Harrison's Flowers

Harrison's Flowers is a journey into a journalist's personal hell. While some may feel that the premise of the story is rather lame and confabulated, it serves a purpose. To show the human side of the photo journalists who bring the horrors of the world to those of us who, as they noted in the movie, are just worried about getting a parking ticket.

Too often when we non-journalists see photos of war zones we are horrified and, at the same time, we are dumbfounded as to how someone could be so inhuman and unfeeling as to photograph such graphic examples of man's inhumanity to man. Harrison's Flowers is excellent at showing us that just as a reader we can't stop looking at the horror even though we are revolted, the journalist cannot stop photographing and documenting it even though the human side of them is revolted as well.

As for Andie MacDowell's so-called wooden performance, one must remember that in this film she is seeing her husband's and his colleagues' world through their eyes for the first time. How quickly would any of us be able to break out of our shock-like trance and be totally outraged or emotional if this were the first time we were seeing it? Even the veteran photo journalist portrayed by Brendan Gleeson was paralyzed with shock more than once in the film. Andie MacDowell's character came from such an insulated world that seemingly emotionless shock was the perfect way to portray Sarah, who simply cannot fathom what she sees unfolding around her.

Harrison's Flowers is an excellent portrayal of the Serbo-Croatian hell that descended upon that part of Europe and irreparably tore apart the life of anyone in its path.

'Harrison's Flowers' is a harrowing drama set during the 1990s Balkan wars, seen through the eyes of war photographers and correspondents. I don't recall it getting a cinema release here in the UK - but caught up with it on DVD.

The 'hook' of the story is that Sarah Lloyd (Andie MacDowell) travels to Croatia in 1991 to try to find and rescue her husband Harrison, a prize-winning journalist who is missing, presumed killed. (The flowers of the title are those in his greenhouse - tended in his absence by their young son). It's a contrivance - indeed, because we don't see the characters together for long, it's difficult to invest much in their relationship - but functions as the plot mechanism (however creaky) to get the heroine away from her safe life in the US into the war zone, where her adventures really start. So it's essentially a classic quest-and-rescue narrative - unusually, with a woman doing the seeking. (Hence, I suspect, some of the criticisms about Sarah's search risking orphaning her children; I'm not sure this would be raised if the sexes of missing person and seeker were reversed.)

The film does not glamourise the realities of late 20C Balkan warfare, graphically depicting the atrocities perpetrated by all sides in the wars which engulfed the former Yugoslavia. The story reaches its dramatic climax with the siege of Vukovar.

Adrien Brody gives an outstanding performance as the bitter, troubled but brave young front-line photojournalist Kyle Morris. Like many in his profession, Kyle takes drugs and swears like a trooper - but he also has courage, integrity, and the face of an El Greco saint. He is the real hero of the story, and Brody, a truly remarkable actor, comes to dominate the film. Brendan Gleeson is also excellent as his older colleague, Stevenson. It is refreshing, too, to see Andie MacDowell in a role in which she is not simply eye-candy/cute chick-flick heroine. The fact that Sarah is not always likable is one of the strengths of the film, and surely a sign that it is a European production: Hollywood films seem too hamstrung at times by worrying about making their protagonists 'likable' - flawed, difficult characters are more human and more interesting. Gerard Butler and Alun Armstrong, among others, provide good support.

As to whether Sarah finds Harrison, or if she and her friends make it home in one piece - I'm not saying: see the film! All I will say is, it did not turn out how I had expected, and my h/c complex kicked in significantly at one point.

On DVD, get the French 2-disc Special Edition if you can. There are deleted scenes (mainly Sarah and Harrison, family and friends in the US), cast interviews, a digital effects feature, theme song video, & c.. Sadly, the only UK release was a single disc with just a trailer. One of the deleted scenes addresses an issue which concerned some reviewers - Sarah's guilt-feelings about leaving her children. The interview with Adrien Brody (looking very handsome) is interesting: he discusses how he sees Kyle's relationship with Sarah, and also how he drew on his photographer mother's colleagues in portraying the character.

Thank goodness for Brendan Gleeson and Adrien Brody. Without their performances, this movie would have been a waste of time. I couldn't stand Andie MacDowell's character. She plays a totally stupid woman. Anyone with any sense would have contacted the Red Cross and other international agencies and asked them to look for her husband, but she foolishly marches into the middle of a civil war and risks the lives of her husband's colleagues because she is so deeply in love. Of course, it would have been a different movie if her character acted with any brains and maturity. At a time when her children needed her the most, she leaves them and almost gets killed herself. The audience is supposed to think this is wonderful because it is so romantic. Give me a break.

As someone who had lived through this war [I live in Osijek, town frequently mentioned in the movie, only 30 kilometers from Vukovar] and have seen the atrocities first hand, I'll start by commenting the realistic value. To my surprise, the Harrison flowers turned out to be very accurate in portraying what it was like. The details, such as locations, army uniforms and equipment, names, places, scenes and the geographic and historic facts, are pretty much all spot-on true. There are few barely noticeable mistakes, but it'd be nitpicking on my behalf even mentioning them. So, to anyone interested in seeing what the end 20th centuries warfare really looks like, I highly recommend it. It's miles ahead of Holywoods cheezy Rambo-style war movies and by it's ruthless realism it really is a visual kick in the gut.

As for the plot - the love story that serves as a guideline seems pretty much unnecessary and hard to believe. It has occurred to me that it'd be far more believable if Andie MacDowel was the photojournalist lost in the war-zone and her husband goes to get her out, not the other way around. So, those looking for a warm love tale, this will hardly be the best choice. Those interested in seeing the insanity of the easter-Europe 1991. war conflict, the cruelty and danger of modern photojournalism - I can hardly think of anything better than this.

I doubt very many will ever get to see Harrison's flowers. This is really the most misleadingly titled movie i can recall. The title and the fact that it stars Andie MacDowell reaks cuddly romantic girl movie. Nothing could be farther from the truth !

Instead this movie turns out to be one of the better warmovies i've seen in recent years.

The story is actually similar to that of "saving private ryan" and it's portrayal of war as griping and realistic. Only this time we're not put into the shoes of soldiers storming up a bulletsprayed beach but in the shoes of the civilians that cover the wars: the photojournalists. And the heroics is not killing the enemy but simply to bring the world a glimpse of what goes on inside a the chaotic inferno that is a warzone.

Andie MacDowell plays Sarah Lloyd a suberban mother of two and voted "most unlikely to be found inside a warzone" in her highschool yearbook. When her husband "Harrison" (a roughneck newsweek warphotographer) goes missing in wartorn Croatia 1991. She basicly picks up a camera herself and goes over there to find him. Rather unbelievable but it works well to set up the real story.