FBI agent Sasha Petrosevitch goes undercover in the newly reopened Alcatraz prison to find out who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $... Read allFBI agent Sasha Petrosevitch goes undercover in the newly reopened Alcatraz prison to find out who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.FBI agent Sasha Petrosevitch goes undercover in the newly reopened Alcatraz prison to find out who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.
- Awards
- 4 nominations total
Michael Taliferro
- Little Joe
- (as Michael 'Bear' Taliferro)
- Director
- Writer
- All cast & crew
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Featured reviews
Truly, Steven Seagal has nothing better to do with his time than sharing screen time with wannabe actors/rappers. Clearly, this was one of those films which had no real point to it other than trying to appeal to a certain demographic in hopes of making a few bucks. One has to wonder what a person was thinking when the idea of investing in this film came. Anyway, this was just a another reason why Seagal is past his prime, and should try playing quirky roles as opposed to being a tough guy or something. It's hard to say anything else about this movie, considering very little care was put into it.
Sometime in the near future that island in San Francisco Bay is being used for what God intended, a federal prison once again. But now it's a high tech new and improved Alcatraz with Tony Plana as the warden. It's still an unbreakable no escape facility, but no one ever counts on someone breaking into prison.
Which is what Morris Chestnut, Nia Peeples and an assorted gang of body armored thugs do when hijacker Bruce Weitz is about to be executed. It seems that Weitz who has cleaned up quite a bit since he portrayed Detective Mick Belker on Hill Street Blues, has gone and buried a small fortune in gold bullion which he robbed back in the day resulting in several Treasury agents being killed. Which is why Weitz is on death row.
But Chestnut's helicopter which is his escape route crashes in a blinding rainstorm, we get a hostage situation which also involves a Supreme Court Justice in the person of Linda Thorson. Back before she got to the high court, Thorson was the judge who tried and sentenced Weitz and she's there as a witness to the execution that gets delayed.
Fortunately for all concerned Steven Segall is in the joint with his criminal buddy Ja Rule and he organizes the cons to resist.
People who go to see Steven Segall movies go for the action and violence and not a coherent and realistic plot. The action is plenty as Segall goes through the film in a style that makes Sylvester Stallone look like John Barrymore.
If that's what your taste in film is, go for it.
Which is what Morris Chestnut, Nia Peeples and an assorted gang of body armored thugs do when hijacker Bruce Weitz is about to be executed. It seems that Weitz who has cleaned up quite a bit since he portrayed Detective Mick Belker on Hill Street Blues, has gone and buried a small fortune in gold bullion which he robbed back in the day resulting in several Treasury agents being killed. Which is why Weitz is on death row.
But Chestnut's helicopter which is his escape route crashes in a blinding rainstorm, we get a hostage situation which also involves a Supreme Court Justice in the person of Linda Thorson. Back before she got to the high court, Thorson was the judge who tried and sentenced Weitz and she's there as a witness to the execution that gets delayed.
Fortunately for all concerned Steven Segall is in the joint with his criminal buddy Ja Rule and he organizes the cons to resist.
People who go to see Steven Segall movies go for the action and violence and not a coherent and realistic plot. The action is plenty as Segall goes through the film in a style that makes Sylvester Stallone look like John Barrymore.
If that's what your taste in film is, go for it.
Loud and multiple bangs for your bucks. Quite tolerable. After flatlining for twenty minutes an FBI agent(Steven Seagal)feels bullet proof and infiltrates a crime syndicate and lands in the New Alcatraz. His mission is to rescue a death row inmate and ends up thwarting a plot to recover stolen gold bricks. The typical Seagal martial arts is coupled with some moderately impressive F/X to hold your attention. The cast is talented as diverse and includes: Nia Peeples, Ja Rule, Morris Chestnut, Claudia Christian and Stephen Cannell. I find Peeples to be one sexy villian...she always seems to impress me! Not the best or worse Seagal flick and it helps to have very few dull moments. A big thumbs up for an FBI guy that rides the flatline.
