The Wonderful Living Fan

A conjurer, eager to impress the royal representative whom he is entertaining (from past experience, I'm assuming that Georges Méliès portrays one of these people, and I suspect that he is the conjurer), has a large box carried to the centre of the stage. Upon the box is written 'L'Eventail Magique / The Magical Fan.' At the wave of his hand, the box begins to mechanically disassemble itself, revealing a gigantic fan which spreads out and spans the entire screen. But the conjurer still has a few impressive tricks up his sleeve – with another wave of his hand, the parts of the fan dissolve into seven women, and the magician is able to change their costumes and such.

Whilst undoubtedly an inventive little film, 'The Wonderful Living Fan' leaves much to be desired. Though only running for three or so minutes, the routine does get a bit dull and repetitive, lacking the enthusiastic energy of many of Méliès' other "stage act" shorts. It's difficult to believe that, in the same year that the filmmaker produced this film, he was also creating such timeless, endlessly imaginative films as the 24-minute long 'Le Voyage à travers l'impossible / The Impossible Voyage.'

Perhaps efforts like this were a precursor of Melies eventual fate as a filmmaker. The French magician had already made the stupendous Le Voyage dans la lune the previous year, and this stage-bound effort is a definite step backward in terms of both inventiveness and technique. There's no real story to speak of, just a magic trick in which a giant fan is transformed into a group of females for the delight of the King of France. The stop-motion trickery is fairly obvious, but still manages to retain a certain charm missing from today's CGI effects. The print of this film was astonishingly clean and pristine. Probably one for Melies completists only.

I watched this as one of the shorts on The magic of Melies video cassette released by Kino on Video, 1994. Image quality was good. Music matched the mood of the film. No color was added. Cropping did not appear to interfere with the film. Frame speed appeared to be adjusted. This should give an idea of the technical quality of the release I watched.

Watching this short was like watching an elaborate mechanical toy. I particularily liked the part where the fan box opens. It was smooth and mechanical.

I recommend this to those interested in late victorian culture. It dates to this time period, and helps to give an idea of the spirit of the times. It also includes early examples of dissolves, as the ladies costumes change, and the fan comes to life.

Though hardly one of the best or most interesting Méliès features, this short feature has, as most of his movies do, some visual effects that demonstrate creativity and technical skill. The material itself is only mildly interesting at best, so the main reason for watching it would be to look at a small sample of the kinds of camera tricks used by the great cinema pioneer.

The story simply shows a conjurer, who is demonstrating a magical folding fan to an appreciative audience. The visual tricks are a little uneven, but the best of them are done nicely. When Méliès's ideas work, they are more convincing and interesting than the kind of computer-generated imagery that is so overused at the present. It's not really all that hard to tell when an image has been generated with real objects, and when it was done by a computer trick.

This feature would not be among the Méliès films most worth seeking out, and it would only be worth seeing for those who already take a real interest in the pioneers of cinema. But for those who are interested, it can be rather entertaining just to rummage through even the less impressive of Méliès's shorts.

This short silent film is part of the DVD collection entitled "The Magic of Méliès" and is the fourth volume of THE MOVIES BEGIN series from Kino Video. Unlike copies of Méliès' films that are posted on the internet, the prints for these short films are exceptionally crisp and clean and feature wonderful musical scores. Oddly, though, is that aside from a few films such as THE BLACK IMP and THE IMPOSSIBLE VOYAGE, most of the shorts chosen for this DVD are actually not among the best of Méliès' films--having a strong tendency to show is "stagy" material as opposed to the films that have elaborate sets and plots. In particular, my favorites such as BARBE-BLEUE and LE VOYAGE DANS LE LUNE (his most famous film) are not on this DVD.

While compared to other movies being made at the time this is a very good film, for fans of Méliès it is a major let-down--as the plot is practically non-existent and as a result the film is rather dull but with pretty imagery and cinematography. Plus, on top of that, the film appears stagy--much like a stage performance of Méliès that has been filmed and enhanced through trick cinematography.