Frank Martin, who "transports" packages for unknown clients, is asked to move a package that soon begins moving, and complications arise.Frank Martin, who "transports" packages for unknown clients, is asked to move a package that soon begins moving, and complications arise.Frank Martin, who "transports" packages for unknown clients, is asked to move a package that soon begins moving, and complications arise.
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Featured reviews
Die Hard IV Do Not Think, and You Will Have an Enjoyable Action Movie
Nearby Nice, Frank Martin (Jason Statham) transports and delivers illegal cargoes. His business is supported by three basic rule: Rule no. 1 The deal is never to be changed; Rule No. 2 No names; and Rule No. 3 Never watch the cargo. The day he breaks his own rules, he realizes he is transporting a Chinese girl, Lai (Qi Shu), and he gets in many troubles due to his fault. This movie is pure action having all the usual clichés: car chasing, explosions, fights when nobody uses guns, the lead actor gets some kind of involvement with the victim etc. But the choreography is excellent and the action scenes are great. Jason Statham recalls Bruce Willis in `Die Hard'. If the viewer do not think, he will have an enjoyable entertainment. My vote is seven.
Title (Brazil): `Carga Explosiva' (Explosive Cargo')
Title (Brazil): `Carga Explosiva' (Explosive Cargo')
Jason Statham satisfies all your cool fighting needs
Frank Martin (Jason Statham) is a hired transporter willing to deliver anything with simple rules. Never change the deal. No names. Never look in the package. Frank's latest job is to transport for a guy named Wall Street (Matt Schulze). However on the way, he opened the package which turns out to be a Chinese girl.
Written by Luc Besson, this has all the cool people who looks cool, and does cool fighting. And Jason Statham is great at this. From this point on, he becomes the go to guy for all your cool fighting needs. François Berléand does well as Inspector Tarconi and Qi Shu makes a good looking kidnap victim. However, it's not really about any acting. It's all about the action. And director Corey Yuen is an expert at the HK action style.
My biggest problem is that people keep losing or not bringing their guns. So it's a lot of kung fu fighting when gunplay would make more sense. However sense has little to do with this. You must leave reason out of it.
Written by Luc Besson, this has all the cool people who looks cool, and does cool fighting. And Jason Statham is great at this. From this point on, he becomes the go to guy for all your cool fighting needs. François Berléand does well as Inspector Tarconi and Qi Shu makes a good looking kidnap victim. However, it's not really about any acting. It's all about the action. And director Corey Yuen is an expert at the HK action style.
My biggest problem is that people keep losing or not bringing their guns. So it's a lot of kung fu fighting when gunplay would make more sense. However sense has little to do with this. You must leave reason out of it.
An excellent action movie!
All action movies should strive to be this imaginative! OK, the plot was not particularly intriguing, but what action movie's actually is? But the plot was secondary to the action, it only served to make the bad guys bad and the good guys good. The rest was up to Jason Statham's considerable fighting talents.
There were some unbelievable yet jaw-dropping stunts, a terrific fight scene in oil, and some great car chase scenes. There were no smarmy one-liners making light of good action sequences as is too often the case in American-directed action flicks. The hero was cold, yet compassionate. He didn't kill unnecessarily, but when he had to, he was ruthless. There are many great action sequences, some so unbelievable you have to just shake your head and remember that action movies are not supposed to be based on reality. There is even a great shot of the hero jumping off a speeding semi while it races over a bridge onto the back of a bus going perpendicular to the truck under the bridge!! I mean, come on! It would never happen, but I have to give credit to the stunt coordinator who imagined the possibilities.
There is another hilarious scene where the hero chases down an airplane on foot, hijacks it, jumps out of the plane at great altitude in order to land on the back of a speeding transport with a conveniently located borrowed parachute! I am glad all crop dusters carry such indispensable equipment and that it is so easy to land on the back of a truck speeding down the highway at 130 KM/hour.
All in all, 90 minutes of sheer enjoyment. Even with the predictable ending, I have to highly recommend this movie. If you can suspend belief for a little while, you will be rewarded.
