Murderous Maids

I found out this movie from one review of La Cérémonie. I think the difference between these two is this one is crimes of passions and the other is psychopathic killing.

Christine was apparently madly depressed and also having anxiety disorders. She basically shut herself off from the outside world. Her childhood traumas very much caused her adult mental stages. By reading the facts, she suffered paranoid schizophrenia most likely starting at that period of time. I would wonder whether the director followed the psychological researches of this case or not. The incestuous lesbian relationship explained the cause well since the social class uprising warfare had little bearings of it.

It is a well scripted and logically unfolding. All the leading roles were crafted convincingly. This is not a movie for entertaining but you would hardly forget.

Sorry, but historical accuracy, t & a and good sub-titles aren't enough. As a true-crime fan, I was intregued by this film's attempt to re-construct the lives of these two women as a way of trying to understand their crimes, but the heavy-handedness of the director combined with the sweaty, gross-out sexuality between the two sisters kind of spoiled it for me (There's a sex-scene combining incest, hairy armpits and crepes that I found utterly appalling). The "bad" characters were too overly bad, the "crazy" ones were overly crazy; by presenting this polarized view of life, the director robbed the film of exactly the ambiguity that made these crimes so shocking and difficult to understand. I do, however, give high marks to the scenes of the crimes themselves--which were effectivly shocking--and to the character of the maid's mother who was a multi-dimensional, interesting and surprising character.

Film is based on the infamous Papin case which rocked France in 1933. In the town of Le Mans, Monsieur Lancelin, a retired solicitor, lived with his wife and daughter. Seven years earlier, the family had hired two sisters as maids, the elder Christine and younger Lea. Madame Lancelin was strict and would wear white gloves to check for dust and there was surprisingly little personal interaction between the family and maids. One afternoon Monsieur Lancelein came home to pick up his wife and daughter for a dinner engagement and found the door bolted. After awhile police got in through a back window. They found the bodies of Madame Lancelin and her daughter; heads bludgeoned beyond recognition and legs carved like pieces of French bread. Weapons were a pewter jug, hammer and knife. Unique to this case, was the fact that their eyes had been gouged out while they were alive. The maids were found upstairs and confessed. The younger had twice blown out the house fuse and feared reprisal from the mistress of the house. The maids attacked them both when they arrived home; the younger following what the older did. The case became a cause celebre in France as an example of the cultural chasm between employer and servant. The case was also made into a play The Maids by Genet and another film - Sister My Sister. Interesting that all psychiatric testimony about the pair (incest and an extremely dysfunctional background and family) was dismissed by the small town jury but later resulted in such evidence being admitted into French trials.

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This is one of the first movies i saw when i moved to Paris 3 years ago, and after hundreds of other ones, i couldn't tell why it still keeps a special place in my heart. Maybe it's Sylvie Testud's acting, absolutely astonishing, or the disturbing end, i don't know. The fact is i didn't forget and that's why i'm writing it here. This is a film to be watched, but maybe not to be loved... I rated it 8/10, cause of the memory, and Sylvie Testud, whom from this time i don't miss any film she plays in.

Even though "Murderous Maids", as a title, sounds like an American sexploitation B-flick, this film tells the true story of a pair of French sisters who serve as house maids, make incestuous love with each other, and kill their employer. Set in 1930's France, this biographical film spends considerable time developing the characters so when we see their shocking behavior it seems almost understandable. With critical plaudits aplenty, numerous awards, and sterling performances by the pair of leads (Testud & Parmentier), there's little doubt this is a quality film. However, given the unpleasantness of the issues, a somewhat tedious build to the climax, lots of maid stuff, and subtitles for non-French speakers, one should give this film due consideration before committing to the hour and a half watch. Will play best with foreign film buffs and others into serious psychodramas. (B)