Boss of Bosses

Boss Of Bosses explores the life of Paul Castellano who for a few years the top of the heap in his chosen occupation. Chazz Palminteri gives us a good and interesting performance in the title role which follows Castellano from his boyhood on the Lower East Side to that fateful day outside Spark's Restaurant on the Upper East Side of Manhattan. An interesting irony all things considered.

It's an interesting phenomenon in that the more successful you are as a gangster the more you attract the attention of law enforcement. The seeds of your own destruction are built right into criminal activity. Castellano added a few more.

The phrase "a good earner" came into our language in the film Goodfellas. If that was the only criteria for success than Castellano may have been the most successful of all, save for Meyer Lansky who never got convicted for a major crime. Castellano when taking over the Gambino crime family thought first and foremost of earnings. He forbade drug dealing and tried to steer his crime family into the more lucrative profession of the building trades and he was making more money with much less risk.

But as he complained for what he was doing he needed a few guys from Harvard Business School. How do you explain it to guys who got into the business with their main qualifications the ability to bust a few heads? As he grew away from the rank and file Castellano set himself up for trouble.

This same story was told in films where John Gotti and Sammy Gravano were the lead characters. Now told from Castellano's point of view it has all the elements of a Greek tragedy. Palminteri is a most tragic figure indeed.

I did like the trio of FBI agents who went after Castellano. Headed by Daniel Benzali the rest of the trio included Clancy Brown and Jay Sanders. Their activities included bugging Castellano's home on Staten Island and no doubt got a few jollies from his love making to his young Hispanic mistress. Twas rumored Castellano practically went into a second childhood over her.

Paul Castellano's rise and fall are part of our gangland lore now and it's a story well told in Boss Of Bosses.

"Boss of Bosses" isn't anything to get too excited about. When I first saw the promos for it, I was excited, because I have always been interested in La Costa Nostra of the United States. I found these movies have many differences between the book and other sources. Half of the conversation of Paul Castellano and the FBI agents never actually took place. If you see the crime photos, I believe that you never see a bracelet for the Don's mistress, and in the murder of Paul, John Gotti is seen with another man, not Salvatore Gravano. The performances are not to be viewed that highly either, the actor who played Gotti doesn't even looks like him, and Chezz Palmetiri, is a little shorter.

He plays 'em better than ANYbody. I'm just sorry he's been pigeon-holed in that way. He's really very talented but we're all just so used to him playing a Boss. Oh well - here we go again! I hated what happened to the housekeeper he took a liking to. She had that big sad story to tell over by the pool, began an affair with him & then her personality changed up! Now every time I see her in other roles, I can only remember the role she played in this. I think most of the other comments here pretty much tell it all...It's another Mafia Movie. Sorry, Chazz! But we still love ya! I taped this but missed the 1st 20 minutes or so. Can I get it on DVD?

This story has been modified for the screen without a doubt. For the assassination scene two eight-round semi-autos fired twenty-two shots with no visible reloads, leaving shell casings as evidence all over the place? Okay, so I have high standards for docudramas. The book this was based on was pretty good. It did not portray Paul Castellano as sympathetically as was done in the movie. For those with an interest in this story and no time to read it's okay, but don't kid yourself that this is the whole story.

Pretty average for the type of film it is. Palminteri has his usual commanding performance, yet even he cannot get far beyond the mediocre dialog and the overly dramatic and stereotypical plot devices. In fact, he and the very good supporting cast is what pulls this up to a watchable level.

Big mistake to show the killing of Paul Castellano up front, then the rest as a sort of flashback. Most of us know he eventually dies anyway, but it's a completely pointless way of handling it. The maid/mistress is not that much of a sympathetic character as she gives in too easily to becoming a mistress, but that's probably what actually happened.

It's awfully tiring to see these mafioso thugs being constantly portrayed in a flattering manner, using the old excuse of poor upbringing and wrong friends as the reasons for their life of crime, and then of course they are always generous to the downtrodden. But these films never remind us that the downtrodden are the ones they use to gain their riches.

Recommended only for Palminteri fans and/or those who just have to see all gangster films ever made.