There were some unbelievable yet jaw-dropping stunts, a terrific fight scene in oil, and some great car chase scenes. There were no smarmy one-liners making light of good action sequences as is too often the case in American-directed action flicks. The hero was cold, yet compassionate. He didn't kill unnecessarily, but when he had to, he was ruthless. There are many great action sequences, some so unbelievable you have to just shake your head and remember that action movies are not supposed to be based on reality. There is even a great shot of the hero jumping off a speeding semi while it races over a bridge onto the back of a bus going perpendicular to the truck under the bridge!! I mean, come on! It would never happen, but I have to give credit to the stunt coordinator who imagined the possibilities.
There is another hilarious scene where the hero chases down an airplane on foot, hijacks it, jumps out of the plane at great altitude in order to land on the back of a speeding transport with a conveniently located borrowed parachute! I am glad all crop dusters carry such indispensable equipment and that it is so easy to land on the back of a truck speeding down the highway at 130 KM/hour.
All in all, 90 minutes of sheer enjoyment. Even with the predictable ending, I have to highly recommend this movie. If you can suspend belief for a little while, you will be rewarded.
A few bumps mar an otherwise decent outing in "The Transporter"
There's no question that Luc Besson is one of Europe's biggest action producers. I mean with the cult classics "La Femme Nikita" (1991) and "The Professional" (1994) behind him, he's basically been given the green-light for every big action picture he comes across. One of his latest and most ambitious projects was "The Transporter," released in 2002.
I have to admit this is one flick I approached with a very open mind - very open. I mean, I like Jason Statham. I think he's a pretty cool guy and at first, even I questioned his casting as Frank Martin in "The Transporter." But the problem is, and I'm assuming this is the result of the quickly edited action scenes (which were toned down to make the film "PG-13"), he's not being given the room to really be the best he can be.
As the lead character, he's a transporter. He can get you, your associates or your property anywhere, anytime, on time, no questions asked. But you know what? Common sense tells us that it was curiosity that killed the cat, and the cat in this picture thankfully doesn't die some horrible death but instead, curiosity yields him a break - a beautiful woman named Lai (Shu Qi) - bound and gagged, and in the trunk of his BMW.
It's not spoiling much that she and Frank get together and as a result, are forced to do battle with shady and vicious American businessman Wall Street (Matt Schulze) and his army of high-kicking, disposable assassins. There's a little more to the plot and Lai, and the circumstances surrounding her appearance in the trunk of Frank's car, and it involves some smuggling of poor Chinese immigrants from China to Europe, where much of the action takes place.
Speaking of action and there's plenty of it, Statham does display some pretty impressive moves but the frantic editing just doesn't do him justice. He obviously worked out for this part and there are frequent moments when his ripped torso is on display. He also (barely) manages to shy away any possible accusations that he's just a British novelty to American audiences. Director Corey Yuen (whose work on Jet Li's 2001 action film "Kiss of the Dragon" I admired), is behind it and Besson's got a producer credit.
The problem may not be Statham because I think he's a really cool actor with a raspy British accent, but the script is worth some deeper examination by more thoughtful minds. There are plenty of holes and unanswered questions (i.e., the extent of Frank's military training and experiences, Lai and how she wound up with Frank and her quarrelsome relationship with her father who is played by Ric Young, and the plot with the Chinese smuggling).
But why am I making such complaints? "The Transporter" is an action movie; no plot required. Despite some bumps in the road, "The Transporter" is pure action fun from beginning to end, and I got my free ticket to see "The Transporter 2" on Friday.
7/10
I have to admit this is one flick I approached with a very open mind - very open. I mean, I like Jason Statham. I think he's a pretty cool guy and at first, even I questioned his casting as Frank Martin in "The Transporter." But the problem is, and I'm assuming this is the result of the quickly edited action scenes (which were toned down to make the film "PG-13"), he's not being given the room to really be the best he can be.
As the lead character, he's a transporter. He can get you, your associates or your property anywhere, anytime, on time, no questions asked. But you know what? Common sense tells us that it was curiosity that killed the cat, and the cat in this picture thankfully doesn't die some horrible death but instead, curiosity yields him a break - a beautiful woman named Lai (Shu Qi) - bound and gagged, and in the trunk of his BMW.
