Chosen

Ang Lee took to the helm for this second movie in the "The Hire" series. If you think his beautiful style of choreography and cinemotography only applies to humans, or if you never thought about it before, take a look at this one, my favorite entry in the series.

The driver is hired to transport a young asian immigrant, who is obviously of some mystical importance, from the docks to a location in the city. Almost immediately after the young passenger straps in to the second-only-to-the-M5 540i 6-speed, the bad guys present themselves and the chase is on.

What follows is truly a ballet on wheels. A whole bunch of clumsy american cars and a "lesser" German car show their deficiencies to the amazing skill and ability of The Driver and his performance machine.

A first for the series occurs in this film when we see The Driver take a role outside of the car, and you'll see that the role that is played adds a depth to the Driver, and the storyline.

On a cool side-note, you'll notice a certain...er... "character"... imprinted on the gift that the young passenger gives to The Driver - this was a subtle reference by Ang Lee that completely put to rest rumors that had been floating around the net, and concretely said to the world - "Yes, I am directing this movie due out in 2003"

take notice.

:)

Overall, though all the other films had great things to offer ("The Star" being absolutely hilarious), this is my favorite. 10/10

Second in the BMW series, this film is very different from the first BMW short by John Frankenheimer. Not as tightly structured as that film, but it has moments of poetry--particularly a balletic chase sequence. Final "Hulk" scene wraps the film up tidily.

I'm sure many others will say this as well, Beat the Devil was my favorite, but this isn't given enough credit. I disagreed with a comment I read about this film, so I felt I needed to give it what it deserves. The comment I am referring to discounted Lee as "making action to poetic". This was a bad thing to him, thats where I disagree. The car chase scene in this is genius, it IS like the cars are dancing. It's choreographed so well and makes you think of action in a whole new light. There is plenty of action directors you can go to if you want to see the same thing over and over. If you want something new and revolutionary in the action genre, watch this short film. I loved it, 8/10.

Our protagonist, The Driver, as we know him, starts out by picking up a young Tibetan boy in an abandoned New York dock. Shortly after the pickup, however, he is met by two other cars with hostile intent. The Driver manages to elude the two in an all out chase around the dock that results in the destruction of a chasing Mercedes. This movie features terrific chase sequences but contains a sense of "commercialism" as The Driver's BMW seems to be nearly invincible and overall superior to the cars that the chasers drive. But this "episode" in the The Driver series is fun to watch and fabulously directed by Ang Lee.

When watching The Hire: Ambush recently I hadn't realised that it was actually a series of films rather than just a specially made one-off. The second film in the series is Chosen, directed, to my surprise, by none other than Ang Lee! The plot here is essentially the same in that we are given sparse details to allow a chase sequence to be set up. This time the driver has a very young monk (clearly earmarked for a great destiny) and he has to evade capture again. Unlike Ambush though, this film has an odd tone to it as it plays out over classical music and is general shot with a still air of calm in contrast to the action.

As a result i didn't find it quite as thrilling as I could have done but it did work pretty well. In particular I liked that it was at night and that the use of selected illumination in certain bits helped add the feeling of speed and danger. I also enjoyed the tight manoeuvring in small areas being the focus rather than speed – so it is still a chase but a rather different one. Of course as an advert this shows us the ability of the car to handle really well compared to the others (how they must have enjoyed outclassing and smashing that Mercedes) but it does still work as a chase sequence. The end of the film is perhaps a little weak, but I suppose it has to produce an "end" to the story, even if it doesn't really have much of a story in the first place. Owen is good again, although the little kid is an odd device that distracts a little bit by virtue of the situation. Ang Lee's direction is odd given the nature of the project but it actually works pretty well.

Enjoyable little short though, it may well be selling me a car but I appreciate it trying to do it by entertaining me.