IMDb RATING
7.1/10
3.6K
YOUR RATING
Torn between family expectations to marry a virgin bride and his love for divorced mom Judith, 31-year-old Zaza navigates traditional matchmaking while hiding his true feelings.Torn between family expectations to marry a virgin bride and his love for divorced mom Judith, 31-year-old Zaza navigates traditional matchmaking while hiding his true feelings.Torn between family expectations to marry a virgin bride and his love for divorced mom Judith, 31-year-old Zaza navigates traditional matchmaking while hiding his true feelings.
- Awards
- 18 wins & 9 nominations total
Lior Ashkenazi
- Zaza
- (as Lior Louie Ashkenazi)
Rozina Cambos
- Magouly
- (as Rozina Cambus)
Libia Hakmon
- Margalita
- (as Libia Hakmon-Ayali)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a charming little film that depicts very well the sectarian differences within the Israeli community. Although the contrary of a feel good movie, the script of Hatuna Meuheret is very light and the film contains even some hilarious moments camouflaging the underlying sadness and bigotry. Wonderful acting especially by the actors who play the parents of the groom to be. Moshonov, who plays the father of the groom, had actually learned Georgian for the part and speaks nothing else the entire film. Pretty amazing!
I thought this was an interesting film, though it didn't cover as much of the relationship between the guy and his family. As an ethnic Korean male, I can understand family pressure on marriage and to marry someone who will fit in. The good thing about the film was the end, as unlike most Hollywood fare, the ending was very realistic in that it didn't fall into cliche and the like. It presented the probable ending as opposed to the sentimental ending.
Three stars.
Three stars.
While I absolutely loved the movie and found it to be both funny and bittersweet, I write here to differ with other displayed comments. The part of the conservative Georgian community shown in this Israeli movie is most certainly NOT matriarchal. The problems that the male protagonist experiences are NOT due to women controlling the society. The reason his family doesn't want to allow him to be with the woman he loves is because it is a *patriarchal* society, where an older, divorced woman with a child -- no matter how loving, intelligent and beautiful -- is viewed through a sexist lens as damaged goods.
Anyone who watches the early scenes where a 17-year-old girl is trotted out as goods for matchmaking purposes and the two male heads of the family control the proceedings, should realize that this is a patriarchal society. Don't be misled by the fact that the professional matchmaker is a woman and that the hero's mother is a firm believer in sexist customs; if some women didn't hold sexist beliefs, sexism wouldn't exist. Note that the 17 year-old's mother is a widow, but her uncle controls the matchmaking decisions instead of her mother. The male protagonist is harmed by *patriarchal* customs, make no mistake. These customs harm both women and men.
Anyone who watches the early scenes where a 17-year-old girl is trotted out as goods for matchmaking purposes and the two male heads of the family control the proceedings, should realize that this is a patriarchal society. Don't be misled by the fact that the professional matchmaker is a woman and that the hero's mother is a firm believer in sexist customs; if some women didn't hold sexist beliefs, sexism wouldn't exist. Note that the 17 year-old's mother is a widow, but her uncle controls the matchmaking decisions instead of her mother. The male protagonist is harmed by *patriarchal* customs, make no mistake. These customs harm both women and men.
"Late Marriage (Hatuna Meuheret)" makes "Monsoon Wedding" seem like a commercial Hollywood flick in comparison in dealing with a similar theme -- families imposing traditional marriage on an adult son in today's world.
This film is an intense and heartbreaking examination of a Georgian Russian immigrant family pushing tradition on an older son in very modern Israel. Through a very gradual unveiling as we learn more and more about each member of the family and relationships, every character is strongly individually wrought, flaws and all, complex sympathies and all.
The blunt scenes demonstrating traditional relationships are paralleled with extremely frank contemporary ones.
I thought at first that the lack of a soundtrack virtually up until the closing scene was due to writer/director Dover Koshashvili's obvious minuscule budget. Instead the closing band music punctuates a bittersweet, ironic tension-builder as the audience waits anxiously to see how the central figure of Zaza/Dooby resolved his unresolvable philosophical, familial and romantic dilemmas amidst very competitive, strong-willed women.
The sub-titles are sub-par; it's awkward, for example, to translate "Shalom" as peace be with you as it's really more just colloquial hello.
(originally written 5/24/2002)
This film is an intense and heartbreaking examination of a Georgian Russian immigrant family pushing tradition on an older son in very modern Israel. Through a very gradual unveiling as we learn more and more about each member of the family and relationships, every character is strongly individually wrought, flaws and all, complex sympathies and all.
The blunt scenes demonstrating traditional relationships are paralleled with extremely frank contemporary ones.
I thought at first that the lack of a soundtrack virtually up until the closing scene was due to writer/director Dover Koshashvili's obvious minuscule budget. Instead the closing band music punctuates a bittersweet, ironic tension-builder as the audience waits anxiously to see how the central figure of Zaza/Dooby resolved his unresolvable philosophical, familial and romantic dilemmas amidst very competitive, strong-willed women.
The sub-titles are sub-par; it's awkward, for example, to translate "Shalom" as peace be with you as it's really more just colloquial hello.
(originally written 5/24/2002)
I saw Ronit Elkabetz in The Band's Visit and wanted more. I certainly got more in this movie - much more.
Zaza's (Lior Ashkenazi) parents are trying to get him married and he makes the rounds visiting all the eligible females. However, Zaza only wants Judith (Elkabetz), a divorcée with a child. Why wouldn't he? Even his father admits she is hot - and she truly is! The whole family arrives at her apartment and act like complete jackasses in their effort to split them up. They accomplish their mission in an unexpected manner, and Zaza is forced to marry a woman he does not love to make his parents happy.
That's what happens when you are castrated. How is he going to make grandchildren? Elkabetz was magnificent. I want more!
Zaza's (Lior Ashkenazi) parents are trying to get him married and he makes the rounds visiting all the eligible females. However, Zaza only wants Judith (Elkabetz), a divorcée with a child. Why wouldn't he? Even his father admits she is hot - and she truly is! The whole family arrives at her apartment and act like complete jackasses in their effort to split them up. They accomplish their mission in an unexpected manner, and Zaza is forced to marry a woman he does not love to make his parents happy.
That's what happens when you are castrated. How is he going to make grandchildren? Elkabetz was magnificent. I want more!
Did you know
- TriviaThe movie time is 1989 because Madonna writes in her diary the date 9.6.1989. Israeli car license plates from the 1980s are also visible.
- ConnectionsFeatured in A History of Israeli Cinema (2009)
- How long is Late Marriage?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,656,445
- Opening weekend US & Canada
- $31,685
- May 19, 2002
- Gross worldwide
- $1,868,298
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