Project Greenlight

The peer-voting method of picking the top scripts and directors ensures that anything/anybody really good will not be selected. Would you really give someone high marks if you were competing against them? I read each of the top ten scripts in the first PGL and found that the winner, Stolen Summer, was the only one that was not full of typos and grammatical errors. The plots weren't great either.

I entered the second PGL and had one voter who gave me top marks in each category and one who gave me top marks in all but one category and that was just one down. What killed me were the other three voters who gave me marks close to the bottom. Yes, I'm bitter.

Watching this one-disaster-after-another reality show, I can't help but wonder if Pete Jones realizes just how lucky he is and how much scrutiny he's under. I mean, he's been pushy, demanding and silly on the set. He's not following a shot schedule or taking advice from anyone, particularly Chris Moore (who comes off in this show as a sort of wiseass, common-sense-spouting hero).

Incidentally, did you count how many drinks Ben Affleck had in the first episode? No wonder they sent him to rehab.

"Stolen Summer," which had a script that Matt Damon said sounded too much like an afterschool special, looks like it's going to be painful to sit through, but this show makes me want to suffer through it.

What a great show! Last summer my friends and I would watch this show ritually. The two directors were such complete opposites and so unexperienced. As horrible as it is, it was wonderful to see them learn through their many mistakes. Additionally, the writer was incredibly annoying...someone needs to inform her that her job was writing the script, not directing the movie. Anyway, this series was wonderful and a great behind-the-scenes look at making a movie. Unfortunately, The Battle of Shaker Heights wasn't the greatest movie and failed at the box office, most likely directly contributing to the show not being renewed. Still, I highly recommend this season!

Ok, maybe not so glamorous - but then that's a useful thing to learn, no?. This multi-part docudrama takes a fascinating look at making movies by following the making of a movie by a first-time director.

I only hope they put this on DVD so others can learn from their mistakes. ;-)

I'll admit when I saw the first few episodes of Project Greenlight Season 3, I made a snap judgment about Gulagher. I fell victim to a good producer who knew the first and foremost element of a good story: Conflict and Resolution. You have to hand it to them because they edited Gulagher's first interview with Wes Craven, Matt Damon, etc... to give the appearance of stupidity. He even clapped his hands, making music by enlarging and shrinking the opening of his mouth.

For all of the aforementioned, and numerous instances of stupidity that they credited to him as he went through the process of making a movie, Gulagher came forward as a bright and shining director/filmmaker. A force to be reckoned with in terms of film-making.

Remember folks FEAST was made for a million dollars, with maybe a tad extra to boot. Also, it was Gulagher's first full feature film if I'm not mistaken.

It was shortly after I heard Damon give Gulagher a big thumbs up about his film-making prowess at the end of the season when I realized there must be something we're not being told, because based on what I'd seen until then, this guy's a moron.

I rented FEAST as soon as I could find it on the rental shelf next to "Dawn of the Living Dead (Now with extra cleavage)." After watching the first five minutes, I could tell Gulagher will make it big. Yeah, not on FEAST because Harvey Weinstein sat on it, but more-so for his overall brilliance and knowledge of story telling.

"I don't know what I'm looking for, but I'll know it when I see it." John Gulagher