Comic Book Villains

"Comic Book Villains" tells of an old lady who's sitting on her late son's valuable comic book collection and two competing comic book store owners who want it at any cost. Among its many deficits this shabby film has a handful of second rate actors, an amateurish screen play, obvious low budgetness, awful music, and a generally lame execution. Cinematic junk food. (C-)

Comic Book Villains

The semi-sociopath who reigns over the other similar souls in his comic book emporium has been worked enough to be a cliché. There is even such a chubby unkempt looser lovingly portrayed as part of the Simpsons repertoire. Other than displaying a life that many of us can look at condescendingly, can this be a lead character for a movie?

Opening in a vein of light hearted reminiscence of small town Americana, the drama builds with the discovery of the death of a "collector." This man had lived with his mom his entire fifty some years with only one love, collecting comics. Our Simpsonesque character is now in a contest with another store owner to see who can finagle the mother of the deceased into selling this bonanza.

A standard criticism of many films is that the characters devolve into cartoon figures. This film does quite the opposite. It starts with clichés and whimsy and slowly peels away this facade to expose a throbbing violent human conflict. When goaded by their true passion, love of comics and the wealth to transcend their limited horizons, greed rears it's transforming head. What is more amazing, the fim still manages to keep a sense of wit, but now with a mordant ironic tinge that is intrinsic to the human condition when raw passion transcends reason.

This is inspired filmmaking. Not a scene, not a line, not an expression was included that did not ring true. This movie was not well received by the voters of my internet site, so what you have just read it a minority report.

These types of stories, by which i mean, a group of people who's true natures are exposed by greed and obsession, will either work for you or not, and by default the climax will seem over the top and take away half the audience.. but no matter the ending, the ride there is very well executed, and went way past the expectations i got from just watching the trailer.

The great cast of guys who steal scenes in other films, was one i was very interested in, but i sceptical about the actual film, i thought past the interesting plotline,it would be poorly written and directed by a moron.. but it so wasn't!

It's one of those movies that through good storytelling just makes you watch, and not want to get up, and the 90 minute runtime just flies by! not one scene is wasted, not one performance is perfunctonary, it's just completely well made all round, and very well written/directed. I think the negative comments are from people who are expecting way too much from the film, and maybe movies in general.. if you're someone who just goes along with the ride, so long as it's all relatively credible, and you like the cast, then i think you'll have a great time, no doubt! this film went way past my expectations!

my only quibble, and it's so minor, plus it seems unavoidable with films about greed, HOW THE HECK DO YOU END IT!! if the film was being completely realistic, then the film's ending probably wouldn't happen, but in real life the ending would be pretty dull, and lose the whole comic book feel to the film.. comic books also use violence as a device, comic books are visually over the top representations of everyday things.. many characters in comic books are 2-dimensional simple folk.. hence the title to this movie, and in general the whole feel and look to the movie (which btw looks VERY good for such low budget!).. so the ending in after thought may seem to be slightly over the top, and doesn't seem to fit the characters, but while watching i was hooked! and so will you! :)

definately worth the rental!! maybe even a buy. It's hard to recommend as a film for comic book fans, because that's like saying every girl is going to like a chick flick, but there are comic book references aplenty, and comic book collectors for fellow guys to relate with.. so i think a comic book fan might get more out of it than others, but not necersarily enjoy it more.. but what's great about this movie, is that you don't need to know ANYTHING about comics to enjoy it, you can even watch it in mute! it's really well made!

Kind of a unique idea for a dark comedy. Competing comic book store owners trying to outwit each other for a prize collection. Unfortunately the crazed collectors are all, except one, unlikable, unsympathetic, and greedy. The movie is very uneven, with characters morphing from just scheming crazies, to murderers. It is at this point, when almost everyone has transformed into killers, that "Comic Book Villains" seems to have run out of ideas, and rapidly spirals downhill. If after the confrontation in the old ladies home, the script had been fully developed, the movie might have worked better on several levels. As it stands, it is at best, a very mediocre black comedy. - MERK

"Comic Book Villains" requires a familiarity for the themes of comic books, rather than the comics themselves. There are three types of comic book 'geeks' in the movie: the hardcore collector, represented by Logue's character; the famous book reader, who knows everything about popular comics, but nothing about less-known ones; and the casual reader, represented by DJ Quall's character of Archie. His role is where the problems begin. Every moment that Logue, Rappaport, or Cary Elwes is on screen, the movie shines of brilliant observation and attention to dialogue. However, Archie was written as the ideal reader, a guy who understands that comics are entertainment, not reality. He epitomizes everything i dislike about this movie. Every scene he is in is either hinting at a message, or explaining a message. The theme Archie brings to the story is furthered by ridiculously pathetic acts of violence and obsession, which ruin the film's last 4th. If one were to watch the ending of the movie and then the beginning, he would not have any idea they belonged to the same picture. Take Natasha Lyonne's character for instance. At the opening of the movie, she is a bright woman who runs a comic book store very casually. A slow change and character ark would have been brilliant for her character. However, after one stupid plot-hole-filled scene, she becomes a vengeful warrior obsessed with getting the mcguffin of the piece, the dead man's comics.

This film deserves more attention than it gets; it's more enjoyable than a lot of the comedies out there even if one has no interest in the comic book aspect shown in the film. That can be looked at as a frame for the characters and an incidental device to move the plot along. The actors bring the characters to life in a believable fashion. The real surprise for me was Cary Elwes, who I generally think of in stick-up-his-wazoo, pretty-boy roles like in "Twister" or his turn on "The X-Files". Here, he manages to play a nasty two-bit, low-life punk with some edge, and I almost didn't recognize him. It's a low-budget, independent film, but a cast of names we recognize from other films give it some prestige. Robinson also makes a statement on the comic industry as it has gotten into through the 90's and into the new millennium. It is held together quite well by the narration of one of the main characters, and in spite of its title manages to hit more than one emotional note throughout. It deserves a much wider audience because of the fine character acting of the entire cast.

Overall rating: 7 out of 10.