Capturing Maine city workers - lobstermen, tugboat crews, teachers, hospital staff, and shopkeepers - using Wiseman's signature style without narration or music.Capturing Maine city workers - lobstermen, tugboat crews, teachers, hospital staff, and shopkeepers - using Wiseman's signature style without narration or music.Capturing Maine city workers - lobstermen, tugboat crews, teachers, hospital staff, and shopkeepers - using Wiseman's signature style without narration or music.
- Director
- Awards
- 2 wins & 2 nominations total
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Featured reviews
This response is a reply to "Boredom Incarnate", a few lines down.
First of all, the documentary you're referring to - the one that would capture the truth about Belfast Maine - doesn't exist for a reason. That's because Wiseman would probably find that film mediocre at best. At least here he can explore (or more simply, observe) a range of human experience, most of which couldn't be captured with a more privileged, middle class demographic or subject. And make no mistake, his are WORKING class subjects.
The film is largely about processes, big or small, be they industrial relations (with the many factory sequences) or simple human relations. It is hugely perceptive, and extremely captivating, but the problem is that it leaves too much up to the viewer in terms of interpretation. This leads people to review the film with expressions like "boredom incarnate" when they should be saying things like "as close to the truth about 'some' forms of human behavior as you're likely to get with a camera in the room."
See it.
First of all, the documentary you're referring to - the one that would capture the truth about Belfast Maine - doesn't exist for a reason. That's because Wiseman would probably find that film mediocre at best. At least here he can explore (or more simply, observe) a range of human experience, most of which couldn't be captured with a more privileged, middle class demographic or subject. And make no mistake, his are WORKING class subjects.
The film is largely about processes, big or small, be they industrial relations (with the many factory sequences) or simple human relations. It is hugely perceptive, and extremely captivating, but the problem is that it leaves too much up to the viewer in terms of interpretation. This leads people to review the film with expressions like "boredom incarnate" when they should be saying things like "as close to the truth about 'some' forms of human behavior as you're likely to get with a camera in the room."
See it.
Wish I could have voted 7.5. Wanted to check the demographics on Belfast after watching this film. Have to agree with so many others the focus was predominantly down-scale. Would like to have seen the 'other half', so to speak. From this film, it would seem the town is down-trodden, mostly illiterate & suffering from 2-digit IQs. Compassion & intelligence were shown, but not frequently. I'm sure Belfast is much like any other town, with a fair mixture of all levels.
I like to 'observe' people & gather much from interactions, what is said between or among them.
It's a decent movie but left me wanting...to know more, to get a more even feel.
I like to 'observe' people & gather much from interactions, what is said between or among them.
It's a decent movie but left me wanting...to know more, to get a more even feel.
I live in Belfast. Belfast is a miserable, lifeless hole. Evidently, we have a "thriving" art community...where? This film has done an excellent job of encapsulating the misery and miasma.
This is a great and disturbing movie. I have lived in Maine all my life, and worked in a number of the jobs depicted here, and I too, as some viewers below, find myself romanticizing Maine, thinking you will find the true Maine in movies other than this one. That you can find the "true Maine" not in the elderly, the infirm, not in the soul-crushing factories, and not in a string of defendants, mechanically pleading guilty to the inevitable and petty charges leveled against them in a courtroom. It is absolutely not true that the youth are not represented here--you see them in the hospitals, as infants, in the stories told by hunters, and as the bored faces in the classroom, repeating the presumably inspiring banalities of an English teacher. And all of the people you do see were of course once much younger than you see them here. It's only four hours--what else do you have to do today that's so important?
10nunculus
The summing-up of the great documentarian Frederick Wiseman's life's work--a four-hour record of a mid-sized Maine town that features local ringers for the cast of Wiseman's other movies: high-school teacher, cops, ER receptionists, social workers, homebound elderly folks, ministers, babies, meat-handlers, the dying. An English-class lecture late in the film on the meaning of MOBY DICK opens up this oracular work, which combines a hard-nosed appraisal of the facts of everyday, small-town life with a Whitmanesque embrace that leaves you overwhelmed and grateful.
Wiseman's films make even the masters of American narrative movies look like self-promoting, candy-flinging hucksters. The hallmark of a Wiseman scene is a whipsaw between unbearable heartbreak and Swiftian laughter. The piece de resistance here features an extremely large, slovenly-clad teacher who resembles a popular weatherman, reading from a book on meteorology to a roomful of profoundly retarded elderly men. The sincerity of the teacher's work, and the look of dutifulness and agonizing boredom on the face of the pupils, make you want to laugh, cry and scream all in the same instant.
Building to a soaring epiphany in a Belfast church, this movie functions on so many cylinders--spiritual, political, metaphorical--it seems insane that Wiseman hasn't been embraced as a national treasure. See it where you can, even if it's late-night public TV: this is the most penetrating, insightful and boundlessly rich community mosaic since NASHVILLE.
Wiseman's films make even the masters of American narrative movies look like self-promoting, candy-flinging hucksters. The hallmark of a Wiseman scene is a whipsaw between unbearable heartbreak and Swiftian laughter. The piece de resistance here features an extremely large, slovenly-clad teacher who resembles a popular weatherman, reading from a book on meteorology to a roomful of profoundly retarded elderly men. The sincerity of the teacher's work, and the look of dutifulness and agonizing boredom on the face of the pupils, make you want to laugh, cry and scream all in the same instant.
Building to a soaring epiphany in a Belfast church, this movie functions on so many cylinders--spiritual, political, metaphorical--it seems insane that Wiseman hasn't been embraced as a national treasure. See it where you can, even if it's late-night public TV: this is the most penetrating, insightful and boundlessly rich community mosaic since NASHVILLE.
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- ConnectionsFeatured in Subject (2022)
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- Runtime
- 4h 5m(245 min)
- Color
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