The German Woman

Loved 'Foyle's War' and was immediately hooked when first getting into it. Love it even more now, on re-watches things that didn't quite make sense at first are clearer and things that were not noticed or appreciated before are and much admired. Everything that came over as brilliant on first viewings still are brilliant on re-watches.

"The German Woman" is a wonderful beginning. When first getting into 'Foyle's War', there was the thought that it was hard to get into at first. Not so when re-watching "The German Woman", where for so early on so much is so well established in terms of character development, tone and themes. The story is a complicated one but also a very compelling and clever one where the surprises keep coming, the final solution was shocking but made sense, everything that needed to make sense did.

Always have admired the visual detail that went into 'Foyle's Show' and how high quality the production values are, with beautiful costumes, the evocative way the characters are made up, the look of the houses and cars, pretty locations and authentic-looking scenery. The music is in keeping with the mood and doesn't overpower the drama while still making an impact. Chopin C sharp minor Nocturne is one of the most touching and haunting beautiful pieces for piano and in general ever written.

Writing is intelligent, sophisticated and thought-provoking, establishing Foyle's personality with so much depth already and providing some tense and heart-tugging moments. The story is complicated, with a lot of strands that requires full attention, but clever and from start to finish intriguing. It paces itself deliberately but with so much going on it's never once dull.

One thing that wasn't picked up by me but now is and admired hugely is the tackling of what was seen as truths but some really misconceptions and seeing British during the war in a new light. This was a bold move and dealt with with a lot of honesty and tact. The character tensions were also handled very well and added a lot of intrigue as is Foyle's personal life.

Michael Kitchen is truly superb as Foyle, subtle, intensely determined, commanding and above all human. One of the most interesting television detectives there's ever been and Kitchen has rarely been better. Honeysuckle Weeks is charming and loyal and Anthony Howell is wonderful.

In the supporting roles, particularly standing out are an appreciatively restrained Robert Hardy, a luminous and hardly ill-at-ease Rosamund Pike very early in her career and an unnervingly suspicious Joanna Kanska. Dominic Mafham was also effective.

Overall, truly wonderful beginning and did a truly great job setting up for what was to come. 10/10 Bethany Cox

The two episodes that I have seen are wonderfully written and the acting is superb. Michael Kitchen is appropriately low keyed and is probably George Smiley's cousin. The 1940's are vividly presented and the historical revelations of the mixture of defeatism, fear and resolution are effectively portrayed.

ITV had tried several times to find a replacement for Inspector Morse, when it brought us Foyle's War it managed to do just that. The German Woman sets the precedent for a wonderful series, it was beautifully written, superbly acted, fantastically produced, interesting, and simply captivating.

Foyle's War often makes you think of how the War affected different groups of people. We all have ideas of what life was like for everyday Brits, but for Germans living in the UK, life must have been unbearable, the episode manages to show both sides of the argument, and weave the natural fears into the plot. The writing is so incredibly rich, there is so much going on, so much detail, it's impressive when you think of how much is going on, the introduction of Foyle, the story of his son, Samantha's character and story, Milner's story and the actual crime and corruption surrounding the main players.

It is no wonder is lasted so long, and developed such a loyal following. What an immaculate start to a superb series.

It's 1940 and England is under siege by the Germans. The U.S. is in maintaining its isolationist pose which the Japanese are going to change in a year. The episode begins with an Austrian man, who was a part of the Austrian Philharmonic but had to leave after speaking out against the oppressors, being put in an internment camp along with his wife. He was seen taking a picture of his wife with a borrowed camera and hence labeled a spy. His wife dies at the camp and their nephew tries to intervene and get him out. We are introduced to Detective Foyle's, who has been sent to a village to root out a ring that is taking money to keep young men out of the army. While there, he runs into a frightened community, who are bristling at anything Deutsch. A rich man has a wife who is German and she becomes a suspicious character. After a bomb is dropped on the village, she is murdered. There are numerous layers to investigate here, including the death of a young bar maid. Also, Foyle's son heads off to war. This is the story of a man trying to reclaim his purpose and dignity. It is a subtle and masterful use of acting and wonderful settings to tell a very good story. I look forward to more.

This is an excellent period crime drama in the style of Agatha Christie but with more bite. Michael Kitchen is superb as D.S.Christopher Foyle, and the supporting cast are all strong, including a surprisingly quiet but highly effective performance by Robert Hardy. The first in a series of four, this murder story with its background of tensions and suspicions in a small village shortly after the outbreak of the first World War has a satisfying array of characters, a good plot, and allows you a small glimpse of Foyle the man as well as Foyle the detective. Michael Kitchen is an actor who doesn't need words to tell you what he's thinking, and I hope that his performance, and the series itself, gets the recognition it undoubtedly deserves. It's a delight to watch.