Kippur

As an Israeli's view of war, "Kippur" takes "Thin Red Line"s visual approach, with little plot or explication or context, from the sacred (Yom Kippur mis en scene) to the procreative beginning, to the wounds and exhausted faces of the soldiers.

This is a war where a soldier takes his used Fiat right up to the front and back again to his girlfriend's front door. Unlike "Tigerland" where the soldiers are young neophytes with taut basic training bodies, these are lean, lanky, long-haired chain-smoking, experienced reservists who pretty much pick and choose where they'll serve. Instead of the usual U.S. barking sergeant, this unit is based on long-term friendship, training, coordination, shared goals and consensus. Fodder for discussion on military management styles. And I can't think of another war movie where a guy named Weinraub is as sexy looking.

Even my husband, who is a devotee of the War Channel and thought it was way too arty (and amazingly this was from the same director who did the agit-prop anti-Orthodox domestic drama "Kadosh") found one long sequence with almost no dialog very effective, as the medics try to rescue the wounded in the mud.

The projectionist shut down the credits before it was finished.

(originally written 12/2/2000)

"Two characters making love sopping in paint on Yom Kippur while everyone else takes part in religious activities. You don't get much more sac-religious than this. So we know this is not a propaganda film."

Except that any film, pro or anti war, can be a propaganda film, sacrilegious or not. Also, to be a great anti-war film, a film needs to be watched and needs to draw viewers to it. This film does not do that. However the director meant the film, I simply saw it as a auto-biographical film about his own life during the Y.K war and not a particularly effective one at that.

This is being a pretty good and different war movie but it does start loosing some of its power after a while, once the movie starts repeating itself, over and over again.

I always enjoy watching movies, concerning history, which I don't know all that much about already. This is a movie centered around the Yom Kippur War and tells the movie entirely from the perspective of a rescue crew. This means that the movie itself isn't focusing on the fighting but more on its aftermath. This is an interesting approach for a war movie to take and of course also works effective as an anti-war movie.

Well, mostly effective, since the movie does start to wear out after a while. It seems that there is only so much you could do with this concept, before you start repeating stuff. Half way through I was waiting for the movie to take a different turn or do something unexpected or original. It doesn't do any of this really, which did left me a bit disappointed, especially since I was quite liking the movie at first.

It still remains a very well made movie. Visually there is very little wrong with this movie and it gives a pretty realistic and detailed view of a battlefield. Even though you'll hardly see any fighting in this movie, it does indeed feels like a true war movie, that obviously cost some bit of money to make.

Also because of its subject and its approach, this still remains a good watch but it's just not as effective as it potential could and perhaps also should had been.

7/10

http://bobafett1138.blogspot.com/

The Yom Kippur war almost caught Israel unawares. Twenty days later they were across the Suez 100km from Cairo and near as many from Damascus, another disaster for the Arabs. In a strange turn of events however, the surprise attack and doom-laden buildup to it, with thousands of graves dug in anticipation, had a devastating effect on the country, in effect signaling a perpetual state of fear and alert.

I am in the middle of exploring through films these bumps in the national mind, which brought me here. For what it's worth, the filmmaker has decided to capture an experience of war as purely about what it means to be there as he can. He knows, he was there.

Sadly, it's flat beyond belief. For better or worse I found it to be nothing like Thin Red Line, as others have mentioned in their comments. Whereas Malick spins war to be one of conflicting urges in the soul, this is what we see, two hours of med- evacs carrying the wounded.

There's one contemplative image in the film, a helo shot of a muddy battlefield with maneuvering tanks drawing meaningless patterns on the mud, contrasted with the early shot of the lush mingling of painted sex evocative of life, color, imagination, spontaneity. It's a great shot, and perfectly describes both what the film wants to portray, a sort of aimless cosmos, and what it ends up with—aimless doodling on the ground.

So the filmmaker reminisces in film about a time and place that allowed no skyward gaze. The important message is that war is as wasteful and pointless to happen in real life as it is to watch in this film.

I disagree with most of the comments of the other commentors. This film is not a "History of Yom Kippur War" It is a very realistic attempt to see the war through a personal eyes of a Reserve Soldier suddenly called up and "Thrown" in to a War. It is 30 years since that war which is contraversial in Israel because we were caught by surprise by Egypt and Syria. On the other side within less than a month the Israeli army was 30 KM from Damascus and 100 KM from Cairo. I know people killed in that war and like other Israelis think "Kippur" shows the Trauma of that War, And any War. I have visited Egypt a number of times and Hope that, as Saadat said "The October War should be the Last War...". This is my "Apocalypse Now" movie but much more realistic.