New Yorker Ruby Weaver believes she has found the man of her dreams in Sam Deed, who is her best catch in some time--except that he assures her that he came from the future.New Yorker Ruby Weaver believes she has found the man of her dreams in Sam Deed, who is her best catch in some time--except that he assures her that he came from the future.New Yorker Ruby Weaver believes she has found the man of her dreams in Sam Deed, who is her best catch in some time--except that he assures her that he came from the future.
- Awards
- 1 win & 2 nominations total
Stephen Gevedon
- Frenchman
- (as Steve Gevodan)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm always intrigued by small titles, because sometimes they're better than the big moneymakers. This one failed to disappoint, especially because of the superb acting and camera shots. Vincent D'Onofrio(still "the bug" from "Men in Black" in my mind) did a wonderful job of stepping out of that role and into one that's believable, despite Sam's odd story. The first time I watched this, I was intrigued by the possibility that Sam may be telling the truth. Fortunately, K-Pax hadn't managed to ruin that scenario completely for me. The ending was a complete surprise and there were some nice twists.
I picked this up again to see if it was still as intriguing and to my surprise, it was. Even knowing Sam's true identity takes none of the emotion out of the film. I saw that this movie is not just the audience deciding whether or not to believe Sam, but Ruby deciding as well. It's a terrific inner conflict for her, as she struggles in the face of love and honesty after a string of horrible men. Haven't we all met someone that we loved and wanted to trust, but we didn't know we could? The time travel aspect makes this movie impossible but the characters are so real and deep, then the movie feels real and you find yourself thinking if only for a moment that it is perfectly possible. That's why I say that even if you know the ending, watch this movie for the quality that it is.
I picked this up again to see if it was still as intriguing and to my surprise, it was. Even knowing Sam's true identity takes none of the emotion out of the film. I saw that this movie is not just the audience deciding whether or not to believe Sam, but Ruby deciding as well. It's a terrific inner conflict for her, as she struggles in the face of love and honesty after a string of horrible men. Haven't we all met someone that we loved and wanted to trust, but we didn't know we could? The time travel aspect makes this movie impossible but the characters are so real and deep, then the movie feels real and you find yourself thinking if only for a moment that it is perfectly possible. That's why I say that even if you know the ending, watch this movie for the quality that it is.
Vincent D'Onofrio and Marisa Tomei are fantastic as this couple that are in love. Things are going great until Ruby (tomei) discovers that Sam (D'Onofrio) claims to be from the future. GREAT, just what she needs. It seems that she has tended to go for the "loser" type guys, and then tried fix them all of her adult life. She is in therapy for this. She is struggling to NOT fall for a guy with "issues" yet Sam is the best thing that's ever happened to her. I don't know if this can really be classified as strictly comedy. Yes, there are lots of funny things that happen, and funny dialog, but the drama is more intriguing. MUCH better than the big box office romantic comedies that are out there.
I actually think this 2001 low-budget, indie film has a quirky charm that's hard to resist, and credit goes to director/writer/editor Brad Andersen's singular film-making style. It's ostensibly a contemporary love story between two misfits, but he laces the plot with science fiction elements that seem contrived at first until they start to affect the characters tangibly. The irony is that these far-fetched plot developments are what make the movie resonate emotionally. The two people at the center are Ruby Weaver, a single woman with an unfortunate track record of enabling men to meet her lowest expectations, and Sam Deed, a stranger from Dubuque who may be either mentally ill or a time traveler from the year 2470. Ruby is immediately drawn to Sam's sincerity but when he confesses to coming from the future, she inevitably feels like she is recycling old behavior by trying to save him from his delusions.
