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7.7/10
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13-year old Wei Minzhi is the new substitute teacher of a mountain village school. She is told not to lose any of her pupils under any circumstances.13-year old Wei Minzhi is the new substitute teacher of a mountain village school. She is told not to lose any of her pupils under any circumstances.13-year old Wei Minzhi is the new substitute teacher of a mountain village school. She is told not to lose any of her pupils under any circumstances.
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This is the depiction of a true story with the two lead characters performed by the actual person: Wei Minzhi, 13 year old young girl who is a substitute for the village teacher, and Zhang Huike, 11 year old young boy who left school to go to the city to find work to pay for family debt.
It is DERTERMINATION personified. She is one young lady who's not worried about her looks or other people's criticism. She is truly one track minded to find the lost student and to bring him home back to the village, and does not care if others are curt with her, or impolite; she's just very focused on achieving what she came to the city for - to get Zhang Huike back to the village school - no matter what it takes!
Simple setting. Poor village, city hustles. Children interactions/reactions are always a joy to watch. Lead character is devoid of guile and her stubborn determination is direct and innocent. The hesitation in her speech, her pause and silence held her own. Her performance is guileless - plainly so - that's how precious the performance is. An occasional smile is not easy to detect, as she is so engrossed in her mission; the continuous smile towards the end is well earned. There is magic after all.
This is a rare gem from director Zhang Yimou, quite a different flavor from his film collaborations with heaven-sent leading lady Gong Li.
It is DERTERMINATION personified. She is one young lady who's not worried about her looks or other people's criticism. She is truly one track minded to find the lost student and to bring him home back to the village, and does not care if others are curt with her, or impolite; she's just very focused on achieving what she came to the city for - to get Zhang Huike back to the village school - no matter what it takes!
Simple setting. Poor village, city hustles. Children interactions/reactions are always a joy to watch. Lead character is devoid of guile and her stubborn determination is direct and innocent. The hesitation in her speech, her pause and silence held her own. Her performance is guileless - plainly so - that's how precious the performance is. An occasional smile is not easy to detect, as she is so engrossed in her mission; the continuous smile towards the end is well earned. There is magic after all.
This is a rare gem from director Zhang Yimou, quite a different flavor from his film collaborations with heaven-sent leading lady Gong Li.
There isn't much to this story, I but I still liked it. The lead character, played by Wei Minzhi, is supposed to be playing a 13-year-old girl and was really interesting to watch, as were the young students and some of the other people in this film.
Oddly, all these actors were amateurs, real-life students and people of varied professions. It's nicely filmed, too, despite the bleak background many times. I find the dialog of many Chinese films to be very pleasing. Yes, there is a lot of receptiveness, at least in the translations, but it's tolerable. There is very little profanity and plenty of good old-fashioned values and feelings of people, simply told. You don't find much of this is in modern-day movies of the Western World. The colors in here - the reds, yellows and oranges - are always a treat for the eyes and the Asian kids' faces are intriguing.
This film is very different from anything Western audiences are used to, but I recommend it for those who realize that fact and are okay with it.
Oddly, all these actors were amateurs, real-life students and people of varied professions. It's nicely filmed, too, despite the bleak background many times. I find the dialog of many Chinese films to be very pleasing. Yes, there is a lot of receptiveness, at least in the translations, but it's tolerable. There is very little profanity and plenty of good old-fashioned values and feelings of people, simply told. You don't find much of this is in modern-day movies of the Western World. The colors in here - the reds, yellows and oranges - are always a treat for the eyes and the Asian kids' faces are intriguing.
This film is very different from anything Western audiences are used to, but I recommend it for those who realize that fact and are okay with it.
I was moved not only by the cultural value and socio-economic perspective of the movie, but also by the themes of compassion, hope, and diligence. As a middle school teacher, I also like how it brings out the idea that meaningful learning (in the classroom and beyond) takes place through real-life commitments, situations and applications.
As a note aside, notice the credits; although this movie is based on a Chinese novel, the director selected actors and actresses from the real world to play their real-life partscomplete with their real names and titles. Thus teacher Gao really is teacher Gao! Mayor Tien really is mayor Tien, and the kids, together with Minzhi Wei, really are village children, who have no acting experience. Thus the movie really is "realistic" in a true and meaningful way. Don't miss this one!
As a note aside, notice the credits; although this movie is based on a Chinese novel, the director selected actors and actresses from the real world to play their real-life partscomplete with their real names and titles. Thus teacher Gao really is teacher Gao! Mayor Tien really is mayor Tien, and the kids, together with Minzhi Wei, really are village children, who have no acting experience. Thus the movie really is "realistic" in a true and meaningful way. Don't miss this one!
Not One Less (English title) is a movie that concentrated on why are there so many Chinese children who quit school. Let's face the facts of life...poverty can ruin one's plan for the future, and this was evident in the film. You'll really see how hard life in mainland China is, even though this is a movie. The story is gripping and very realistic. You'll really feel the hardness of being in poverty and having to quit what you're doing. For the characters, Wei is a substitute school teacher who would go to extremes (high determination) from handling a class to walking around the city looking for a missing person.
I highly recommend watching this Chinese movie to any movie lover out there. This film is NOT a waste of time, it is simply VERY GOOD.
I highly recommend watching this Chinese movie to any movie lover out there. This film is NOT a waste of time, it is simply VERY GOOD.
I am generally not a big fan of movies made only to send a message, tending to agree with the Hollywood director who famously said, If you want to send a message, go to Western Union. And make no doubt about it: this is a message movie. And in case you might miss the message, the director flashes it across the screen at the end. That said, this is a beautiful and heart warming story about an aspect of Chinese culture one generally does not hear much about in the West: the situation at rural schools. As Zhang Yimou lets us know at the end, more than one million students drop out of schools in rural China because of poverty. From what I understand, this is a pretty accurate picture of the situation in many places in the Chinese countryside. Forget about having a computer in the classroom; this place has to worry about having enough chalk. To add to the authenticity, Zhang Yimou used real people from the Chinese countryside to play the roles (although to clear up one misperception, this is not a true story). It is certainly a different China than the economic superpower we hear about in the news. But for anyone wishing to get a more complete picture of China, this film provides a vivid depiction of the plight of rural schools in a very moving if somewhat contrived story and is highly recommended.
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Did you know
- TriviaYimou insisted on capturing natural reactions from the amateur actors. To achieve this, he often used hidden cameras and microphones. This resulted in a film-shot to film-used ratio of 35 to 1. Normally, because of cost, the ratio should be 3.5 to 1. However, because the film was shot on 16mm (an later blown up to 35mm), the price was about the same because of the cheaper film stock.
- Quotes
TV Host: Do you like the city?
Zhang Huike: Yes.
TV Host: What is good about it?
Zhang Huike: The city is beautiful and prosperous. Much better than the country.
TV Host: What's the most lasting impression?
Zhang Huike: That I had to beg for food. I will always remember that.
- How long is Not One Less?Powered by Alexa
Details
Box office
- Gross US & Canada
- $592,586
- Opening weekend US & Canada
- $50,256
- Feb 21, 2000
- Gross worldwide
- $592,586
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