Winnie-the-Pooh

This series of cartoons is loosely based on the A. A. Milne's story of Winnie-the-Pooh as brilliantly retold (rather than simply translated into Russian) by Boris Zakhoder. The scriptwriters created three 15-minute masterpieces by discarding all the boring and irrelevant characters (most notably Christopher Robin, Tigger, Kanga and Roo) and beefing them up with original graphics (sooo superior to Disney's!), wacky songs and hilarious jokes. Quotes from the Vinni Pukh cartoons and humor based on them (much of it R-rated or worse) have become deeply ingrained into the culture of Russian-speaking people - probably even more than the Star Trek's "Scotty, beam me up!" in the United States. A must-see for any foreigner who wants to socialize with Russians.

Vinni Pukh is one of the best soviet cartoons. There are actually very few good soviet cartoons and this is one of them. Vinni Pukh is a beautifully drawn cartoon with its own unique atmosphere, good characters, beautiful music and entertaining story. Vinni Pukh himself is an amazing character, he is cute and beautifully looking. He also is very creative and fun person. The cartoons third episode though contains dramatic segements releated to a newly introduced character which i did not like. Overall the cartoon is very good and absolutely worth watching especially as it is fairly short. One of the controverses though is Pitachok's look as he doesnt look like an actual pig and his eyes are also weird. So there are one-two few "flaws" and thats it for this cartoon. And yeah this cartoon surely beats the american version. Just go ahead and watch it especially if youre russian speaking.

I don't mean to generalize, but if you really want to get some sense of the difference between Russian and American animation (with many many exceptions, obviously), just compare this phenomenal Vinni Pukh with the wretched Disney Winnie the Pooh. The Disney one is sentimental, pandering, unsophisticated, and dumb. Winnie himself lethargically stumbles along like a middle-aged man with a developmental disability. Vinni, however, is vigorous, adventurous, and witty. He's sly and he has attitude. He is no longer a disposable "silly old bear," he is a worthy protagonist. Pyatachok is not a pathetic, feathery-voiced ball of pink. He is vibrant and fun, and their friendship, so beautifully rendered by Milne and made sappy and idiotic by Disney, is here authentic and moving once again. Soviet animation at its best.

Unless you've read any of A.A. Milne's original works, then your image of Winnie the Pooh is the treacly cartoons released by Disney. But there was another set of cartoons depicting the honey-obsessed bear. This set got produced by Soyuzmultfilm, a studio in the Soviet Union, and their Pooh looks more ursine than the Disney one. The first one was "Vinni-Pukh" (the Russian pronunciation of the bear's name). In this one, Pooh wants to get some honey out of a beehive, and so he enlists Piglet's help (Piglet is called Pyatachok in Russian). Naturally there are a few snags. I particularly liked Pooh's nonsense singing. This particular cartoon doesn't include the rest of the characters. It's all about Pooh, Piglet, and the bees. Anyone interested in the history of animation can't afford to miss this short.

Animators in the Soviet Union never really cared about copyright. Their work was typically destined to be released only in their own country, and so there seemed little reason to bother with gaining permission from the likes of Dr. Seuss {as in Alexei Karaev's 'Welcome (1966)'} or A.A. Milne. Fyodor Khitruk's series of animated Winnie the Pooh adaptations was not the first, Wolfgang Reitherman at Disney having already directed two shorts several years earlier, but they are nonetheless well-remembered by Russians who grew up watching the cartoons on television. With a cheeky, down-to-earth charm that appeals to both children and adults, the series – beginning with 'Vinnie-Pukh (1969)' – has since developed something of a cult following, and are considered by many to decisively surpass their Disney counterparts, however uneasily they may fit into the official canon. The animation itself is somewhat coarse and minimalistic, but this all adds to the charm of it all, with the story and characters coming to life as though they have just stepped out of a picture-book.

The first film runs just 11 minutes in length, and follows the efforts of Winnie and Piglet to steal precious honey from a hive of fiercely territorial bees. Demonstrating a keen sense of creativity, Winnie decides to borrow a blue balloon from Piglet's home, the idea being that, after the balloon carries him to the top of the oak tree, the bees will mistake the balloon for a piece of sky, and Winnie for a darkened rain cloud. It was a good idea… in theory. One doesn't usually associate Winnie the Pooh with intelligence, but the Russian version does exhibit a sharp sense of wit, and Evgeni Leonov brings a wonderful amount of humour and character to his voice-acting. Piglet (or Pyatachok, voiced by actress Iya Savvina) is placed cute and innocent, enthusiastically submitting to Winnie's every command, and occasionally lamenting at the loss of his beloved blue balloon. For fans of Soviet animation, or animation in general, 'Vinnie-Pukh' is a charming and witty moving storybook.