As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has o... Read allAs sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of achieving.As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of achieving.
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Featured reviews
A Gory, Subversive Delight
I wish somebody would clone Takashi Miike. This man churns out gory masterpieces with speed and consistency not seen since the 1970s giallo boom. Ichi The Killer is the movie that brought Miike to international attention and it still holds up as one of the filthiest exercises in film-making that I have had the pleasure to watch.
Quentin Tarantino has earned millions ripping off Asian genre classics, so it makes a nice change to see an Asian director take some inspiration from him. Ichi The Killer has clearly been influenced by "Pulp Fiction" and "Reservoir Dogs" in both content and construction. However, Miike takes things to a new level both stylistically and through his mind blowing use of violence. This is one of those films that has to be seen in its uncut form, preferably without the hideous cockney dubbing.
The film follows Kakihara, a Yakuza assassin, on his mission to avenge his boss' murder. After a few false turns, Kakihara learns that Ichi was responsible for the killing and faced with the extent of Ichi's butchery, comes to believe that he may just have met his match in the sadism stakes. Miike expertly weaves several subplots into the film, all of which have the common element of being bloody. As captivating as the story is, it is the breathtaking violence that sets this film apart. Miike splashes blood like an artist uses paint. One of the most striking examples is Suzuki's torture, which sees him suspended on hooks, pierced with skewers and covered with boiling oil. Luckily for gorehounds, Miike is just warming up. This film contains enough blood and severed limbs for two horror movies.
Miike directs the film with his usual sense of style and flair. His affinity for all things surreal is given expression in Kakihara's fist swallowing scene and Jijii's pre-murder bodybuilding poses. The film also has a healthy dose of black humour, largely thanks to Kakihara's masochism. The actors are uniformly excellent, with Tadanobu Asano particularly brilliant as Kakihara. The only significant fault with the movie is the character of Ichi himself, who seems under-developed in comparison to his more interesting Nemesis Kakihara. There is also a slight lull in the film when it explores the ex-policeman's relationship with his son. However, these are small complaints and do little to detract from the film's many great qualities.
Ichi The Killer is subversive film-making at its best. Takashi Miike has carved himself a unique place in world cinema. The astonishing thing is that he keeps on coming up with the goods, time and time again.
Quentin Tarantino has earned millions ripping off Asian genre classics, so it makes a nice change to see an Asian director take some inspiration from him. Ichi The Killer has clearly been influenced by "Pulp Fiction" and "Reservoir Dogs" in both content and construction. However, Miike takes things to a new level both stylistically and through his mind blowing use of violence. This is one of those films that has to be seen in its uncut form, preferably without the hideous cockney dubbing.
The film follows Kakihara, a Yakuza assassin, on his mission to avenge his boss' murder. After a few false turns, Kakihara learns that Ichi was responsible for the killing and faced with the extent of Ichi's butchery, comes to believe that he may just have met his match in the sadism stakes. Miike expertly weaves several subplots into the film, all of which have the common element of being bloody. As captivating as the story is, it is the breathtaking violence that sets this film apart. Miike splashes blood like an artist uses paint. One of the most striking examples is Suzuki's torture, which sees him suspended on hooks, pierced with skewers and covered with boiling oil. Luckily for gorehounds, Miike is just warming up. This film contains enough blood and severed limbs for two horror movies.
Miike directs the film with his usual sense of style and flair. His affinity for all things surreal is given expression in Kakihara's fist swallowing scene and Jijii's pre-murder bodybuilding poses. The film also has a healthy dose of black humour, largely thanks to Kakihara's masochism. The actors are uniformly excellent, with Tadanobu Asano particularly brilliant as Kakihara. The only significant fault with the movie is the character of Ichi himself, who seems under-developed in comparison to his more interesting Nemesis Kakihara. There is also a slight lull in the film when it explores the ex-policeman's relationship with his son. However, these are small complaints and do little to detract from the film's many great qualities.
Ichi The Killer is subversive film-making at its best. Takashi Miike has carved himself a unique place in world cinema. The astonishing thing is that he keeps on coming up with the goods, time and time again.
