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7.7/10
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13-year old Wei Minzhi is the new substitute teacher of a mountain village school. She is told not to lose any of her pupils under any circumstances.13-year old Wei Minzhi is the new substitute teacher of a mountain village school. She is told not to lose any of her pupils under any circumstances.13-year old Wei Minzhi is the new substitute teacher of a mountain village school. She is told not to lose any of her pupils under any circumstances.
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There isn't much to this story, I but I still liked it. The lead character, played by Wei Minzhi, is supposed to be playing a 13-year-old girl and was really interesting to watch, as were the young students and some of the other people in this film.
Oddly, all these actors were amateurs, real-life students and people of varied professions. It's nicely filmed, too, despite the bleak background many times. I find the dialog of many Chinese films to be very pleasing. Yes, there is a lot of receptiveness, at least in the translations, but it's tolerable. There is very little profanity and plenty of good old-fashioned values and feelings of people, simply told. You don't find much of this is in modern-day movies of the Western World. The colors in here - the reds, yellows and oranges - are always a treat for the eyes and the Asian kids' faces are intriguing.
This film is very different from anything Western audiences are used to, but I recommend it for those who realize that fact and are okay with it.
Oddly, all these actors were amateurs, real-life students and people of varied professions. It's nicely filmed, too, despite the bleak background many times. I find the dialog of many Chinese films to be very pleasing. Yes, there is a lot of receptiveness, at least in the translations, but it's tolerable. There is very little profanity and plenty of good old-fashioned values and feelings of people, simply told. You don't find much of this is in modern-day movies of the Western World. The colors in here - the reds, yellows and oranges - are always a treat for the eyes and the Asian kids' faces are intriguing.
This film is very different from anything Western audiences are used to, but I recommend it for those who realize that fact and are okay with it.
It might be a good idea to show this film in all schools in the `civilised' world! This is, anyway, a delightful story for all the family, hugely enjoyable, simply and lovingly told, and with just the most marvellous little Chinese girl imaginable! She has to stand in for the local schoolmaster who very definitely must go and visit his mother who is ill and dying. He leaves her in the middle of about twenty kids only a couple of years younger than herself to get on with the job as best she can, so as to earn 50 yuan in a school which is falling apart.
Now you might think that such a building could not possibly be a schoolhouse in remote rural China, or anywhere else. I assure you I have seen such schools and not in such remote areas in Indonesia, India, Afghanistan and in what was Portuguese Timor. Even here in Spain, in rural villages high up in the sierras, my wife has worked in schools in little villages where either the floorboards were rotting under her feet in front of the blackboard, or the plumbing did not work, or the lights did not switch on when you wanted them to, or the wood-burning stove in the middle of the room gave off billows of smoke so that you had to open the windows with 10ºC below zero outside, or the window panes had no putty in them, and so on. And this, only a few years ago, in a modern, civilised European country.
Minzhi Wei playing the part of Wei Minzhi, who is herself with her own name (in Chinese the surname is put first) is a thirteen year old who will never make it to Hollywood, but is just the most beautiful school mistress you could imagine! I will not say anything about the story: you can see it for yourself. This young girl had to do it all she is barely ever off the screen.
Yimou Zhang has given us a little gem, a beautiful story, with such wonderful participation by all those children, as well as the fine photography and Bao San's occasional accompanying music.
How nice to see a lovely story so naturally told! Can't we do things like this in Europe and the USA without it being all violence or overladen commercialism for the hungry masses? Can't we tell a real human story without all the technological special effects? Can't we make honest cinema .?
Now you might think that such a building could not possibly be a schoolhouse in remote rural China, or anywhere else. I assure you I have seen such schools and not in such remote areas in Indonesia, India, Afghanistan and in what was Portuguese Timor. Even here in Spain, in rural villages high up in the sierras, my wife has worked in schools in little villages where either the floorboards were rotting under her feet in front of the blackboard, or the plumbing did not work, or the lights did not switch on when you wanted them to, or the wood-burning stove in the middle of the room gave off billows of smoke so that you had to open the windows with 10ºC below zero outside, or the window panes had no putty in them, and so on. And this, only a few years ago, in a modern, civilised European country.
Minzhi Wei playing the part of Wei Minzhi, who is herself with her own name (in Chinese the surname is put first) is a thirteen year old who will never make it to Hollywood, but is just the most beautiful school mistress you could imagine! I will not say anything about the story: you can see it for yourself. This young girl had to do it all she is barely ever off the screen.
Yimou Zhang has given us a little gem, a beautiful story, with such wonderful participation by all those children, as well as the fine photography and Bao San's occasional accompanying music.
