To save their farm, the resident animals go bounty hunting for a notorious outlaw.To save their farm, the resident animals go bounty hunting for a notorious outlaw.To save their farm, the resident animals go bounty hunting for a notorious outlaw.
- Awards
- 5 nominations total
Judi Dench
- Mrs. Caloway
- (voice)
Cuba Gooding Jr.
- Buck
- (voice)
Jennifer Tilly
- Grace
- (voice)
Randy Quaid
- Alameda Slim
- (voice)
G.W. Bailey
- Rusty, the Dog
- (voice)
Roseanne Barr
- Maggie
- (voice)
Bobby Block
- Piggy
- (voice)
Steve Buscemi
- Wesley
- (voice)
Carole Cook
- Pearl Gesner
- (voice)
Charlie Dell
- Ollie, the Pig
- (voice)
Charles Dennis
- Rico
- (voice)
Joe Flaherty
- Jeb, the Goat
- (voice)
Charles Haid
- Lucky Jack
- (voice)
Ann Richards
- Annie
- (voice)
- (as Governor Ann Richards)
Featured reviews
While the film wasn't a total dud a la "Treasure Planet," it's certainly no "Little Mermaid," or even "Emperor's New Groove," which I consider the best of the latest crop of cartoons for its hip sensibility. "Home on the Range" suffers from an unoriginal and unfunny script, although it is not tediously poor or Saturday-morning-cartoon simple. To begin, there is an overabundance of plastic-playset ready characters (literally a whole farm full): the trio of bounty-hunting heifers played by Roseanne Barr, Judi Dench, and Jennifer Tilly; the yodeling cattle rustler Alameda Slim (Randy Quaid) and his three bumbling nephews; the wannabe-hero steed Buck (Cuba Gooding Jr-- who ok'ed that name?); two lascivious bulls; a buffalo bouncer; a peg-legged jackrabbit; and a whole farmyard of pigs, chickens, a goose, and a surly goat. Oh, and Steve Buscemi shows up too, as a caricature of himself in a purple suit and a pencil moustache. Estelle Harris and Patrick Warburton (so memorable in "Toy Story 2" and "Groove," respectively), had brief cameos as well. There's no time for any kind of character development (not even with a sacred Disney "I Want" song), and the thinnest of premises has the cows hunting for Slim in time to get the reward money to save their farm. I was surprised not by the simplicity but by the unnecessary, unfunny bawdiness of the script (the movie opens with a shot of the Barr cow's ample udders, with her voiceover dryly remarking "Yep, they're real. Quit staring." Crossdressing, pee, and fat man jokes follow.) Alan Menken wrote a few snappy but unmemorable tunes (none of which are sung by the characters, but by the likes of Bonnie Raitt and k.d. lang) and a Coplandesque score. The film redeems itself in its art direction, which bursts with Disney color and retro UPA-style angularity. Especially in the opening scenes, a multiplane effect is used to further flatten, rather than deepen, this storybook world. It's an interesting and visually engaging concept that works well for the story. Backgrounds are intricately detailed with drybrush effects that call to mind "Sleeping Beauty;" if that film's art director, Eyvind Earle, had been called upon to paint the rocks and buttes of the American desert, it would have looked very much like this. It's quite stunning, actually, and the best art direction since 1996's "The Hunchback of Notre Dame." I especially appreciated a background detail in the town scene: one of the buildings was actually only a facade, held up by supports like on a backlot Western set. Similarly, sooner or later, not just critics but parents too will demand the Disney animated features to show that they have something behind that venerable name. "Home on the Range" will tide us over for now, but a renaissance of Disney is getting to be overdue. The Disney animation department (what's left of it), like it or not, needs to take a cue from Pixar and strive for family-friendly originality if they hope to maintain the integrity of the brand. ***
where did it all go because it certainly wasn't spent on the animation. It was just your regular Saturday morning cartoon animation. I guess most of the money must have been spent on the stars who played the voices. Since Rosanne's been out of work lately, she probably asked for a pretty penny to do this.
It didn't have any fun songs that stand out in my mind. Plus, the plot was very generic. And it needed more animals. The main animals were cows, a rabbit, and a horse. There's also a goat, pigs, buffalo, and chickens, but they weren't shown a lot. One of the reasons people liked the story of Finding Nemo so much was all the different animals used to tell the story.
