Born for Hell

In Denis Héroux's gritty Belfast-set thriller Naked Massacre, Cain, a sexually-confused psychotic switchblade-wielding Vietnam veteran, breaks into a house and submits a group of young nurses to a night of terror, leaving only one survivor to tell the tale.

With a plot offering sexual degradation and brutal violence, the film succeeds in being disturbing thematically, but it is missing either the sense of nerve-wracking tension or the no-holds-barred attitude necessary for it to be a totally effective experience.

Had Héroux added more in the way of creepy atmosphere (a decent score might have helped), or ramped up the sleaze levels by being more explicit with the gore and depravity, then I feel that the film would have been much more successful. Just as it seems the director is about to deliver a classic scene of celluloid nastiness, he tends to bottle it. For example, a scene in which the killer hooks up with an ageing prostitute, promises to be both extremely sordid and potentially very violent (think of Cropsy's encounter with the whore in The Burning and you get an idea of what could have been) but ends with a whimper, with the loony simply pushing the topless crone to the floor and running away.

Likewise, a later scene, in which Cain tries to force a nurse to perform oral sex on one of her house-mates before making the poor girl kill her friend, cheats the audience by neither showing the unsavoury sex act (almost, but not quite) or the gruesome death. Other deaths also wimp out on the good stuff, happening off screen or in the dark.

A film that is bloody scary can afford to be light on the gore; a film that is very gory can afford to ignore atmosphere in favour of stomach churning effects. Naked Massacre is neither. It tries hard, with a fair bit of nudity, an efficient and cold-blooded killer, and a nasty scene at the end which involves a touch of DIY tattoo removal, but in the end I couldn't help but feel that the film would've been so much better if it had gone the extra mile to offend.

I sometimes question the motivations of a director who chooses subject matter such as this as material for a film. There is such a sadistic vent to this that it has kept me thinking for days. This is obviously a retelling of the Richard Speck story where a psychotic ex-Vietnam vet terrorizes and kills a group of nurses in a residential house in Northern Ireland. The movie is pretty well done in that it gets us involved with the women and with their assailant. They are real people with prospects; one is even pregnant. I think that's why this so affected me because when you see those teenage slasher movies you say to yourself that no one could be so stupid. The violence is amplified and unrealistic. This one is so close to home. The business of why people don't defend themselves is an issue, but when you see the connection to terror and to humanity, you see why this could happen. Still, I could never watch this again and I'm not sure it needed telling.

Even though the Richard Speck student-nurse murders took place in America, most of the movies inspired by the incident strangely enough were foreign. These include the disturbing Japanese film "Violated Angels", the relatively shocking ending to the ho-hum Italian giallo/sex romp "Slaughter Hotel", and perhaps to some extent even the Canadian proto-slasher flick "Black Christmas". This movie, however, is probably the closest in circumstances to the actual incident. Not that it doesn't make some unusual choices, especially for what is basically an exploitation film. It's set in Belfast, North Ireland, for instance, during the height of "the troubles" when bombs were exploding and Catholics, Protestants, IRA terrorists and British troops were fighting in the streets. Also, the murderer (played by Mathieu Carrare)is an American Vietnam vet where the real Speck was merely a merchant marine. The movie doesn't do much with this though as the Speck character seems far more motivated by his wife's infidelities than any trauma he suffered in Vietnam, and any on-location realism that is achieved is ruined by the bad dubbing (the Irish and English nurses and American killer all speak in the same stilted continental accents of the usual gang of Euro-idiots that dubbed these things).

The movie was distributed mostly under the more lurid title "Naked Massace", and after a strangely large amount of character development of both the nurses and the killer, it lives up to that title when they finally meet and he ties them up and starts bumping them off one by one. The real-life Speck only raped one of the nurses (although far more graphically than what is shown here), but the guy here sexually abuses nearly all of them (one of whom, perhaps in a nod to Sharon Tate, is even pregnant). The most lurid scene is when he forces two closeted lesbians to have sex with each other. Although, it's hard to do such a scene sensitively, this scene is handled even less sensitively than the similar scene in the much more infamous "Last House on the Left".

The director, Denis Heroux, interesting enough, is French Canadian and got his start in superior "maple syrup porn" films like "Valerie" and "L'Initiation" but had his career ended when he was made the scapegoat for the failure of hack British producer Milton Subotsky's idiotic horror movie "The Uncanny". This film, made in the middle of his short career, shows an interesting but obviously declining talent. The cast includes Carol Laure and pretty Italian starlet Ely Galeani. I got this as part of a cheap 50 DVD horror collection. If you can find THAT, it's definitely worth watching. Otherwise, well. . .