Quentin Tarantino would be jealous
Takashi Miike has taken an already gory and upsetting manga series of the same name by Hideo Yamamoto and turned it into one of the most notorious gory Japanese films ever made. The story goes that a mob boss has been literally torn apart by a mysterious killer. One of his enforcers, Kakihara (Tadanobu Asano), sets out to find his killer, but given that Kakihara is about as sane as a cuckoo clock factory, and a sadomasochist to boot, things inevitable don't work out nice and neatly.
Ichi the Killer was banned in many countries upon its initial release, and I can definitely see why. It's absolutely brutal in a way that steps way outside the realm of good taste. There's guts flying every which way, not to mention blood being pumped around is if from a high-pressure water hose. There's also masturbation, prostitution, drugs, criminal acts of all varieties, et cetera, et cetera. Pretty much all the main characters are mentally ill, one way or another, and the film truly feels like a direct to film manga adaptation in a way few films do. There are multiple scenes, which I could see happening in a manga, but which really should have been cut from the film version.
But then again, such honesty to one's source material is almost to be admired. As are the huge brass ones required to even direct a film such as this. Because it is a great experience if you're into gore. Not only for the imagery, but for the fact that the story itself works in the confines of the film. Which is a huge plus for a gorefest such as this one.
Ichi the Killer is an acquired taste, but if it is to your liking, then it's definitely worth checking out.
Ichi the Killer was banned in many countries upon its initial release, and I can definitely see why. It's absolutely brutal in a way that steps way outside the realm of good taste. There's guts flying every which way, not to mention blood being pumped around is if from a high-pressure water hose. There's also masturbation, prostitution, drugs, criminal acts of all varieties, et cetera, et cetera. Pretty much all the main characters are mentally ill, one way or another, and the film truly feels like a direct to film manga adaptation in a way few films do. There are multiple scenes, which I could see happening in a manga, but which really should have been cut from the film version.
But then again, such honesty to one's source material is almost to be admired. As are the huge brass ones required to even direct a film such as this. Because it is a great experience if you're into gore. Not only for the imagery, but for the fact that the story itself works in the confines of the film. Which is a huge plus for a gorefest such as this one.
Ichi the Killer is an acquired taste, but if it is to your liking, then it's definitely worth checking out.
I'm scared
Wow, I certainly didn't know what was waiting for me when I decided to watch this movie... I'd like to think I'm generally hardened, I like horror video games, movies, even read some mangas like Berserk and Junji Ito's horror mangas but wow this movie was a bit too much for me.
Never have I seen such a divisive public when it comes to a movie like this, some people don't like it and some people praise it. I really understand both sides. In fact I first came to know about this movie through a book called "1001 Movies to see before you die" and this movie was amongst them, I really don't remember what was the reasoning for it being there but I can understand in some sense why. This movie is relentless, like every scene that you expect the director to not show the explicitness the director shows it- sometimes I wonder if such violence is needed? Perhaps as a means to not deter from the original vision of where it came from I.e. A manga? With drawings you can stylise violence, make it into a part of the aesthetic of your story and I think that Takashi Miike wanted to do something similar with this and show everything just like in the mangas. Honestly one would believe the scenes involving the titular Ichi would be the most terrible ones because he commits the most gruesome murders ever but since his character and his suit and the way he kills his victims are done in such an overblown cartoonish way it is hard to show it done without it looking very fake with CGI and stuff, unless you want to spend a lot on practical effects which Takashi doesn't so most of the killings Ichi does luckily are mostly implied or not shown a lot in contrast to Kakihara who does drawn out painful torture scenes, these were the ones that I wanted to look away from and had to cover my eyes even! Never have I ever encountered something like this before. It is also interesting how it tries to show different sides of violence from different points of view, both equally brutal.
Violence aside I think this movie oozes style, it has cool camera placements and editing that is really frantic... but I think this film excels the most in how it captures it's characters, the costuming is brilliant- Kakihara's wardrobe is so bright and colourful which is a joy to watch (who's the designer?), same with everyone else on the cast, it is a joy (but also a fright) to see everyone imbue their characters with such effervescence.