FINAL VERDICT: I guess 5 year olds will like it, but I didn't think it was too great.
It didn't have any fun songs that stand out in my mind. Plus, the plot was very generic. And it needed more animals. The main animals were cows, a rabbit, and a horse. There's also a goat, pigs, buffalo, and chickens, but they weren't shown a lot. One of the reasons people liked the story of Finding Nemo so much was all the different animals used to tell the story.
FINAL VERDICT: I guess 5 year olds will like it, but I didn't think it was too great.
I really took a chance when I bought the DVD of "Home On The Range" because I had not seen it. It is not my normal practice to buy something that I am totally unfamiliar with. However, I was happily surprised. This movie was wonderful! My kids and I thoroughly enjoyed it.
Roseanne provided a funny voice to one of the cows. Love her or hate her, the casting was perfect, like Ellen DeGeneres was for "Finding Nemo".
I read here on IMDb that "Home On The Range" is the last Disney film to be done with traditional animation. Maybe there are faster or cheaper ways of making these movies, but a great history is coming to an end. Kind of sad I recommend this movie. While it may not be a masterpiece, it is a delight that is better than most Don Bluth or Dreamworks films.
I would give it *** out of four. Fun and funny stuff!
Roseanne provided a funny voice to one of the cows. Love her or hate her, the casting was perfect, like Ellen DeGeneres was for "Finding Nemo".
I read here on IMDb that "Home On The Range" is the last Disney film to be done with traditional animation. Maybe there are faster or cheaper ways of making these movies, but a great history is coming to an end. Kind of sad I recommend this movie. While it may not be a masterpiece, it is a delight that is better than most Don Bluth or Dreamworks films.
I would give it *** out of four. Fun and funny stuff!
Ignore the hate if you fell in love with this film. I just watched it and I thought it was fine. Yes, it has it's issues, but I wouldn't consider it as a terrible film from Disney.
Home on the Range was kinda unique. It had nice animation and the characters like Maggie, Mrs. Calloway, Grace and Lucky Jack are pretty good.
The villain, Alameda Slim was pretty weak. He's so dang goofy it's hard to take him seriously.
Here are some things I would change about Home on the Range:
1. Have the characters be more interesting. Don't make them flat.
2. Delate some of the cow jokes. There are too many of them.
3. Make Slim a better villain.
4. The yodeling song could use some work with lyrics.
Overall, this is an okay Disney film. I wouldn't say it's bad, but it's okay.
Home on the Range was kinda unique. It had nice animation and the characters like Maggie, Mrs. Calloway, Grace and Lucky Jack are pretty good.
The villain, Alameda Slim was pretty weak. He's so dang goofy it's hard to take him seriously.
Here are some things I would change about Home on the Range:
1. Have the characters be more interesting. Don't make them flat.
2. Delate some of the cow jokes. There are too many of them.
3. Make Slim a better villain.
4. The yodeling song could use some work with lyrics.
Overall, this is an okay Disney film. I wouldn't say it's bad, but it's okay.
Having only just moved to her new home, Maggie the cow is shocked to learn that it is to be shut down and auctioned off more than likely meaning the chop for all the animals. With cows Mrs Caloway and Grace in tow, she sets out to try and save the farm by claiming the reward for bringing in an infamous cattle rustler. Ignoring the sheer improbability of this, they set off only to find that several other parties (animals and humans) have similar ideas.
I came to this film as one of many animated films on during the Christmas period and given the genre perhaps had reasons for looking forward to the usual star cast, kiddie friendly laughs, subversive adult humour and solid plot with a moral at the base of it. Sadly though this genre is no longer one that can be judged based on your Shrek's, Toy Story's and so on but now needs to be approached with caution given how many weak copies there now are out there. It is a shame to have to point the finger at a Disney product for this crime but I couldn't shake the feeling that the planning for this film involved watching the good Pixar films and saying "let's make one of those but without the effort or cost".