For a man that is not feeling well, this was the perfect no brainer film to help me conquer those sweats and chills. There was unrealistic fighting, a Swiss cheese plot, and characters that we cared nothing for, which allowed me to doze off and still know what was happening. This was a Steven Seagal film, so I wasn't expecting much, but honestly, after several of his film you come to realize that they are all very similar and Seagal has not changed his fighting habits at all over the years. He is still using the same fist moves that made him popular in Above the Law. Why should he change? He is Steven Seagal.
So, take his old-school 1980s fighting techniques and combine it with a modern day rap artist like Ja-Rule (especially after his popularity with DMX in Exit Wounds), and you have the film Half Past Dead. So, let's begin. The fighting was laughable. I think that if a gust of wind hit Ja-Rule he would fly halfway across the room. Also, why did it become increasingly obvious that Ja-Rule was not doing his own fight sequences? Throughout his fighting with Nia Peeples, it is very clear that it is not Ja-Rule. How could a director allow such a blatant error happen in an action film? This is not the only case of action gone wrong. There are several scenes in which bullets defy their projected path and gravity. Also, let us not forget the flying fists of Seagal which had the sounds of some hard hits, but it was very obvious that he was mock fighting with most of the extras. This unrealistic fighting knocked this film from five stars to four stars.
So, let's move past the fighting. What is a good action film without the story to accompany the fighting? Sadly, director Don Michael Paul felt as if there was no story needed. Why bother the audience with a story when we have Ja-Rule and Steven Seagal fighting together on-screen? The plot was riddled with more holes that my high school underwear. It was as if we were not seeing the entire picture, and instead of showing us the director relied on words to tell us. Some examples of what I mean are how Sasha and Nick first met. I needed to see this. Without this story and seeing their trust be born, it became less emotional when it was broken. I didn't care, I needed to know more about them. The side-story about Seagal's wife was just filler. He has these visions of her that help him live after a gun battle, but that is all we know about her. When I first saw this scene, I thought it was going to be a major influence in the film. Sadly, I believe that was the last mention of the wife. The Prisoner's story with the gold was horrible. I didn't know enough about the guy to make me see the evil in his ways. This ultimately led to an unclimactic ending with this Prisoner. Does anyone really know who Morris Chestnut's character was? How did he get the money to finance this operation, and how did he become the inside man? I needed answers of which Don Michael Paul was not willing to provide. The lack of story and weakness of the main characters knocked this film from four stars to two.
Finally, I would like to comment on the title. What does it mean? Was it a reference to the time when Sasha almost died, or is it a reference to the lack of caring about life from Ja-Rule and the inmates (remember his line, 'Tonight is a good time to die'). I don't know. This led me to the ultimate conclusion about this film. The director just didn't care. He was happy to have Seagal and Ja-Rule signed on, so everything else became second fiddle. In the range of action films, this is pretty poor. Unrealistic fighting with an overabundance of clichéd lines only plummeted this film deeper into the world of action. To be brutally honest, Ja-Rule cannot act, and this became a problem in this film. He needed a smaller film to get his feet wet and see if he was ready for the cinema world. Half Past Dead was not the best role for him. This film is the perfect example of a movie made just to get rap artists some screen time and attempt to bring an overweight action start from the 80s into the new generation. Sadly, in Half Past Dead it didn't work.
Grade: * out of *****
So, take his old-school 1980s fighting techniques and combine it with a modern day rap artist like Ja-Rule (especially after his popularity with DMX in Exit Wounds), and you have the film Half Past Dead. So, let's begin. The fighting was laughable. I think that if a gust of wind hit Ja-Rule he would fly halfway across the room. Also, why did it become increasingly obvious that Ja-Rule was not doing his own fight sequences? Throughout his fighting with Nia Peeples, it is very clear that it is not Ja-Rule. How could a director allow such a blatant error happen in an action film? This is not the only case of action gone wrong. There are several scenes in which bullets defy their projected path and gravity. Also, let us not forget the flying fists of Seagal which had the sounds of some hard hits, but it was very obvious that he was mock fighting with most of the extras. This unrealistic fighting knocked this film from five stars to four stars.