A negative of this movie I guess is that the story isn't conveyed really well? Some plot points, motivations and relationships in characters weren't done well enough- which is also the difficulty in adapting a manga to a live action movie cause in the manga you'll always have the advantage of having pages and pages to develop everything. I had to read a summary just to understand what was going on and why some characters did some stuff in the movie. This is also a negative side of the hyperactive and stylistic cutting of the movie, sure it looks very cool but it might confuse more than lead on. Also the ending is a bit confusing, make sure to read the wiki to understand it lol! But as I understood it it's a cycle of violence that repeats itself and that revenge never pays no matter how you do it.
Would I watch this movie again? I don't think so really, maybe look at images of the characters to take inspiration for costuming and such but otherwise I couldn't stomach it- even watching it this time I had to take breaks from watching it and cuddle with my dog before I could see the rest of it. Make sure to watch this with someone because going at it alone is not something I recommend. It made me feel and that is what art is supposed to do, it wasn't pleasant feelings but nevertheless it made me feel, and for that I applaud it. Takashi Miike is brave for doing this but I certainly hope that I won't have to watch anything like it again cause wow this was certainly something different. As I said, I understand why it is appreciated but I also understand why it is hated.
Never have I seen such a divisive public when it comes to a movie like this, some people don't like it and some people praise it. I really understand both sides. In fact I first came to know about this movie through a book called "1001 Movies to see before you die" and this movie was amongst them, I really don't remember what was the reasoning for it being there but I can understand in some sense why. This movie is relentless, like every scene that you expect the director to not show the explicitness the director shows it- sometimes I wonder if such violence is needed? Perhaps as a means to not deter from the original vision of where it came from I.e. A manga? With drawings you can stylise violence, make it into a part of the aesthetic of your story and I think that Takashi Miike wanted to do something similar with this and show everything just like in the mangas. Honestly one would believe the scenes involving the titular Ichi would be the most terrible ones because he commits the most gruesome murders ever but since his character and his suit and the way he kills his victims are done in such an overblown cartoonish way it is hard to show it done without it looking very fake with CGI and stuff, unless you want to spend a lot on practical effects which Takashi doesn't so most of the killings Ichi does luckily are mostly implied or not shown a lot in contrast to Kakihara who does drawn out painful torture scenes, these were the ones that I wanted to look away from and had to cover my eyes even! Never have I ever encountered something like this before. It is also interesting how it tries to show different sides of violence from different points of view, both equally brutal.
Violence aside I think this movie oozes style, it has cool camera placements and editing that is really frantic... but I think this film excels the most in how it captures it's characters, the costuming is brilliant- Kakihara's wardrobe is so bright and colourful which is a joy to watch (who's the designer?), same with everyone else on the cast, it is a joy (but also a fright) to see everyone imbue their characters with such effervescence.
A negative of this movie I guess is that the story isn't conveyed really well? Some plot points, motivations and relationships in characters weren't done well enough- which is also the difficulty in adapting a manga to a live action movie cause in the manga you'll always have the advantage of having pages and pages to develop everything. I had to read a summary just to understand what was going on and why some characters did some stuff in the movie. This is also a negative side of the hyperactive and stylistic cutting of the movie, sure it looks very cool but it might confuse more than lead on. Also the ending is a bit confusing, make sure to read the wiki to understand it lol! But as I understood it it's a cycle of violence that repeats itself and that revenge never pays no matter how you do it.
Would I watch this movie again? I don't think so really, maybe look at images of the characters to take inspiration for costuming and such but otherwise I couldn't stomach it- even watching it this time I had to take breaks from watching it and cuddle with my dog before I could see the rest of it. Make sure to watch this with someone because going at it alone is not something I recommend. It made me feel and that is what art is supposed to do, it wasn't pleasant feelings but nevertheless it made me feel, and for that I applaud it. Takashi Miike is brave for doing this but I certainly hope that I won't have to watch anything like it again cause wow this was certainly something different. As I said, I understand why it is appreciated but I also understand why it is hated.
Takashi Miike at his best
Ichi (Nao Omori) is a disturbed and brainwashed killing machine who dresses up in a superhero costume and is controlled by his mentor named Jijii (Shinya Tsukamoto).
Kakihara (Asano Tadanobu) is a sadistic gangster who loves three things: giving and being given pain and looking for the killing machine named Ichi, the person who killed his boss and ran away with his three-hundred million yen. His quest with looking for the mysterious Ichi causes the streets to become a battleground with the gangs of Shinjuku. As the film goes by, the battle with the gangs of Shinjuku becomes more gory than ever.