It's not spoiling much that she and Frank get together and as a result, are forced to do battle with shady and vicious American businessman Wall Street (Matt Schulze) and his army of high-kicking, disposable assassins. There's a little more to the plot and Lai, and the circumstances surrounding her appearance in the trunk of Frank's car, and it involves some smuggling of poor Chinese immigrants from China to Europe, where much of the action takes place.
Speaking of action and there's plenty of it, Statham does display some pretty impressive moves but the frantic editing just doesn't do him justice. He obviously worked out for this part and there are frequent moments when his ripped torso is on display. He also (barely) manages to shy away any possible accusations that he's just a British novelty to American audiences. Director Corey Yuen (whose work on Jet Li's 2001 action film "Kiss of the Dragon" I admired), is behind it and Besson's got a producer credit.
The problem may not be Statham because I think he's a really cool actor with a raspy British accent, but the script is worth some deeper examination by more thoughtful minds. There are plenty of holes and unanswered questions (i.e., the extent of Frank's military training and experiences, Lai and how she wound up with Frank and her quarrelsome relationship with her father who is played by Ric Young, and the plot with the Chinese smuggling).
But why am I making such complaints? "The Transporter" is an action movie; no plot required. Despite some bumps in the road, "The Transporter" is pure action fun from beginning to end, and I got my free ticket to see "The Transporter 2" on Friday.
7/10
Statham & Style Elevate The Action
I still rate this pretty high even if the last 10 minutes got totally out of hand and went crazy, action-wise. By "out-of-hand," I mainly refer to the usual excessive action and bad guys-keep-missing-good guys-even-from-short range-type mentality. Actually, a lot of the film is that but it's such a fun movie that I didn't care.
Jason Statham is very cool in the lead and it's he that makes this a decent film. I also enjoyed Shu Qi, a very pretty woman; the witty dialog of Francois Berleand and some stylish, tongue-in-cheek directing by Louis Leterrier and Corey Yuen. Another director whose films are known for their hip styles also co- wrote this: Luc Besson.
Some of the action scenes are outrageous. To Statham's credit, he did most of the action scenes himself. I guess he's a tough guy in real life, too. He's pretty amazing.
A no-brainer-but lots of fun movie.
Jason Statham is very cool in the lead and it's he that makes this a decent film. I also enjoyed Shu Qi, a very pretty woman; the witty dialog of Francois Berleand and some stylish, tongue-in-cheek directing by Louis Leterrier and Corey Yuen. Another director whose films are known for their hip styles also co- wrote this: Luc Besson.
Some of the action scenes are outrageous. To Statham's credit, he did most of the action scenes himself. I guess he's a tough guy in real life, too. He's pretty amazing.
A no-brainer-but lots of fun movie.
Did you know
- TriviaWhen Lai is flipping through the pictures at Frank's house, the photo of the little boy with the monkey really is Jason Statham.
- GoofsLai is tied to a chair (hands and feet). She is able to get to the car by tiptoeing. How does she then open the door, drag herself and the chair into the car and close the door behind her? Not to mention the fact that someone as careful as Frank steals the car without noticing a woman tied to an office chair in the back seat.
- Quotes
Frank Martin: Rule #1. Never change the deal.
- Alternate versionsJapanese two-disc DVD set features a full bitrate DTS 6.1 sound mix, and restores the bus fight and motorway fights in full.
- ConnectionsFeatured in Knoc-Turn'Al Feat. Samuel Christian: Muzik (2002)
- SoundtracksThe Case
(D.J. Pone & Drixxxe)
Performed by D.J. Pone & Drixxxe
Recorded and Mixed at Digital Factory by Bruno Fourrier
Assisted by Fabrice Sauré (as Fabrice Saure)
©EuropaCorp. (SACEM) / Eastory / B.M.G. Publishing (SACEM)
(p)2002 EuropaCorp.
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El transportador
- Filming locations
- Cassis, Bouches-du-Rhône, France(Frank's home, French Highway Scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $21,000,000 (estimated)
- Gross US & Canada
- $25,296,447
- Opening weekend US & Canada
- $9,107,816
- Oct 13, 2002
- Gross worldwide
- $43,928,932
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- DTS-ES(original version)
- Dolby Digital EX(original version)
- SDDS
- Aspect ratio
- 2.39 : 1
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