And so the film was born and it appears the effort and cost has been removed, perhaps making a more profitable film due to lower overheads and a "look kids it's another animated film" marketing strategy that writes itself, but what it doesn't produce is a good film which is what Home on the Range stands as testimony to. The story is a very simple adventure that doesn't really have much to it beyond the basic description above and I was surprised by how plodding most of it was. The laughs are few and far between and the delivery generally seemed to lack energy. The animation is pretty basic looking and seems to have been made by a rather lacklustre committee, which is ironic when you think about what the significance the film holds within the legacy of Disney.
The voice cast has names but it feels more like actors being "the voice of" rather than playing characters. As a result they tend to just play on their voice rather than develop characters. Roseanne is Roseanne but with weak material (meaning she is just loud and not funny). Dench takes her money and I doubt very much if this film will ever be mentioned when discussing her body of work, and nor should it be. Tilly at least plays up her part and has quite a "fun" voice. Quaid, Gooding Jnr and Warburton are so-so even if small turns from Buscemi and Weaver are quite fun.
Overall then a pretty lacklustre product across the board that seems to be content to just take the success that simply being in a genre that we had gotten used to being good. It might amuse young children with its big bright shapes and loud noises but older children and certainly adults will find little to entertain.
I came to this film as one of many animated films on during the Christmas period and given the genre perhaps had reasons for looking forward to the usual star cast, kiddie friendly laughs, subversive adult humour and solid plot with a moral at the base of it. Sadly though this genre is no longer one that can be judged based on your Shrek's, Toy Story's and so on but now needs to be approached with caution given how many weak copies there now are out there. It is a shame to have to point the finger at a Disney product for this crime but I couldn't shake the feeling that the planning for this film involved watching the good Pixar films and saying "let's make one of those but without the effort or cost".
And so the film was born and it appears the effort and cost has been removed, perhaps making a more profitable film due to lower overheads and a "look kids it's another animated film" marketing strategy that writes itself, but what it doesn't produce is a good film which is what Home on the Range stands as testimony to. The story is a very simple adventure that doesn't really have much to it beyond the basic description above and I was surprised by how plodding most of it was. The laughs are few and far between and the delivery generally seemed to lack energy. The animation is pretty basic looking and seems to have been made by a rather lacklustre committee, which is ironic when you think about what the significance the film holds within the legacy of Disney.
The voice cast has names but it feels more like actors being "the voice of" rather than playing characters. As a result they tend to just play on their voice rather than develop characters. Roseanne is Roseanne but with weak material (meaning she is just loud and not funny). Dench takes her money and I doubt very much if this film will ever be mentioned when discussing her body of work, and nor should it be. Tilly at least plays up her part and has quite a "fun" voice. Quaid, Gooding Jnr and Warburton are so-so even if small turns from Buscemi and Weaver are quite fun.
Overall then a pretty lacklustre product across the board that seems to be content to just take the success that simply being in a genre that we had gotten used to being good. It might amuse young children with its big bright shapes and loud noises but older children and certainly adults will find little to entertain.
Did you know
- TriviaOne of the reasons this movie received it's its "PG" rating due to one of Maggie's lines about her udders ("Yeah, they're real. Quit staring.")
- GoofsThe plan is to put 5,000 cattle on one train. Using the standard 36 foot, one deck, stock car common to the steam era, that would require a train about three miles long. The train they showed did not have enough cars (or engines).
- Quotes
Willie Brother #1: Maybe they jus' didn't like yer singin'?
Alameda Slim: [anger steadily rising] My "singin'"? Birds *sing.* Saloon girls *sing.* Little bitty snot nosed children *sing.* I yodel, and yodelin'... is an *art!*
- Crazy creditsAt the beginning, the almost-formed logo is branded onto a piece of leather. Then the arc fires in and then burns up to opening shot.
- Soundtracks(You Ain't) Home On The Range
Music by Alan Menken
Lyrics by Glenn Slater
Performed by Timothy Robert Blevins, Gregory Jbara, William Parry (as William H. Parry),
Wilbur Pauley and Peter Samuel
- How long is Home on the Range?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Vacas Vaqueras
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $110,000,000 (estimated)
- Gross US & Canada
- $50,030,461
- Opening weekend US & Canada
- $13,880,771
- Apr 4, 2004
- Gross worldwide
- $145,358,062
- Runtime
- 1h 16m(76 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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