Set in London, the film follows the intertwining relationships of two couples, who spend much of their time together, both when working and in private.Set in London, the film follows the intertwining relationships of two couples, who spend much of their time together, both when working and in private.Set in London, the film follows the intertwining relationships of two couples, who spend much of their time together, both when working and in private.
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I like Mike Binder quite a bit, from "Mind of the Married Man" (apparently, I was the only one) to "The Sex Monster." So, I was eager to see "Londinium" when it came up on HBO the other day. I went in with ZERO expectations and was pleasantly surprised. Which is to say that there were several parts of the film which were slow, and others where I was laughing out loud. Seven or eight out of 10.
Not a true representation of us Brit's, I do not think, (hope!) but then I am not a Londoner. It's very quirky and has a honest feel in it's style, and some lovely shots of London, beautiful lighting, gives it this dreamy glow.
Bit of a fore runner for love actually this film.
Colin Firth fan's, looking for Mr Darcy fans will be disappointed, more the Fever Pitch character here probably, but he plays it brilliantly as usual.
It is a really modern, deep look at relationships, which could tee of some great conversations.
Also very funny in places, Stephen Fry is so funny as the therapist and Jack Dee is his usual wonderful self, although it is strange to see him sharing a stage.
Definitely worth a watch this film.
Bit of a fore runner for love actually this film.
Colin Firth fan's, looking for Mr Darcy fans will be disappointed, more the Fever Pitch character here probably, but he plays it brilliantly as usual.
It is a really modern, deep look at relationships, which could tee of some great conversations.
Also very funny in places, Stephen Fry is so funny as the therapist and Jack Dee is his usual wonderful self, although it is strange to see him sharing a stage.
Definitely worth a watch this film.
There's not much to it except for beautiful people (Mariel
Hemingway) and a few funny situations. Not so funny is a
repetitive theme of unprovoked violence, which was passed off as
slapstick but proved more painful than funny.
The one scene was the couple in the marriage counsellor's office,
only the counsellor was a personnel counsellor and a hapless
chap that was clearly over his head, especially when the lovely lady
straight-facedly asked the counsellor to ask her husband, why
does he not like to kiss me between my legs like he used to. After
a go-around like that, she asked the counsellor to ask her
husband why he doesn't want her to make love with him with her
mouth anymore. "Ask him all the places where I do it." The park,
the Metro... "THE METRO?"
That's the funniest part about a half hour before the end. It's all
downhill after that.
Hemingway) and a few funny situations. Not so funny is a
repetitive theme of unprovoked violence, which was passed off as
slapstick but proved more painful than funny.
The one scene was the couple in the marriage counsellor's office,
only the counsellor was a personnel counsellor and a hapless
chap that was clearly over his head, especially when the lovely lady
straight-facedly asked the counsellor to ask her husband, why
does he not like to kiss me between my legs like he used to. After
a go-around like that, she asked the counsellor to ask her
husband why he doesn't want her to make love with him with her
mouth anymore. "Ask him all the places where I do it." The park,
the Metro... "THE METRO?"
That's the funniest part about a half hour before the end. It's all
downhill after that.
This is a mishmash. it is attempting to achieve something but since it fails badly it is hard to know what. Is this a light comedy? Is this a Woody Allen take off? God knows...its all over the place but I loved the scenery of London in the summer. I liked the Mind of the Married Man on HBO and was sorry when they cancelled it but this is most peculiar. Possibly a slightly better script and decidedly better directing might have transformed this film ie made it more comprehensible. A bit of editing and the London Tourist Board would love it. But most of it is pretentious crap.
Carly Portland is the American star of British sitcom Tetford Gate produced by her husband Allen Portland. Ratings are falling so they bring in American writer Ben Greene. With time Ben falls for and marries the shows stunning French make-up artist Fiona Delgrazia. However it is not long before the feelings Ben has for Carly start to cause his relationship with Fiona to suffer. Meanwhile, he notices that Fiona and Allen are also getting close. Thus starts several years of relationship twists and turns between the four people.
I'm not entirely sure where to start with this film. On the surface it is some sort of romantic comedy but it doesn't really have much in it that makes for convincing "love" or indeed anything that I would describe as being all that funny. The end result is a film that never once engaged me and just came across as mistakenly thinking itself to be funnier and smarter than it actually was. So it moves along with dialogue that it cannot maintain and a confidence that it does not deserve to have. The fault for this must rest almost totally with writer and director Mike Binder. He has written characters that are not easy to relate to or understand or indeed even to like. The quartet of characters are poorly developed and they seem to do things for the sake of it; I'm not referring to their actions as people driven by lust (who can ever apply logic to such things) but specifically things like the fights outside pubs, which seemed to drop in from another film or be an idea that Binder had but had nobody working with him able to just say "you know what? this doesn't work").
As a result the film just flops long in a series of "ideas" without any real cohesion or reason to stick with it. The cast struggle and it shows. Binder himself seems to be under the illusion that he has written a modern relationship drama that will make him this generation's Woody Allen and as an actor he comes over like he knows it. It is a weak performance and he grated on me throughout. Firth is not as bad but just seems totally unsure of who he is playing. Hemingway is OK while Jacob is sexy as a presence but poor as a narrator. Small turns from Fry, Dee, Marcus and a few other well known faces do nothing really as they lack the material to work with.
Overall then a poor romantic comedy. The characters are poor and the actors cannot work with them or their dialogue as a result. The story and lives are unconvincing and there is not a spark of inspiration or wit to be had across the whole thing. I had never heard of this film before I recorded it a few weeks ago now I understand why.
I'm not entirely sure where to start with this film. On the surface it is some sort of romantic comedy but it doesn't really have much in it that makes for convincing "love" or indeed anything that I would describe as being all that funny. The end result is a film that never once engaged me and just came across as mistakenly thinking itself to be funnier and smarter than it actually was. So it moves along with dialogue that it cannot maintain and a confidence that it does not deserve to have. The fault for this must rest almost totally with writer and director Mike Binder. He has written characters that are not easy to relate to or understand or indeed even to like. The quartet of characters are poorly developed and they seem to do things for the sake of it; I'm not referring to their actions as people driven by lust (who can ever apply logic to such things) but specifically things like the fights outside pubs, which seemed to drop in from another film or be an idea that Binder had but had nobody working with him able to just say "you know what? this doesn't work").
As a result the film just flops long in a series of "ideas" without any real cohesion or reason to stick with it. The cast struggle and it shows. Binder himself seems to be under the illusion that he has written a modern relationship drama that will make him this generation's Woody Allen and as an actor he comes over like he knows it. It is a weak performance and he grated on me throughout. Firth is not as bad but just seems totally unsure of who he is playing. Hemingway is OK while Jacob is sexy as a presence but poor as a narrator. Small turns from Fry, Dee, Marcus and a few other well known faces do nothing really as they lack the material to work with.
Overall then a poor romantic comedy. The characters are poor and the actors cannot work with them or their dialogue as a result. The story and lives are unconvincing and there is not a spark of inspiration or wit to be had across the whole thing. I had never heard of this film before I recorded it a few weeks ago now I understand why.
Did you know
- TriviaIrène Jacob and Colin Firth have previously appeared together in My Life So Far (1999) where Jacob also played a French woman. In both films Firth's character cheats on his wife with Jacob's character.
- ConnectionsReferenced in Creating 'the Upside of Anger' (2005)
- How long is Fourplay?Powered by Alexa
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