Coastlines

I was in this movie, and I am terribly disappointed it is not available to the public-- not just because I am in it, but because it is well acted, written, and directed. Victor Nunez was lauded for his other works... why not for this one?

This movie seems to be in commercial release finally, and you should see it. It is a companion to Ruby in Paradise and Yulee's Gold, both by Victor Nunez, and has most of their virtues (and drawbacks, maybe -- for example, I don't like the sound design choices that have been made in any of these movies....).

The languid feel of the coastal towns from Carabelle to Apalachicola (Florida) is well evoked -- though the story could, I suppose, happen most anywhere. The three lead actors are all outstanding.

Many of the locales in which the film is set look very different today, after hurricanes Ivan (2004) and Dennis (2005), not to mention further commercial development.

The dangers of having a narcissistic love one in your life are dramatically portrayed in Coastlines. Be it a relative or a close friend, having a totally self absorbs person close to you (or your family) can be devastating beyond belief.  Sonny's exploitation of Dave and Ann's relationship problems for his own gain coupled with zero sense of how destructive his actions will be to Dave, Ann and the children clearly show how "having" the wrong people around you or your family can ruin your lifes. The movie did a great job portraying this. Dave's decision to bring a "bad apple" like Sonny into his family was a dangerous decision that he even repeats at the end of the movie. Having sex over and over and over with Sonny showed Ann's desperation to escape the sacrifices of being a good parent and spouse. Leaving the "real' life one is in for a criminal with sweet talk and looks demonstrated how short sighted Ann really was. With hotter and more involved sex scenes and a better ending (maybe one where Dave forgives Sonny but has Sonny leave town forever) would have made this movie more enjoyable to watch and more believable. Bringing your best friend who's life is a mess and is banging your wife back home with open arms is not believable. Nice try but came up short in believability.

Victor Nunez is on par with a lot of directors who use their surroundings as their muse. Like Scorcese with New York, Mann with L.A., or Shamalyan with Pennsylvania, Nunez builds his stories around an area he knows well: east coast Florida. His masterpiece "Ulee's Gold" used the enchanting backdrop of Orlando's peaceful outskirts to build on the emotional aspects of its main character Ulee. The movie came alive from Nunez's subtle, but powerful focus on atmosphere, character nuance and rich symbolism.

It's disappointing that his follow-up "Coastlines" (which completes his "Panhandle Trilogy") had some of those elements in tact, but failed to use them effectively. The story is about a young man named Sonny (played by a well-cast Timothy Olyphant) who gets released from prison to a home town that has grown up without him. He gets back in touch with his old friend Dave, who is now a police officer and married to Sonny's old crush Ann. Simultaneously, he deals with unsettled issues from his old mobbed-up employers.

From that story come some potentially engaging themes like revenge, jealousy, nostalgia, disenchantment and betrayal. However, disappointment quickly sets in when the scenes become more and more dull. The screenplay was written before "Ulee's Gold," and is extremely similar, with many characters and back stories almost exactly mirroring those of the previous film. "Coastlines" brings nothing new to the table, and has no energy with the subject matter at hand. As the movie moves on, it becomes hard to shake the feeling that Nunez had run out of inspiration.

What the movie lacks despite energy is originality. The movie contains plenty of drama, but there is nothing happening that hasn't been done better in other movies. What Nunez needed, in order to transcend the clichés, was the rich undertones and subtexts that made "Ulee" so engrossing. Nunez needed another layer of depth to give weight to all the things going on in his story.

There is no doubt that Victor Nunez is an excellent independent director. However, that doesn't excuse the fact that "Coastlines" is a movie that simply didn't need to be made.

while characters were stereotypical, i allowed a distance cuz i' ve spent quite a lot of time time in the locations. Moments of recognition weren't validated by level of script, although enjoyable for noir-ish elements, but too-oversimplified and limited. Folks in small towns know everything about each other (Appalachicola/ Carabelle, FL) but this script didn't provide the full sense of community or shared knowledge.

There was a broadened sense of family but only in a limited way. Characters were broad and not too realistic. Saw the director's premiere of "Gal Young'un." Without a world-class writer (Rawlings) a possibly-limited was further limiteda. Yet, a simple (overly?) engaging tale with some lovely cinematography. Miami Vice crossed with The Yearling?.\