Love in the Time of Money

As a fan of such films as "Mulholland Drive," "Memento," and "Before the Rain," I have a predilection for films which require one to piece together clues within the plot in order to distinguish true happenings from false. Initially, "Love in the Time of Money," did not strike me as this type of film, however while driving home, the words of Carol Kane's eccentric pig-tailed telephone clairvoyant came back to me. Kane's character was suggesting that perhaps in another dimension everything is changed by something so simple as a traffic light changing color a half-second earlier. This sensibility is the essence of Mattei's film, which follows the stories of interconnected people who unknowingly affect the fate of each succeeding character. The question which the film leaves one with is: How much of this story really happened?

There is a beautiful scene between Carol Kane, as an aged flamboyant clairvoyant who falls for the young urban Adonis, Adrien Grenier. Notable performances are also given by Steve Buscemi, who plays a struggling modern artist with quiet restraint, and by the gorgeous Rosario Dawson, who plays the conflicted muse of two men.

Petter Mattei's "Love in the Time of Money" is a visually stunning film to watch. Mr. Mattei offers us a vivid portrait about human relations. This is a movie that seems to be telling us what money, power and success do to people in the different situations we encounter.

This being a variation on the Arthur Schnitzler's play about the same theme, the director transfers the action to the present time New York where all these different characters meet and connect. Each one is connected in one way, or another to the next person, but no one seems to know the previous point of contact. Stylishly, the film has a sophisticated luxurious look. We are taken to see how these people live and the world they live in their own habitat.

The only thing one gets out of all these souls in the picture is the different stages of loneliness each one inhabits. A big city is not exactly the best place in which human relations find sincere fulfillment, as one discerns is the case with most of the people we encounter.

The acting is good under Mr. Mattei's direction. Steve Buscemi, Rosario Dawson, Carol Kane, Michael Imperioli, Adrian Grenier, and the rest of the talented cast, make these characters come alive.

We wish Mr. Mattei good luck and await anxiously for his next work.

Love In The Time Of Money is very representative of its era of independent films. First, it is an ensemble piece, including frequent "Indy" stars Steve Buscemi and Rosario Dawson. Second, it has an interesting artistic mechanism to advance the plot: daisy-chaining from one character to the next. Third, it's a lot of slice-of-life moments with similar themes but no particular overriding plot. Fourth, there is a lot of intense inner-city camera work, and diverse camera angles to juxtapose, art, scenery, and faces. Five, the performances of the members of the ensemble run the gamut of tired (Malcolm Gets) to sublime (Carol Kane) and mostly solid with an emphasis on quirkiness in between.

So, with all the other bases covered, I read other IMDb reviews to make sure that it has the most important characteristic to be representative of today's independent films. Its supporters wax enthusiastically about how different its perspectives are from "your typical Hollywood films." At the end of the day, the film is blessedly short by such standards (87 minutes), and certainly watchable, so if you are looking to pass time, you could do worse -- but you could do better. For me, this defines mediocre. One notable exception: if you love Carol Kane who appears in the second half of the film with characters Nick and Will, take the time to see her magnificent performance -- easily the best in the film.

A good indie flick that I stumbled on late night the other day. I love indie flicks set in NYC like most Woody Allen flicks and films like Rodger Dodger, Tadpole, an indie flick with Adrien Brody which I can't recall the name but is an overlooked gem, etc. The ensemble cast is very good and the director connects the stories very well. I liked the stories with contractor and the hooker, Steve Buscemi was good as usual, and the scene with Michael Imperioli at the end with the hooker was very well acted. Also, the banter between Buscemi and the gorgeous Rosario Dawson was well written. I just wish they showed her naked as she looks like she got a nice body. Also, look for a pre Entourage Adrien Brenier who has a decent role. I thought he was very good in the overlooked indie "The Adventures of Sebastian Cole" also.

(Question) What do you call 100 film critics buried up to their necks in sand? (Answer) A good start. Well, I don't know Peter Mattei from Adam but if he is the budding auteur his filmography suggests, "Love in the Time of Money" is a "good start". A classy shoot with whimsical music box style music, this flick looks at a chain of tenuous relationships as it moves from person A to person B to person C...etc...and back again ending with persons A & B in carousel fashion. The film gently probes the unhappy circumstances of nine people with finely rendered shadings beginning and ending with a street whore and her client. The downside of this film is the lack of a story which may have something to do with the many critical slams it received. I watched the behemoth "Angels in America" last night and was bored at the end while this little concatenation of character studies kept me spell bound. Use caution. I may be the only person who really liked this flick. (B)