Wives and Daughters

'Wives and Daughters' is not usually as regarded as highly as the BBC's celebrated 'Pride and Prejudice' mini-series but it is just as good in its own way. The original author Elizabeth Gaskell was a major writer of her day and can stand comparison with most novelists except perhaps for Austen and Dickens. Her work is definitely still worth reading. This particular book was unfinished but one can't fault the way Andrew Davies has rounded off the story.

The story covers Austen territory, two or three families, idiosyncratic supporting characters, love and marriage, hearth and society. All seen through the eyes of Molly Gibson. She is played splendidly by Justine Waddell who stays the centre of the film, even though surrounded by great actors like Michael Gambon, Bill Paterson, Penelope Wilton and Francesca Annis who are all perfect in their roles. The acting through out is excellent.

The characters are real people, flawed and petty and proud and anxious, but you can't help loving them. Andrew Davies wanted to put across the feeling of what it means to be alive and he does that by showing what it is like to be human. Even small scenes like the card party for the young people are rich in character and emotion. The length of the mini-series allows character development, enables one to get to know the characters. It shows ordinary life but also how rich that ordinary life is. Molly learns about people, about herself and also about the world around her, even about the little creatures who live at the bottom of ponds.

It repays watching time and again.

The BBC version of Elizabeth Gaskell's "Cranford" a few years back was mostly about Dame Judi and her spinster cronies and their unbecoming bonnets, but this wonderful series, based on Mrs. G's last novel, focuses on the younger generation: Roger Hamley, the old squire's younger son, seems like a perfect match for Molly Gibson, the doctor's daughter; he's a budding naturalist, she reads Lamarck and other serious works; they both enjoy looking at pondwater through the microscope.

The problem is that Molly's father has just remarried, which brings Cynthia, a vivacious, not-so-serious stepsister, into the picture; before he sets out on a lengthy expedition, Roger proposes to Cynthia. This leaves Molly with plenty of time to help the other characters sort things out—Cynthia's unfortunate entanglement with a caddish young striver (Iain Glen, currently seen on "Game of Thrones"), Roger's older brother's estrangement from their temperamental father (a perfect part for Michael Gambon; twenty years after Waterloo, the old squire's still hatin' on the French).

Master adapter Andrew Davies, assisted by a near-perfect cast, really gets us involved in such no-longer-burning questions as whether a young lady who's "lost her character" by talking with a young man in a secluded spot could get it back by swanning around town for an afternoon with a peer's daughter; Rosamund Pike is charming, and gets to wear the best costumes, as the latter (I wanted to call her the duchess ex machina, but I think she's just the daughter of an earl).

Francesca Annis is clearly enjoying herself in the role of Molly's stepmother, Hyacinth, a scheming, moralizing ex-governess; Dad seems to find her adorable, because she's not the boss of him and, despite the unflattering Mid-Victorian coiffure, she's still Francesca Annis. Though Mrs. Gaskell was a reformer and a progressive on the issues of her day—she clearly approves of Molly and Cynthia's ladylike revolt against the town's gossips and prigs—it's interesting that she weighs in on the current stay-at-home-mom debate by portraying Cynthia as a fractious adolescent who resents her mother for "abandoning" her to go to work as a governess.

Justine Waddell may be a bit too glamorous for the part of Molly, but that doesn't strike me as a dealbreaker; Keeley Hawes, who seems to have had a corner on out-of-control ingenue roles that year (see "The Last September"), is just right for Cynthia. Available on streaming Netflix and Amazon Prime.

After some deliberation, I have decided that this miniseries is one of my favorite movies of all time. Why? Because I can make no complaints whatsoever about this film. First, the screenplay, written by the wonderfully talented Andrew Davies of "Pride and Prejudice" (my favorite film of all time) and "Middlemarch" fame (the latter is on my list of must-sees). "Wives and Daughters" is based on the novel of the same name written by Elizabeth Gaskell. It tells the story of young Molly Gibson (Waddell), who lost her mother at a young age, but is raised by her loving father, the town doctor. When Mr. Gibson remarries, Molly's world is turned upside down. Now she has to contend with her daft and, at times, conniving stepmother, Hyacinth (Annis), and her worldly stepsister, Cynthia (Hawes). Despite their vast differences in temper, Molly and Cynthia become fast friends, but a secret from Cynthia's past stands to stain Molly's impeccable reputation. Meanwhile, Mr. Gibson's old friend, Squire Hamley, has two sons, studious Roger, and tortured Osbourne. Osbourne, the family favorite, has a few secrets of his own, but it is the younger Roger who not only proves himself the most responsible of the two, but also wins the heart of Molly and also a piece of Cynthia's as well. Will Molly finally have some happiness of her own? Well, after 3 1/2 hours, you'll find out.

