2025) and some DVD issues; 3) 2h 18m (Australia); This length may actually be the same as the "Italian" cut, with differences in PAL and NTSC frame rates accounting for the slightly different stated runtime; 4) 2h 15m. This is the specially prepared cut for distribution in Italy and some other countries and approved by director director Lars von Trier. It is often called The Assistant Director's Cut, since is was created by assistant director Anders Refn. In addition to these differing runtimes, the image on the screen itself varies, from Lions Gate's DVD (matted to 2.34:1), to Nordisk's, slightly wider at 2.36:1, and Concorde's (the most accurate) at 2.39:1).
- ConnectionsFeatured in Trier, Kidman og Cannes (2003)
- SoundtracksYoung Americans
Written and Performed by David Bowie
Courtesy of RZO Music, Inc.
Published by Chrysalis Music Limited / EMI Music Publishing Limited / RZO Music Limited
[Played over end credits]
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Details
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- Also known as
- The Film 'Dogville' as Told in Nine Chapters and a Prologue
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Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $1,535,286
- Opening weekend US & Canada
- $88,855
- Mar 28, 2004
- Gross worldwide
- $16,690,617
- Runtime
- 2h 51m(171 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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