A disturbed American war veteran -Mathieu Carrière- arrives in Belfast during the Northern Ireland conflicts , and proceeds to terrorize a household of female nursing students (Debra Berger , Christine Boisson , Myriam Boyer , Leonora Fani , Ely Galleani , Carole Laure , Eva Mattes) and executing tasteless tortures . For these nine young women, opening the door that night meant ending their live ! . Nine scaring young women. One night. Defiled. Tortured. Torn apart . A diabolic shocker that will grip you and hold you Spellbound ! . Don't ever let him enter your house ! No woman can escape him because he was Born for Hell

A grim and thrilling film about a boarding house that is invaded by a heinous visitor , it contains inexplicable disturbing occurrences , shocks, thrills , suspense , chills , hair-rising events and surprising final . Dealing with an eerie story of a stranger who arrives in Belfast and invades a house shared by eight nurses , while carries out a criminal spree and proceeding to kill them . Loosely based on the notorious Richard Speck murders , this starts off at a brief depiction of the Besfast streets , pubs and violent confrontation between IRA members and British cops , as the camera lurks suspensenful behind its actors and beside them and above them and everywhere else . The story is uneven paced , suffering from some weak incidents and of varying quality , packing nice as well as fleeble moments . The main amusement of this slasher results to be to guess the kind of murder to execute by the creepy killer , and discover the young actress to be assassinated by stabbing . A scary and disgusting flick that garnered lousy reception as critics as indifferent reception by the general public . Nowadays , it is a little better considered , in spite of its short budget and the claustrophobic environment , as the picture goes on growing more and more and developing little by little until the unexpected ending . Nice acting by the German Mathieu Carrière as the unsettling Vietnam vet returning home via Belfast resulting in fateful consequences . He's well accompanied a lot of known B-actress from Europe that starred a lot of films at the time and in all kinds of genres , such as : Debra Berger , Christine Boisson , Miriam Boyer, Leonora Fani , Ely Galleani , Carole Laure and Eva Mattes who often played for Werner Herzog .

Atmospheric cinematography , though being really necessary a perfect remastering . Shot on location in Hamburg, Germany , Dublin, County Dublin, Ireland (Belfast segments) , Belfast, County Antrimc, Northern Irelandc, UK and Studio Bendestorf, Lower Saxony, Germany . This chilling and obscure terror movie was regularly directed by Denis Héroux and uncredited Géza von Radványi . This nice filmmaker Denis Héroux, was born 1940 in Montreal, Quebec, Canada and died 2015 in Montreal . He was a producer/director, and Member of the jury at the Berlin International Film Festival in 1981 . He was awarded the O. C. -Officer of the Order of Canada- on December 19 , 1983 for his services to the film industry in Canada . He was a notorious director and producer , being especially known for The Uncanny (1977) , Atlantic City (1980) , Quest for Fire (1981) , The Bay Boy (1984) , The Park in Mine (1985) . Denis directed some films in all sorts of genres , such as : ¨Born for Hell , Jacques Brel Is Alive and Well and Living in Paris , Strikebreaker , Y'a toujours moyen de moyenner! , J'ai mon voyage! , Quelques arpents de neige , Un enfant comme les autres.., fois... par jour , L'amour humain , L'initiation , Valérie , Pas de vacances pour les idoles and Alone or with Others¨ . Born For Hell (1976) rating : 5/10 . Mediocre , though passable terror movie.

Evident by the lurid, nonsensical title that was most likely slapped on the final print by seedy exhibitors and greedy theater owners, Naked Massacre aims for the profound but falls victim to the basest genre trappings. The film advertises itself as being based on the infamous Richard Speck case. Speck was an American mass murderer in the sixties who killed six female nurses during a home invasion. The film is merely inspired by the story, changing the locale from Chicago to Ireland. The switch works, giving the horror film an interesting backdrop, a war torn country besieged by the IRA, and setting it apart from similar themed movies like Last House on the Left and Last House on the Beach. The main character of the film, not named Richard Speck though he shares certain similarities, is a Vietnam vet trying to return to the United States. Surprisingly for a movie of this ilk, the film spends more time with the killer than with his victims. The nurses are non-entities drawn in broad strokes. The most recognizable actress, Carole Laure, is known for starring in Sweet Movie, a Yugoslavian film much more successful in blending socio-political statements with explicit sex and violence. Once the killing starts the movie devolves into a nasty grindhouse film. Scenes where our main character terrorizes a pregnant victim or forces one woman to perform oral sex on another crosses the line of good taste and belittles the measured film that came before it. Still, the movie is worth a look and recommended because of its unique place among horror films. Though flawed, Naked Massacre deserves to be seen by a wider audience.