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8.2/10
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The second HBO stand-up special by Chris Rock.The second HBO stand-up special by Chris Rock.The second HBO stand-up special by Chris Rock.
- Won 2 Primetime Emmys
- 3 wins & 2 nominations total
Jim Breuer
- White Fan
- (voice)
Mario Joyner
- Black Fan #1
- (voice)
Tracy Morgan
- Black Fan #3
- (voice)
Nelson George
- Self
- (uncredited)
Monteria Ivey
- Announcer
- (voice)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Chris Rock's Bring the Pain is his best standup yet. Bigger and Blacker had some good things, but Chris' material is so well thought out, planned and executted to hilarious precision here it boggles the mind.
He tackles Marion Barry (the crackhead at the million-man-march), OJ, Domestic Abuse, Tossed Salad Man, Women and relationships, Foood, the ghetto, and one of my faborite stand-up speeches ever- Niggers and Black people. Rock brings comedy that is so hard hitting, side splitting, and controversial, it makes Lenny Bruce seem like Jackie Martling. Along with George Carlin and Denis Leary, Chris Rock is one of my favorite comedians ever, and this sepcial proves it.
He tackles Marion Barry (the crackhead at the million-man-march), OJ, Domestic Abuse, Tossed Salad Man, Women and relationships, Foood, the ghetto, and one of my faborite stand-up speeches ever- Niggers and Black people. Rock brings comedy that is so hard hitting, side splitting, and controversial, it makes Lenny Bruce seem like Jackie Martling. Along with George Carlin and Denis Leary, Chris Rock is one of my favorite comedians ever, and this sepcial proves it.
What does this mean? Does Chris Rock make black people less intimidating to whites simply because he points out their weakness? Last time I saw "Live at the Appolo" on TV, all I saw was a lot of crotch-grabbing and swagger and not much thought-provoking thoughts like Chris Rock presents in this show. If your black, laugh at yourself. If your white, laugh too, but realize it's your everyday actions that "Bring the Pain."
I only saw Chris Rock: Bring the Pain recently, having previously owned the album of the same performance. Although the HBO special shares many routines in common with the album, there is also material not on the recording waiting to be discovered.
Rock's routine is hilarious, with even the most topical bits still funny after fifteen years. Sketches about Marion Barry and the Million Man March continue to draw laughs, long after their expiration dates. Other, politically incorrect lines about race relations in the United States hold up long after the race debates of the nineties. This is in large part due to Chris Rock's energy and skilled delivery of the material.
The last twenty minutes or so of the special drag out somewhat. Rock switches from cutting racial commentary to more standard material dealing with relationships. This material is nowhere near as humorous, and comes as a letdown. Still, the special is well worth watching, and will definitely make you laugh.
Rock's routine is hilarious, with even the most topical bits still funny after fifteen years. Sketches about Marion Barry and the Million Man March continue to draw laughs, long after their expiration dates. Other, politically incorrect lines about race relations in the United States hold up long after the race debates of the nineties. This is in large part due to Chris Rock's energy and skilled delivery of the material.
The last twenty minutes or so of the special drag out somewhat. Rock switches from cutting racial commentary to more standard material dealing with relationships. This material is nowhere near as humorous, and comes as a letdown. Still, the special is well worth watching, and will definitely make you laugh.
Chris Rock's Bring the Pain may be the funniest stand-up comedy I have ever had the pleasure of experiencing. The barbs are excrutiatingly accurate, raunchy, and hilarious, and are (no kidding) extraordinarily thought-provoking.
Just so you know where my commentary is coming from, I am a 40 year old, white, middle-class male from Houston, Texas. I have seen Rock's talk show on HBO, and haven't really cared for it. I thought he was reasonably entertaining on Saturday Night Live, but nothing spectacular. When it comes to stand-up comedy, I'm a big fan of circa 1978 Steve Martin stand-up (Wild and Crazy Guy) and I love Seinfeld's 'I'm Telling You for the Last Time'.
Do yourself a favor, rent/buy 'Bring the Pain' and prepare yourself for some mind-blowing, prejudice-shattering, side-splitting hilarity.
Just so you know where my commentary is coming from, I am a 40 year old, white, middle-class male from Houston, Texas. I have seen Rock's talk show on HBO, and haven't really cared for it. I thought he was reasonably entertaining on Saturday Night Live, but nothing spectacular. When it comes to stand-up comedy, I'm a big fan of circa 1978 Steve Martin stand-up (Wild and Crazy Guy) and I love Seinfeld's 'I'm Telling You for the Last Time'.
Do yourself a favor, rent/buy 'Bring the Pain' and prepare yourself for some mind-blowing, prejudice-shattering, side-splitting hilarity.
I don't know if Rock will be mentioned in the same breath with Pryor, Cosby, or even Murphy. Where Pryor was all about 'it's a black thing', looking from the inside out, and Cosby is about doing away with the artificial divisions of *color* and focusing on the rightness of *personal conduct*, Rock has found his own niche of effortless race humor, although he is perhaps most closely aligned with early Eddie.
By today's standards, even the tossed salad euphemism is tame. But the key is Rock does have talent at building comic architecture; there's a foundation for all the jokes, the first level follows the shape of the foundation, and so on up. And visually, he knows how lead the crowd by stalking from side to side when changing stances.
Pryor only had one note when acting for a movie, Cosby never really made great film headway, but Murphy blazed the film trail for any comics who dared to follow. Not sure if Rock has what it takes to make a real dent there.
Coincidentally, we watched this for the first time when mayor Nagin made his 'Chocolate City' comments that drew so much fire. Note Rock's skill with this notion, in contrast to a bumbling fool like the mayor of New Orleans.
By today's standards, even the tossed salad euphemism is tame. But the key is Rock does have talent at building comic architecture; there's a foundation for all the jokes, the first level follows the shape of the foundation, and so on up. And visually, he knows how lead the crowd by stalking from side to side when changing stances.
Pryor only had one note when acting for a movie, Cosby never really made great film headway, but Murphy blazed the film trail for any comics who dared to follow. Not sure if Rock has what it takes to make a real dent there.
Coincidentally, we watched this for the first time when mayor Nagin made his 'Chocolate City' comments that drew so much fire. Note Rock's skill with this notion, in contrast to a bumbling fool like the mayor of New Orleans.
Did you know
- TriviaAndrew Dice Clay helped Rock prepare for the special. He helped Rock to take particular care in his stage presence and his wardrobe. Clay receives a special thanks in the closing credits.
- Quotes
Chris Rock: We don't need the Death Penalty, we have the tossed salad man! If I had to choose between the Electric Chair and the tossed salad man I'd be going "Where do you plug this thing in? Shouldn't I be wet?"
- Crazy creditsSpecial Thanks - Little Penny
- Alternate versionsIn April 8th, 1997, audio from Bring the Pain was remade into Chris Rock's album: Roll With The New, featuring original skits including Dave Chappelle reprising his role from the Nutty Professor in two skits.
- ConnectionsEdited into Heroes of Black Comedy (2002)
- SoundtracksTouch Me, Tease Me
Composed by Mary J. Blige, Kenny "K-Smoove" Kornegay, Foxy Brown, Schoolly D,
Case, Daryl Young
Details
- Release date
- Country of origin
- Language
- Also known as
- Крис Рок: Дерзайте
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 58m
- Color
- Aspect ratio
- 1.33 : 1
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