Set in London, the film follows the intertwining relationships of two couples, who spend much of their time together, both when working and in private.Set in London, the film follows the intertwining relationships of two couples, who spend much of their time together, both when working and in private.Set in London, the film follows the intertwining relationships of two couples, who spend much of their time together, both when working and in private.
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Good way to blow off some steam!
I found this a delightful study of relationships. It is a foursome ensemble cast of Colin Firth, Mariel Hemingway, Mike Binder and Irene Jacobs. It begins with Mike Binder arriving in London to work as a writer on set of Carly's (Mariel Hemingway) show that is produced by her husband Allen(Colin Firth). Mike Binder is introduced to makeup artist Fiona (Irene Jacobs) and they start a relationship. Carly and Allen look on to their friends passionate relationship and find something lacking in theirs. Mike Binder, never satisfied, looks to Carly for an affair when a real relationship with Fiona becomes too much work.
Allen is more than willing to oblige Mike and dally with Irene and they meet at a country Inn with paper thin walls. Carly and Mike are in the next room confirming the infidelity. Very funny.
I also enjoyed the farcical fight scenes with Allen pummeling his chums apologizing all the while continuing to beat the life out of them. The therapist scenes with Stephen Fry are hilarious.
Allen is more than willing to oblige Mike and dally with Irene and they meet at a country Inn with paper thin walls. Carly and Mike are in the next room confirming the infidelity. Very funny.
I also enjoyed the farcical fight scenes with Allen pummeling his chums apologizing all the while continuing to beat the life out of them. The therapist scenes with Stephen Fry are hilarious.
Sub-standard Notting Hill/Bridget Jones fare
Other than saccharine shots of West London, if that appeals to you, and a lesson in "how not to do it" this film has relatively little to offer. The problem is in the writing. Many scenes are badly written, painfully unfunny - such as the sessions with the Stephen Fry's "labour relations" counselor -, or simply misjudged - the late night pub brawl which seems to be trying to reprise the excellent fight at the end of Bridget Jones' Diary, but looks more like a sick sub-Ritchiesque gangland denouement. To their credit, the actors do a good job with the material they are given. The plot is promising, and somewhere there was a good film in here but one feels that combining the roles of writer, director and lead actor lead to a fatal loss of internal critical tension.
Quirky
Not a true representation of us Brit's, I do not think, (hope!) but then I am not a Londoner. It's very quirky and has a honest feel in it's style, and some lovely shots of London, beautiful lighting, gives it this dreamy glow.
Bit of a fore runner for love actually this film.
Colin Firth fan's, looking for Mr Darcy fans will be disappointed, more the Fever Pitch character here probably, but he plays it brilliantly as usual.
It is a really modern, deep look at relationships, which could tee of some great conversations.
Also very funny in places, Stephen Fry is so funny as the therapist and Jack Dee is his usual wonderful self, although it is strange to see him sharing a stage.
Definitely worth a watch this film.
Bit of a fore runner for love actually this film.
Colin Firth fan's, looking for Mr Darcy fans will be disappointed, more the Fever Pitch character here probably, but he plays it brilliantly as usual.
It is a really modern, deep look at relationships, which could tee of some great conversations.
Also very funny in places, Stephen Fry is so funny as the therapist and Jack Dee is his usual wonderful self, although it is strange to see him sharing a stage.
Definitely worth a watch this film.
Not very engaging... moderate time waster.
I never really understood these kinds of films. What we have here are a group of people attracted to one another, and going through the throws of success, sex and life in some kind of hapless social foray. One that really doesn't produce any kind of result. No happy endings here, and for all of the attempt at humor, there isn't too much that's funny here.
In this sense it's sort of an old fashioned comedy; i.e. stuff that's not really funny to begin with, but is presented with a kind of humorous attitude. Beyond that, there isn't too much to be made of this film.
Mariel Hemingway is gorgeous as ever, and Colin Firth attempts to save a struggling film with superior thesping. The others hold their own in the acting department. Camera angles are fairly plain. There's nothing really inspiring about this film. It promised to be a sex comedy, but doesn't do much for either promise.
Watch at your own risk.
In this sense it's sort of an old fashioned comedy; i.e. stuff that's not really funny to begin with, but is presented with a kind of humorous attitude. Beyond that, there isn't too much to be made of this film.
Mariel Hemingway is gorgeous as ever, and Colin Firth attempts to save a struggling film with superior thesping. The others hold their own in the acting department. Camera angles are fairly plain. There's nothing really inspiring about this film. It promised to be a sex comedy, but doesn't do much for either promise.
Watch at your own risk.
One scene makes the movie worth watching
There's not much to it except for beautiful people (Mariel
Hemingway) and a few funny situations. Not so funny is a
repetitive theme of unprovoked violence, which was passed off as
slapstick but proved more painful than funny.
The one scene was the couple in the marriage counsellor's office,
only the counsellor was a personnel counsellor and a hapless
chap that was clearly over his head, especially when the lovely lady
straight-facedly asked the counsellor to ask her husband, why
does he not like to kiss me between my legs like he used to. After
a go-around like that, she asked the counsellor to ask her
husband why he doesn't want her to make love with him with her
mouth anymore. "Ask him all the places where I do it." The park,
the Metro... "THE METRO?"
That's the funniest part about a half hour before the end. It's all
downhill after that.
Hemingway) and a few funny situations. Not so funny is a
repetitive theme of unprovoked violence, which was passed off as
slapstick but proved more painful than funny.
The one scene was the couple in the marriage counsellor's office,
only the counsellor was a personnel counsellor and a hapless
chap that was clearly over his head, especially when the lovely lady
straight-facedly asked the counsellor to ask her husband, why
does he not like to kiss me between my legs like he used to. After
a go-around like that, she asked the counsellor to ask her
husband why he doesn't want her to make love with him with her
mouth anymore. "Ask him all the places where I do it." The park,
the Metro... "THE METRO?"
That's the funniest part about a half hour before the end. It's all
downhill after that.
Did you know
- TriviaIrène Jacob and Colin Firth have previously appeared together in My Life So Far (1999) where Jacob also played a French woman. In both films Firth's character cheats on his wife with Jacob's character.
- ConnectionsReferenced in Creating 'the Upside of Anger' (2005)
- How long is Fourplay?Powered by Alexa
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