How nice to see a lovely story so naturally told! Can't we do things like this in Europe and the USA without it being all violence or overladen commercialism for the hungry masses? Can't we tell a real human story without all the technological special effects? Can't we make honest cinema .?
I suppose 'heart warming' are the first words that come to mind but lest that put anyone off, I have to say that it is the way Mr Zhang involves us from the very beginning that is the reason for the film's success. Beautifully shot with some wonderful natural light, our first glimpse of the rural backwater is astonishing. Almost immediately though we are drawn into a drama involving a thirteen year old girl being put in charge of a school of youngsters. The usual teacher has to visit sick relatives for a month and he leaves the girl behind with specific instructions to keep the schoolchildren from leaving school. Hence the film's title. Of course one goes missing and she follows to the city to try and find him, which becomes the story of the film. It is fascinating to see and believe the degree of poverty in the village and wonder as the children do at the difficulty of surviving in either place. The young girl may be acting less out of altruism than self interest but our eyes do not leave her and her concerns are ours. Seemingly non professional cast do a magnificent job, which must in no small part be down to Zhang, but then nobody seems to put a foot wrong. Excellent.
This is the depiction of a true story with the two lead characters performed by the actual person: Wei Minzhi, 13 year old young girl who is a substitute for the village teacher, and Zhang Huike, 11 year old young boy who left school to go to the city to find work to pay for family debt.
It is DERTERMINATION personified. She is one young lady who's not worried about her looks or other people's criticism. She is truly one track minded to find the lost student and to bring him home back to the village, and does not care if others are curt with her, or impolite; she's just very focused on achieving what she came to the city for - to get Zhang Huike back to the village school - no matter what it takes!
Simple setting. Poor village, city hustles. Children interactions/reactions are always a joy to watch. Lead character is devoid of guile and her stubborn determination is direct and innocent. The hesitation in her speech, her pause and silence held her own. Her performance is guileless - plainly so - that's how precious the performance is. An occasional smile is not easy to detect, as she is so engrossed in her mission; the continuous smile towards the end is well earned. There is magic after all.
This is a rare gem from director Zhang Yimou, quite a different flavor from his film collaborations with heaven-sent leading lady Gong Li.
It is DERTERMINATION personified. She is one young lady who's not worried about her looks or other people's criticism. She is truly one track minded to find the lost student and to bring him home back to the village, and does not care if others are curt with her, or impolite; she's just very focused on achieving what she came to the city for - to get Zhang Huike back to the village school - no matter what it takes!
Simple setting. Poor village, city hustles. Children interactions/reactions are always a joy to watch. Lead character is devoid of guile and her stubborn determination is direct and innocent. The hesitation in her speech, her pause and silence held her own. Her performance is guileless - plainly so - that's how precious the performance is. An occasional smile is not easy to detect, as she is so engrossed in her mission; the continuous smile towards the end is well earned. There is magic after all.
This is a rare gem from director Zhang Yimou, quite a different flavor from his film collaborations with heaven-sent leading lady Gong Li.
Not One Less (English title) is a movie that concentrated on why are there so many Chinese children who quit school. Let's face the facts of life...poverty can ruin one's plan for the future, and this was evident in the film. You'll really see how hard life in mainland China is, even though this is a movie. The story is gripping and very realistic. You'll really feel the hardness of being in poverty and having to quit what you're doing. For the characters, Wei is a substitute school teacher who would go to extremes (high determination) from handling a class to walking around the city looking for a missing person.
I highly recommend watching this Chinese movie to any movie lover out there. This film is NOT a waste of time, it is simply VERY GOOD.
I highly recommend watching this Chinese movie to any movie lover out there. This film is NOT a waste of time, it is simply VERY GOOD.
Did you know
- TriviaYimou insisted on capturing natural reactions from the amateur actors. To achieve this, he often used hidden cameras and microphones. This resulted in a film-shot to film-used ratio of 35 to 1. Normally, because of cost, the ratio should be 3.5 to 1. However, because the film was shot on 16mm (an later blown up to 35mm), the price was about the same because of the cheaper film stock.
- Quotes
TV Host: Do you like the city?
Zhang Huike: Yes.
TV Host: What is good about it?
Zhang Huike: The city is beautiful and prosperous. Much better than the country.
TV Host: What's the most lasting impression?
Zhang Huike: That I had to beg for food. I will always remember that.
- How long is Not One Less?Powered by Alexa
Details
Box office
- Gross US & Canada
- $592,586
- Opening weekend US & Canada
- $50,256
- Feb 21, 2000
- Gross worldwide
- $592,586
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