With the help of a hot, slightly older new acquaintence (Noseworthy), the closeted son (Newton) of a conservative U.S. Senator (Lerner) puts a shocking spin on his dad's re-election campaign... Read allWith the help of a hot, slightly older new acquaintence (Noseworthy), the closeted son (Newton) of a conservative U.S. Senator (Lerner) puts a shocking spin on his dad's re-election campaign.With the help of a hot, slightly older new acquaintence (Noseworthy), the closeted son (Newton) of a conservative U.S. Senator (Lerner) puts a shocking spin on his dad's re-election campaign.
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- 1 win & 2 nominations total
- Skip Franklin
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Some other users have commented on the movie not being multi dimensional, but I think that the way that the characters reacted are pretty realistic, and most people (generally) are multi dimensional but may only show one side of their selves for one reason or another, and don't forget that this movie is focused from the point of view of Henry Kray. It also has many plot twists, and though it has be commented upon that it is too predictable, I thought nothing of the sort. The characters are oddly unpredictable, and are like multi layered onions, many people might just look it and observe that is it just another gay movie, but it is not, it is so much more than that.
The story itself is rather simple. Through the gimmick of a confession to a reporter we meet handsome young Henry Kray (the talented Matt Newton), gay since early teens but electing to keep his private life a secret, who is the son of Senator Jack Kray (Michael Lerner) and his lovely but docile wife Eunice (the fine Karen Allen). It seems that six months prior to the time we are invited into the conversation Henry met Anthony (hunky Jack Noseworthy) whose roommate is HIV positive Izzie (Valerie Geffner). Henry and Anthony have a one-night stand the day before Jack Kray is to give a speech for re-election at Henry's college. The Senator accidentally hits Izzie with his car and Eunice insists Izzie stay with them in their suite where the two women bond. Meanwhile Henry's night with Anthony makes him late for the speech, but a talk to Henry from Jack before the speech telling him what to say (Jack is the best father, loves family values, etc) sticks in Henry's throat and soon after he obeys his father's wishes for the speech introduction, Henry turns to his table partner Anthony and the two kiss openly as the Senator is addressing the crowd - all caught by the media of course.
How this moment of honesty alters the lives of everyone around is the crux of the ending. Not a bad tale, but the camera work is so patchy and disconcertingly disconnected that it defies the viewer to keep the storyline straight. But if the viewer can keep up visually, the performances by the cast are well worth attention. There is some very fine talent on the screen of this B movie! Grady Harp
Enter Anthony, a 28 but younger looking gay man, who's been a member of Act Up but who is now more interested in spending his time with affluent gal pal Izzie and perhaps getting into the pants of some college boy when they crash a campus party.
Despite being 28 Anthony can easily pass for a college guy and quickly meets several guys willing to show him a good time including Henry. Unaware of Henry's name Anthony hooks up with him and spends a fun evening on the floor of the school's darkened gymnasium. Only in the morning, after Henry has left him alone on the floor, does Anthony find out Henry's full identity.
Looking for any chance to take a shot at the conservative government that he detests Anthony decides to take this opportunity for political action. Only problem is that he finds himself beginning to care very deeply for Henry and he must decide if he can use someone he cares for in this way.
The best aspect of the film is the acting. The core cast are all fantastic. What didn't work so well for me was the cinematography, editing and the general low budget approach. The cinematography is mostly (or maybe all) hand-held, with a lot of shaky cam shots and a lot of blurriness. The film is loaded with overexposed shots and a dominance of white. While that may have been so for metaphorical reasons, it's not the most pleasant thing to watch aesthetically if it's relentless--and that's also not the best way to get the metaphorical aspects across. The editing is frequently frenetic. In combination with the locations, sets and general lack of music, Poster Boy has the feel of a 100-thousand dollar art house drama made by a director who is way too obsessed with The Blair Witch Project.
Fortunately, the story is better than that would suggest, although it's not perfect. This would have been far more on-target and controversial 15 years ago (given our present knowledge and overall lack of reaction to the sexuality of some political offspring), but it's still engaging enough, especially given the performances, and at any rate, it deals with important issues that are still far from resolved in our culture.
Why I Gave It 7 Stars: It was a solid 6, leaning towards 8 in the beginning, and towards the end, so I compromised. A solid B- film you might say.
The Story: It centers around Henry (played by Matt Newton). Henry is the son of a ultra conservative Senator from the south. Think of "The Birdcage", minus anything to laugh at. Henry is also gay. The film, told in "flashback style" as Henry tells his story to a reporter unfolds over the course of 6 months. Basically, Henry comes out, and family chaos follows. But not for long, as we're almost to the end of the film.
What I Liked: Personally, I liked the edge. This was almost more of a docu-drama, albeit a fictitious one, which could easily be based on truth. The actors were good to very good, the overall production was good as well.
What I Did Not Like: I was nearly half-way through the film, starting to get concerned where it was going, before all the character/story sub-plots were connected. The second half of the movie was strongest.
The Rest of the Characters: Besides our lead, Henry, we also focus on his stereo-typical bigot Republican Father/Senator, and his "senator's wife" Mother. And to the mix, a straight girl Izzi, and her gay male friend Anthony, whose relationship was unusual at best. Anthony and Henry meet under some unusual circumstances at a college party.
The Ending: I never give away specifics, but let's just say it's not a "Brady Bunch" wrap-up. If the ending was all tidied up for viewers, I would have knocked this down to a 5 or 6. Everything about the film was somewhat gritty, dark, "off". It's not the type of film that usually comes out of the USA. We usually have to watch films like this with sub-titles, so kudos to Here! films and those involved for producing the film.
Final Thoughts: This is not a laugh-out-loud sex romp. No, not at all. It's a good story trying to make a point about politics, sexuality and family values. It does all of those well.
Unrelated Chatter: Jack Noseworthy, the actor who played Anthony also starred in "The Brady Bunch Movie" and in his early years, "Cats" in the theater. Matt Newton (Henry) has appeared on the "Gilmore Girls" and "Judging Amy".
Did you know
- GoofsWhen Henry and Anthony are walking through the campus, Henry points out one of the girls walking ahead of them. Seconds later, you can clearly see her as an extra in the background.
- Quotes
Henry Kray: [to Jack] What am I part of, Jack? An issue? Don't you get it? Issues are what they use to divide us. Sexual orientation, race, gender... All issues that don't actually pertain to anyone except those being cut out and thrown away by the issue. Does it really matter to some farmer in Kansas whether or not two men get married in Vermont? But see, they need us to choose sides. They create these issues for us to cling to, to grasp at. You know they separate us into these divisions: Black, White, Gay, Straight, Rich, Poor. Blame it Christian, Liberal, Democrat, Conservative. Split. Different. Opposed. How can a cause be just if it puts people against each other?
- ConnectionsReferences The Wizard of Oz (1939)
- How long is Poster Boy?Powered by Alexa
Details
Box office
- Gross US & Canada
- $62,062
- Opening weekend US & Canada
- $3,806
- Aug 13, 2006
- Gross worldwide
- $62,062