ICHI THE KILLER is a rare film that we get these days. It contains good cartoon like violence, humour so black yet it would make people laugh, an awesome soundtrack and great makeup effects. Sure, it may not be for everyone but for those that are open-minded or are Miike fans and want to watch something different, this film would be for them.
Kakihara (Asano Tadanobu) is a sadistic gangster who loves three things: giving and being given pain and looking for the killing machine named Ichi, the person who killed his boss and ran away with his three-hundred million yen. His quest with looking for the mysterious Ichi causes the streets to become a battleground with the gangs of Shinjuku. As the film goes by, the battle with the gangs of Shinjuku becomes more gory than ever.
ICHI THE KILLER is a rare film that we get these days. It contains good cartoon like violence, humour so black yet it would make people laugh, an awesome soundtrack and great makeup effects. Sure, it may not be for everyone but for those that are open-minded or are Miike fans and want to watch something different, this film would be for them.
Extreme Comic Book Violence. The film is Like a Live-Action Comic Book!
What My title for this comment says should be a warning to some. That is why the viewer should probably be strongly warned of what this film has in it. Extreme Comic Book Violence. Before I watched this film, I knew that it would have a lot of violence, but I wasn't expecting it to reach heights greater than what I thought. I didn't think it was going to be as extreme as it is before I watched it. The film did shock me a bit.If you think films like Dead Alive, Battle Royale, Audition, Salo', and Caligula are as depraved as movies can be, be prepared to be disarmed. With that said, I will now talk about the film. The story is this. Kakihara is a bisexual sadist who enjoys doing sadistic things such as hanging people by hooks and dumping hot grease on them or pulling the flesh off of people's face's with his arms and legs. He is looking for his Yakuza boss who disappeared. Kakihara is sad because his boss used to play crazy and weird sexual games with him. Kakahara is sort of unaware of a boy named Ichi who runs around in a superhero outfit the the number 1 on it and has blades in his boots that he uses to kill evil people with in gory unrealistic fashions. Ichi is being summoned by a supposedly retired cop. From there on, the story of madness, rape, murder, and mayhem gets a little more complicated. This film, when you look past all the gallons of blood and the sadomasochism, is brilliant. It is full of humor and entertainment but that is not what makes it good. I admired it's story and it's completely risky way to tell what the adventure of all these corrupt people. The film is unafraid of shocking it's viewers or going a little bit over the top to show who the characters are. The film's style is that of a MANGA. It is very fast paced and quick in going on with the scenes. there is one scene in particular where a woman's fingers are snapped. This scene is more shocking then it sounds due to the fact that you don't realize it until it is made obvious. once it becomes obvious enough it jumps away from that scene. Not everyone will agree with me that this film is as good as it is. There are many people that see it just as a gross shocker with no purpose other then grossing us out. There is a purpose in this film though. Even if the meaning is harder then ever to decipher. But I like films that have a hard message to figure out. It makes me want to watch them more. I find this film to be a true Japanese classic that should be remembered by the few people that see it. Words cannot describe how much I love this film. ICHI THE KILLER is a true masterpiece that has a good plot, a good meaning, and a good, yet shocking, ending twist that will haunt you for days. Watch out for the gratuitous adult content though.
Did you know
- Trivia(at around 18 mins) For the sequence based on the part in the manga during chapters 13-16 of volume 2, where a naked Susuki of the Funakigumi is tortured by being suspended from meat-hooks. Susuki's actor Susumu Terajima required twelve hours of makeup and other preparation, and then spent twelve more hours shooting the scene.
- Goofs(at around 1h 30 mins) When Kakihara is attacked in the streets, protective padding is visible under his clothing. Look for it when he bends over backwards without falling over, before he removes his piercings.
- Crazy creditsEnd credits scroll up, down, left, right, forwards and backwards.
- Alternate versionsThe French DVD is the full uncut version
- ConnectionsFeatured in The Cult of Ichi (2007)
Details
Box office
- Budget
- $1,400,000 (estimated)
- Gross US & Canada
- $20,285
- Opening weekend US & Canada
- $2,750
- Nov 12, 2017
- Gross worldwide
- $81,309
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