25 Watts

Saturday, early in the morning. Leche, Javi and Seba wander around the neighborhood with nothing much to do. They drink beer, smoke, talk about girls. 25 watts shows us a day in the life of these three young inhabitants of Montevideo. They spend the day trying to escape from boredom, facing the twists and turns of love, interacting with friends and other picturesque characters from the "barrio" that share moments with them. So we get to see a paranoid delivery man, a weird video club owner among other strange and funny characters. The acting is very good, all the cast. This film was shot in b&w 16mm and then blown up to 35mm. It has a grainy look, which adds certain raw atmosphere to it. It is Stoll and Rebella's first feature film.

Certainly, one you should check out.

The DVD case likens this to "a Spanish language SLACKER" which isn't entirely off, but it reminded me more of CLERKS or STRANGER THAN PARADISE. The thing is, I don't like any of the films I just mentioned. Rudderless youths hanging around, whoop-de-friggin-do. Watching TV, being bored, meeting mildly oddball characters, smoking pot, talking about their girl troubles, blah blah blah. Fortunately, I did kind of like these three guys. They have a fun rapport, busting each other's balls and so forth. Some of the situations and conversations are fairly amusing... but others aren't. The raw black & white cinematography is a familiar route for this milieu, and it services the film well enough. But Rebello and Stoll indulge in a number of stylistic choices that I found more annoying than clever: 360-degree camera spins, quick cutaways, interior monologues. It's the sort of thing that screams "directorial debut". There were parts of the film I enjoyed, but not enough to give it a very strong recommendation.

This very low budget Uruguayan movie, shot in black and white, and somewhat reminiscent of the films of Jim Jarmusch, tells the story of the aimless adventures of a group of men in their early twenties in Montevideo. None of them studies, a few of them held to crappy jobs, and their success with women is, much to their chagrin, virtually nil. There is not much to do for them but to kill time around the city with various antics. This is shot not as a drama, but as a comedy, which seems to me to be the right decision. If there is a theme to this movie (and this is clearly not a "message" movie) is the lack of meaningful projects for the youth of Uruguay (particularly its males). A useful comparison is with an Argentine movie called 76-89-03, but that film was more corrosive and politically incorrect, and therefore was far more controversial. The directors, Rebella and Stoll, made another film a few years later, Whisky, that it was more polished and mature, and dealt with the hopelessness not of the youth of Uruguay but of its middle aged people. Soon after Whisky, Rebella killed himself with a shotgun, so we don't know whether he would have graduated to a major or important director. A good film, overall.

25 Watts might do something it wasn't meant to do -- and that is portray a boring day just as it should be portrayed: boringly. Although at times having wit and comedy, one cannot help but feel that somewhere between the script and the subtitles the true entertainment was lost.

Although this film contains a lot of original and interesting camera work combined with a pleasantly artistic depiction of daily events, it is only at the cost of excitement. The scenes which one finds to be most exciting are the scenes one finds to be the shortest. The scenes that portray pure boredom seem to always be the longest.

Although the general idea behind it and the hard work put into it may seem good, in the end it is overshadowed by the general boredom. Although it was interesting, it was not entertaining. Although it kept my attention, it did not terribly enthrall me. In the end, the zany characters and moments of excitement do not cut it and leave something lacking.

I am not an "art" movie buff, but this one is a gem. Excellent, almost documentary portrait of urban life for three young boys in ¿modern? Montevideo. The story is simple, the atmosphere is everything. This is sort of a 25 watt version of "Trainspotting", which is *exactly* the intention, if you know what I mean.