Comic Book Villains

"Comic Book Villains" tells of an old lady who's sitting on her late son's valuable comic book collection and two competing comic book store owners who want it at any cost. Among its many deficits this shabby film has a handful of second rate actors, an amateurish screen play, obvious low budgetness, awful music, and a generally lame execution. Cinematic junk food. (C-)

"Comic Book Villains" requires a familiarity for the themes of comic books, rather than the comics themselves. There are three types of comic book 'geeks' in the movie: the hardcore collector, represented by Logue's character; the famous book reader, who knows everything about popular comics, but nothing about less-known ones; and the casual reader, represented by DJ Quall's character of Archie. His role is where the problems begin. Every moment that Logue, Rappaport, or Cary Elwes is on screen, the movie shines of brilliant observation and attention to dialogue. However, Archie was written as the ideal reader, a guy who understands that comics are entertainment, not reality. He epitomizes everything i dislike about this movie. Every scene he is in is either hinting at a message, or explaining a message. The theme Archie brings to the story is furthered by ridiculously pathetic acts of violence and obsession, which ruin the film's last 4th. If one were to watch the ending of the movie and then the beginning, he would not have any idea they belonged to the same picture. Take Natasha Lyonne's character for instance. At the opening of the movie, she is a bright woman who runs a comic book store very casually. A slow change and character ark would have been brilliant for her character. However, after one stupid plot-hole-filled scene, she becomes a vengeful warrior obsessed with getting the mcguffin of the piece, the dead man's comics.

This film deserves more attention than it gets; it's more enjoyable than a lot of the comedies out there even if one has no interest in the comic book aspect shown in the film. That can be looked at as a frame for the characters and an incidental device to move the plot along. The actors bring the characters to life in a believable fashion. The real surprise for me was Cary Elwes, who I generally think of in stick-up-his-wazoo, pretty-boy roles like in "Twister" or his turn on "The X-Files". Here, he manages to play a nasty two-bit, low-life punk with some edge, and I almost didn't recognize him. It's a low-budget, independent film, but a cast of names we recognize from other films give it some prestige. Robinson also makes a statement on the comic industry as it has gotten into through the 90's and into the new millennium. It is held together quite well by the narration of one of the main characters, and in spite of its title manages to hit more than one emotional note throughout. It deserves a much wider audience because of the fine character acting of the entire cast.

Overall rating: 7 out of 10.

As a comic book reader and fan, I had been meaning to see this film for sometime. I wouldn't have minded waiting a bit longer, because, to be brutally honest, it is rather boring. The basic premise is two rival comic store owners fighting to purchase a large and valuable collection from an elderly woman whose son has just died. While the two comic stores are rivals, they are both in the business for entirely different reasons - one is an actual fan, one is only in it for the money. This highlights two sides to actual comic collecting as well.

The cast are an odd mix, but like any good comic book, that is expected. Not that this is a comic, but it seems to play out as one. Donal Logue plays Raymond, the unpleasant know-it-all owner of one store, he is a genuine fan of comics (I suppose you could compare him to Comic Book Guy from "the Simpsons"). Michael Rappaport is terrific as the money-hungry Norman, owner of the second store. Natasha Lyonne is fantastic (isn't she always) in his bitchy wife, Judy. DJ Qualls impresses me for the first time ever as fan-boy (and narrator) Archie, and apart from Rappaport and Lyonne, is probably the best actor in this film. I'm in no way saying that the others are bad actors, just this film isn't their best. Cary Elwes seems a bit out of place as Carter, and the lovely Monet Mazur is very underused as his girlfriend Kiki (but then again, aren't most girlfriends in comics?) Danny Masterton is as annoying as ever as Conan, while Eileen Brennan adds a touch of class to the film.

Overall, I was expecting more. There aren't that many films around which focus on comics so "Comic Book Villains" does a good enough job. THe cast are great over all, and there are bits of comic trivia scattered throughout the film, and its fun trying to pick up all the names of characters and events from various comic book series. But at times, the film can be a bit boring. For fans of comics, I suggest you watch it, but for others, view with caution.

Comic Book Villains

The semi-sociopath who reigns over the other similar souls in his comic book emporium has been worked enough to be a cliché. There is even such a chubby unkempt looser lovingly portrayed as part of the Simpsons repertoire. Other than displaying a life that many of us can look at condescendingly, can this be a lead character for a movie?

Opening in a vein of light hearted reminiscence of small town Americana, the drama builds with the discovery of the death of a "collector." This man had lived with his mom his entire fifty some years with only one love, collecting comics. Our Simpsonesque character is now in a contest with another store owner to see who can finagle the mother of the deceased into selling this bonanza.

A standard criticism of many films is that the characters devolve into cartoon figures. This film does quite the opposite. It starts with clichés and whimsy and slowly peels away this facade to expose a throbbing violent human conflict. When goaded by their true passion, love of comics and the wealth to transcend their limited horizons, greed rears it's transforming head. What is more amazing, the fim still manages to keep a sense of wit, but now with a mordant ironic tinge that is intrinsic to the human condition when raw passion transcends reason.

This is inspired filmmaking. Not a scene, not a line, not an expression was included that did not ring true. This movie was not well received by the voters of my internet site, so what you have just read it a minority report.

Was this supposed to be comedy? It could hardly be called funny. A serious movie? Let's not even ask.

This movie transitions from lighthearted, mediocre but sweet/harmless farce to some sort of dark thriller in a way that is simply bizarre. The characters went from benign to murderous without any evolution... they just went from good to evil, plain and simple (I apologize for using that phrase). Both halves of the movie were vaguely interesting, and watchable. Neither was amazing. If the writers had chosen one tone to stick with throughout the movie, it would've been a regular old two-star, maybe two-and-a-half. But this... this was like if halfway through You've Got Mail, Meg Ryan went insane for some reason and started murdering people. It just fundamentally doesn't make any sense.

As for the acting, Logue was actually fun to watch, Cary Elwes (of whom I'm a fan) made me cringe, Eileen Brennan was actually quite likable, and DJ Qualls was hardly ever on screen despite being the narrator. He went through the first half of the movie mildly, and the second half with a sense of unease. Just like me.