The Bear

This film doesn't quite have the structure that the films of the Snowman/Father Christmas/Snowdog trilogy do. It's more of an interpretive dance than a story and that probably makes it quite artistic and beautiful for some. Children may enjoy it for it's simplicity and pretty style and without thinking too hard about it, but as an adult I find that it poses a lot of questions.

Firstly, it's unclear how the Bear got to her house? I'm sure the zoo would have noticed it's absence and I'd like to have seen him sniff out her location to give a tad more information to start.

Also, the music could have been a little bit less like The Snowman in the same way that the 'Superman', 'Star Wars' and 'Indiana Jones' themes are all a bit similar. It kind of took me out of the story as I tried to remember which bit I was recognising from the other festive favourite and which scene it came from.

As I say though, if you're just watching it to show your child a special little picture of fun and adventure and can get past the music issue (Maybe you haven't seen The Snowman at least 300 times), then it's a nice piece, but I tend to want a little bit more, even for a children's film, as they are an important way to teach them new things. I'm not sure this shares much of anything.

319.63/1000.

While at the zoo a young girl loses her favourite teddy bear into the polar bear enclosure. Later that night she is still upset and goes to sleep with no toys. However in the night the polar bear comes to her house to return the teddy and she lets him stay as a result. The morning comes and sees the girl keeping the bear a secret from her parents – not an easy feat in a three bedroom house. Later that night the pair go out into the snow to see the sights and play games.

With The Snowman being on television every single Christmas from the moment it was made until the very end of time itself, I took the opportunity to see his animation from another Briggs book for the first time. The thing that struck me immediately (and stayed with me throughout) was how very similar it was to the Snowman in terms of theme, look, sound and overall delivery. In fact it is pretty much The Snowman but with a polar bear and no Aled Jones. On one hand this did make me wonder if Briggs only had one trick to play and he had already done it but I did try to be fair and watch it as a film just on its own merits.

Doing so finds an enjoyable film that has all the strengths of the Snowman as it is cheerful with simple animation and good characters. The music is good and the final song is from a younger and less "laddy" Charlotte Church. So it may well be The Snowman with more polar bear but it is still a good short film for the family at Christmas time. It is not as famous as Snowman and I suspect a lot fewer people have seen it, which is probably a reason in itself for seeking it out as an alternative next time the festivities come around.

I love "the Snowman" and "Father Christmas", they are timeless Christmas classics. "The Bear" is a simple, haunting and sublime seasonal film, not quite as good as the other two but an essential nonetheless. The story is simple, and so are the characters particularly the warm and loving bear but very effective. The animation is beautiful, very similar to the animation from "The Snowman" and "Father Christmas" and to the illustrations from the book. The music has a haunting and dreamlike quality, with the end song sung beautifully by a young Charlotte Church.

Overall, I highly recommend "The Bear". 10/10 Bethany Cox

I love this film and i thought it had so much charm and was delightful to watch. I almost felt obliged to like before i saw it not only because it was my godmother who worked with the producers and animation team to create the film, but also because i had photo's taken of me to model Tilly, but when i saw it i was delighted and was over the moon to have contributed to it. The music is lovely and the atmosphere is simply gorgeous. congratulations to the producers and to Charlotte Church who sang at the end. Well done all! I hope to see many more films of the sort and i am sure they will live up to the same standard at films like The Snowman and of course the Bear.

THE BEAR, huge and gentle - which makes its way from the London Zoo into the bedroom of a lonely little girl - takes her on a magical journey across the Wintertime landscape.

Haunting & evocative, this lovely little animated film - told entirely without narration or dialogue, is a most fitting successor to author Raymond Briggs' earlier triumph The Snowman, to which, at one point, it pays subtle homage. After enjoying the broad comedy of the Polar Visitor trying to hide in the proper English home, the viewer is swept into the Northern sojourn which fulfills the Bear's quest.

Howard Blake's score propels the fanciful images onward; the final song is sung by Charlotte Church.