Now, the actors. Superb! Justine Waddell (Tess of the D'Urbervilles, Great Expectations) is excellent and totally convincing as the strongwilled yet innocent Molly. Keeley Hawes (Cater Street Hangman, Our Mutual Friend) is wonderful as always. Bill Paterson (Mr. Gibson) is perfect as Molly's doting and protective father. And how can I forget Roger, played by Anthony Howell in his first television role? Wow, not only is he amazingly easy on the eyes, but he is a superb actor, who hails from various theatre troupes in England. The supporting actors and actresses are splendid, as well. As for the scenery and costumes, perfection. Nothing more to add on that account. One of the most memorable scenes to look out for is when Molly catches Roger's eye at a party given in his honor. I don't want to get into a lot of detail, but let me say that fortunately I recorded W&Ds, and I rewound that scene and also the last half hour at least 10 times. The ending is perfect! Definitely no disappointments. Please see "Wives and Daughters" if you already haven't. Even if you don't like period dramas, make an exception in this case!

The BBC TV miniseries Wives and Daughters (1999) was directed by Nicholas Renton. It's based on the novel written by Elizabeth Gaskell (1810 - 1865). Mrs. Gaskell's work was fairly well know in the 19th Century, but she faded into obscurity until the mid-20th Century. Now critics--particularly feminist critics--have brought her work back into view. The BBC has produced miniseries of three of her novels--this one, Cranford, and North and South.

Although written in 1865, the novel is set in rural England in the 1830's. This was before railroads became the dominant transportation system in England. Horses and stagecoaches were the standard form of transportation. That's where the BBC comes into its own--BBC directors love horses, dogs, sheep, cows, etc. The BBC really knows how to make modern England look like pre-Victorian England.

Although Mrs. Gaskell wrote a generation after Jane Austen, her novels deal with similar situations. Wives and Daughters shows us a strong, intelligent, attractive woman who needs to marry someone who will acknowledge her excellent qualities.

The problem is that her widower father marries a woman who also has a daughter. Although Molly (Justine Waddell) is attractive, her step sister Cynthia (Keeley Hawes) is extraordinarily beautiful. Men come to court Molly, but it's love at first sight when they see Cynthia. That's the basic plot, but there are many ramifications, secrets, and unexpected twists.

As usual, the BBC has assembled an excellent ensemble cast. I was particularly impressed by Waddell and Hawes. Francesca Annis as the-- somewhat--evil stepmother, and Michael Gambon as Squire Hamley were both outstanding. (Sir Michael is alive and well, but he's no longer young. What will the BBC do without him?)

I really enjoyed this miniseries. Because it was made for TV it works well on the small screen. Wives and Daughters has an outstanding IMDb rating of 8.1. I thought that it was even better than that, and rated it 9.

P.S. Sadly, Mrs. Gaskell died just before completing the novel. That means that the BBC had to invent the final chapter. I think they did a good job with that, although we can never know.

"Wives and Daughters" is adapted from the unfinished Victorian novel of Mrs. Elizabeth Gaskell and is produced by the same creative geniuses that gave us A&E/BBC's 1995 "Pride and Prejudice."

"Wives and Daughters" is adapted from the unfinished Victorian novel of Mrs. Elizabeth Gaskell and is produced by the same creative geniuses that gave us A&E/BBC's 1995 "Pride and Prejudice."

This story centers around girl-next-door Molly Gibson (Justine Waddell of "Mansfield Park," "Tess" and "Great Expectations") and her father, the town doctor (Bill Patterson). Their idyllic lives are turned upside down when Mr. Gibson remarries the selfish, self-absorbed Claire Fitzpatrick (Francesca Annis) and her beautiful daughter Cynthia (Keeley Hawes of "Our Mutual Friend") join the household. The brothers Osborne (Tom Hollander) and Roger (handsome newcomer Anthony Howell who reminds me of a young Mel Gibson) Hamley add romantic interest to the tale. However, the Hamleys come from old English stock and the squire Hamley (veteran actor Michael Gambon) desires his sons to marry into "wealthy old English families." Before long, Molly falls for Roger and Roger falls for Cynthia and we, the viewers, find some surprising discoveries along the way!!

Memorable supporting characters include the goodhearted Browning sisters, town gossip Mrs. Goodenough, mysterious Mr. Preston (Iain Glen) and the aristocratic Cumnor family. Justine Waddell is luminous as Molly and Michael Gambon and Francesca Annis turn in memorable performances. The scenery, costumes and production values are all excellent. Screenwriter Andrew Davies - who also penned P&P - gives us a satisfying, romantic new ending that would make Mrs. Gaskell proud. I loved every moment of this adaptation! If you are an Anglophile, enjoy a great love story or are a fan of Mrs. Gaskell, this is the film for you!!