So, let's move past the fighting. What is a good action film without the story to accompany the fighting? Sadly, director Don Michael Paul felt as if there was no story needed. Why bother the audience with a story when we have Ja-Rule and Steven Seagal fighting together on-screen? The plot was riddled with more holes that my high school underwear. It was as if we were not seeing the entire picture, and instead of showing us the director relied on words to tell us. Some examples of what I mean are how Sasha and Nick first met. I needed to see this. Without this story and seeing their trust be born, it became less emotional when it was broken. I didn't care, I needed to know more about them. The side-story about Seagal's wife was just filler. He has these visions of her that help him live after a gun battle, but that is all we know about her. When I first saw this scene, I thought it was going to be a major influence in the film. Sadly, I believe that was the last mention of the wife. The Prisoner's story with the gold was horrible. I didn't know enough about the guy to make me see the evil in his ways. This ultimately led to an unclimactic ending with this Prisoner. Does anyone really know who Morris Chestnut's character was? How did he get the money to finance this operation, and how did he become the inside man? I needed answers of which Don Michael Paul was not willing to provide. The lack of story and weakness of the main characters knocked this film from four stars to two.
Finally, I would like to comment on the title. What does it mean? Was it a reference to the time when Sasha almost died, or is it a reference to the lack of caring about life from Ja-Rule and the inmates (remember his line, 'Tonight is a good time to die'). I don't know. This led me to the ultimate conclusion about this film. The director just didn't care. He was happy to have Seagal and Ja-Rule signed on, so everything else became second fiddle. In the range of action films, this is pretty poor. Unrealistic fighting with an overabundance of clichéd lines only plummeted this film deeper into the world of action. To be brutally honest, Ja-Rule cannot act, and this became a problem in this film. He needed a smaller film to get his feet wet and see if he was ready for the cinema world. Half Past Dead was not the best role for him. This film is the perfect example of a movie made just to get rap artists some screen time and attempt to bring an overweight action start from the 80s into the new generation. Sadly, in Half Past Dead it didn't work.
Grade: * out of *****
Steven Seagal, who has a proud history of creating some of the most realistic and exciting fight scenes in his past work is completely wasted in this movie. The money must have been good, because I don't see what else would have persuaded him to appear in it. What we have is a shallow excuse to feature some rappers on film. The script is abominable. Everything is contrived, superficial and artificial. The director seems confused about whether or not he is making a music video or an actual film. A lot of posing, unrealistically choreographed fight scenes, a lot of mindless shooting at walls. I was reminded of those ludicrous gunfights in the A Team, in which about 2,000 bullets are fired and nobody gets killed. The background music (if you can call it that) is loud and irritating. And the chief villain, boringly and predictably bumped off only at the end, displays the character development of a robot. I would have had him shot first just to ease the overall irritation of the film. Bad, bad, bad. The only reason I watched it was in the forlorn hope that Steven Seagal could do something to save it, but that was beyond even him. Stick with what you're good at, big guy, and don't appear in any more rap videos.
Did you know
- TriviaIn an article for the German publication Berliner Kurier, Wolfgang Lindner recalls the eccentricities of Steven Seagal on the set. Reportedly, Seagal traveled everywhere in the company of a Buddhist adviser whose verdicts on the state of Seagal's karma would be reason enough for Seagal to halt filming for a day.
- GoofsWhen Judge Jane McPherson is thrown out of the helicopter at the end of the movie you can see a parachute under her shirt.
- Quotes
Little Joe: [Little Joe standing with a big "Rambo" gun] Hey, how do I look?
Twitch: Like a big-ass prom queen.
- Crazy creditsDuring the end credits, 'Twitch' and his 'wife' engage in a hilarious conversation in the visiting room at the prison.
- ConnectionsEdited from Charlie's Angels (2000)
- SoundtracksGangstafied
Written by Andre Parker, Irving Lorenzo, Jeffrey Atkins, Caddillac Tah, Ronnie Lane
Performed by Ja Rule, Caddillac Tah, Ronnie Bumps and Chink Santana
Courtesy of Murder Inc. Records L.L.C.
Under license from Universal Music Enterprises
- How long is Half Past Dead?Powered by Alexa
Details
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $15,567,860
- Opening weekend US & Canada
- $7,820,536
- Nov 17, 2002
- Gross worldwide
- $19,233,280
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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