The Blues

This movie was a sweet history of the blues. It made me think of more pleasant times in my past. I could only think of a strong heritage, with strong values while watching this movie. It is also a very good educational tool while giving our blues forefathers their propers(recognition). Thanks to Charles Burnett and his cast and crew.

I found this documentary to be riveting to say the least. As a blues fan for well over 20 years, I learned more from this 10 part mini-series than I have anywhere. It was great to hear some of the original blues artists in rare recordings that I would never have otherwise discovered.

Someone commented that they wished there was "more music and less talking" but then want on to say he/she wished there was more "documentary" as well. I'm not sure how you can do one without the other, but while I too was sometimes disappointed when they ended a tune to cut to someone talking, I think overall, it was a terrific balance. The series is after all, a documentary, not a VH1 music video! Hearing some of the olde thyme greats speaking of the old days, was compelling to say the least.

I highly recommend buying the boxed CD set as well (then you get to hear all the music).

Just after Gangs of New York was released I heard about a series being made about The Blues and kind of shrugged it off afterwards. I had not previously seen any of Scorsese's documentaries like My Voyage to Italy or a Personal Journey so I didn't really expect anything special from it. A friend of mine knows about my interest in Scorsese films and asked me if I wanted the Feel Like Going Home episode on DVD directed by Martin Scorsese as a gift. I said yes as it would start me off into watching his documentaries and if this is anything to go by the rest he has made then I have got to start building up my Scorsese Documentaries because after I saw this I thought Wow. It was good timing as well as I have just recently started listening to the likes of John Le Hooker and Muddy Waters. Feel Like Going Home though really opened my mind to what the Blues really means and where it came from. The story follows a Blues Guitarist called Corey Harris who goes on a pilgrimage to find out more about his ancestors who first started playing the Blues and Scorsese's own knowledge of the music.

If you are a Martin Scorsese fan then cast your mind back to the beginning of Gangs of New York when The Dead Rabbits are preparing themselves to go up against The Natives. Listen to the music in the background whilst Amsterdam is holding his fathers hand. It sounds just like some of the music you hear in this. The very first scene in FLGH where two black men are holding a drum to them and another one is using the whistle instrument sounds just like the music used in the scene in GONY. I was wondering where that sound came from and now I kind of know. I am yet to see the rest of the episodes Directed by Clint Eastwood, Wim Wenders etc but if they are anything like this then this will go down as one of the greatest series ever of it's kind. Blues Fans will think this is the best thing since The Blues and I think it will like mine open up whether they are young or old to The Blues and just get them started off watch this to see how it developed originally.

A powerful and inspiring look to the Birth of The Blues.

I rated the 7 episodes from 8 to 10 and gave it an 8 overall (The 7th episode getting the only 10). If there had been more music and less talking, I would have enjoyed it better. Fuller biographies would have been nice too. Marshall Chess is a walking encyclopedia of the old time blues and was the best talker. It was still a great mini-series and well worth watching.

Seven 90 minute documentaries on various aspects of the blues by noted film makers, ranging from the disappointing "Godfathers and Sons", "Piano Blues" to the sublime; Wim Wenders "The Soul of a Man" and Martin Scorsese's "Feel Like Going Home". The other three films fall somewhere in he middle.

As a series the overall impact was less than I hoped for, but still very worth seeing. I was surprised by the amount of overlap; not only are a number of songs, and even specific recordings repeated in several of the films, but so are chunks of the vintage footage used.

To my personal taste, I found the series most potent and alive when it examined the roots of the blues on not just a musical, but also a political and historic level. When it just presented little pieces of songs by various artists (especially modern ones) without the benefit of probing context, it could feel predictably shallow. Still, an excellent overview of blues in the 20th century for those who already have a love for the form, and for the newly curious.