It reminds me a bit of John Carpenter's 1984 "Starman" (where an alien takes the form of a woman's dead husband) and a touch of Hal Ashby's 1979 "Being There" (where an insulated gardener tries to make sense of the world around him). However, Anderson puts his own idiosyncratic stamp on the movie by making Sam's seemingly insane assertions credible and Ruby's attraction alternately frustrating and empathetic. The acting by the two leads helps considerably here. Suffering from premature Oscar ejaculation, Marisa Tomei has slowly recovered her acting credentials, and this performance is among her best as she dexterously brings out all the hesitation and vulnerability in Ruby. As Sam, Vincent D'Onofrio tempers his trademark intensity with a genuine sweetness that makes his child-like wonder believable. Holland Taylor effectively tones down her sassy persona to play Ruby's impervious therapist, while Tovah Feldshuh grounds the film with warmth and sensibility as Ruby's mother. The ending is clever with a nice use of stop-motion photography, even if it felt slightly derivative of the legendary "Star Trek" episode where Bones is stopped from saving a peace-loving missionary (played by Joan Collins, of all people) about to be killed. This one is more infectious than you may be assuming from the set-up.
It reminds me a bit of John Carpenter's 1984 "Starman" (where an alien takes the form of a woman's dead husband) and a touch of Hal Ashby's 1979 "Being There" (where an insulated gardener tries to make sense of the world around him). However, Anderson puts his own idiosyncratic stamp on the movie by making Sam's seemingly insane assertions credible and Ruby's attraction alternately frustrating and empathetic. The acting by the two leads helps considerably here. Suffering from premature Oscar ejaculation, Marisa Tomei has slowly recovered her acting credentials, and this performance is among her best as she dexterously brings out all the hesitation and vulnerability in Ruby. As Sam, Vincent D'Onofrio tempers his trademark intensity with a genuine sweetness that makes his child-like wonder believable. Holland Taylor effectively tones down her sassy persona to play Ruby's impervious therapist, while Tovah Feldshuh grounds the film with warmth and sensibility as Ruby's mother. The ending is clever with a nice use of stop-motion photography, even if it felt slightly derivative of the legendary "Star Trek" episode where Bones is stopped from saving a peace-loving missionary (played by Joan Collins, of all people) about to be killed. This one is more infectious than you may be assuming from the set-up.
Ruby Weaver, a person who has made bad choices in the boyfriend department, thinks she's finally found a decent life partner in Sam. That is, until he claims he's a time traveler from the future. She plays along at first, but Sam's stories become increasingly weird, and Ruby questions his mental health.
This was such a cute little movie, I decided to by the DVD. The two lead characters were actually entertaining, unlike the cardboard cutouts in most romantic comedies i've seen in the last few years. Brad Anderson is a talented guy, and i'd like to see what else he's directed now.
This was such a cute little movie, I decided to by the DVD. The two lead characters were actually entertaining, unlike the cardboard cutouts in most romantic comedies i've seen in the last few years. Brad Anderson is a talented guy, and i'd like to see what else he's directed now.
A great, low budget indy that was very enjoyable and well made! Great storyline which can keep you involved to the very end, and you should stick around. The movie should have had better marketing when it was released so that it could have reached a larger audience.
D'nofrio plays a great character that catches you and takes you on a ride. Marissa Tomei also shines. She gives another great performance as a concerned and confused lover, burned in the past and now wondering what comes next. You can see that they had a lot of fun working on the films. Check out the cameos, they're a hoot. Especially the scene in the art show. Rent or catch on IFC and you will not be disappointed
D'nofrio plays a great character that catches you and takes you on a ride. Marissa Tomei also shines. She gives another great performance as a concerned and confused lover, burned in the past and now wondering what comes next. You can see that they had a lot of fun working on the films. Check out the cameos, they're a hoot. Especially the scene in the art show. Rent or catch on IFC and you will not be disappointed
Did you know
- TriviaOn the UK DVD cover released in 2007, the blurb on the back features a review quote which reads, "Wow! Outstanding! Completely blew me away". The credit given for the quote is "IMDb".
- GoofsMrs. Weaver says her husband quit drinking on Tuesday, 15 October 1988. In fact, that date was a Saturday.
- SoundtracksDefect 4: Emeré
Written by Tom Zé and José Miguel Wisnik
Performed by Tom Zé
Courtesy of Luaka Bop/Virgin
- How long is Happy Accidents?Powered by Alexa
Details
Box office
- Gross US & Canada
- $688,523
- Gross worldwide
- $688,523
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content