A Japanese gangster is exiled to Los Angeles where his brother lives with a small but respectable multi-racial gang, who he inspires to expand their influence.A Japanese gangster is exiled to Los Angeles where his brother lives with a small but respectable multi-racial gang, who he inspires to expand their influence.A Japanese gangster is exiled to Los Angeles where his brother lives with a small but respectable multi-racial gang, who he inspires to expand their influence.
- Awards
- 1 win & 1 nomination total
Takeshi Kitano
- Aniki Yamamoto
- (as 'Beat' Takeshi)
Ryô Ishibashi
- Ishihara
- (as Ryo Ishibashi)
Tatyana Ali
- Latifa
- (as Tatyana M. Ali)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As i read most of the previous comments most of us agree that this film is one of a kind. We all enjoyed it on some other level, above and beyond the regular. It shows certain characteristics that we find most interesting, honor,loyalty. Good acting, strange plot, unpredictability. I hope there are more films like this one out there, but its hard to find. I watched this movie as an accident, I hope if someone that reads this knows of another similar movie that is JUST as good or better (if thats possible), this movie has been one of those movies that I will never be able to forget, it has been 1 year since i have seen it last, and every moment sticks out clear as day. Excellent movie, great job Takeshi! Good comments everyone, well said...well thought, pros and cons.
cheers
cheers
Beat Takeshi is a filmmaker so distinct and so completely different from any other filmmaker that you have to be prepared before seeing one of his films to watch something differently than you normally would. Brother is his first overseas production, and to this day his only one, and perhaps its minimal success and marginal fan base is due to its seeming lack of plot, its evasive editing, or something else that Takeshi customarily draws attention to, whether purposefully or not.
Brother is not quite his best film, but you will realize that the focus is not on the story but on the themes of its story. Completely unlike its characters, especially Takeshi's stone cold killer, its story is something to feel your way through. These characters do not feel much. They do. The movie is mostly made up of deadpan scenes of bloody violence, occasional dialogue, and quiet medium closeups. The music, which like in all Takeshi films is lush and emotional, directs our feelings.
Brother is great for fans of crime movies, gangsters, violence overall, Asian cinema, and even action fans, but Takeshi Kitano's style is a strangely deadpan and very personal approach. It's an acquired taste.
Brother is not quite his best film, but you will realize that the focus is not on the story but on the themes of its story. Completely unlike its characters, especially Takeshi's stone cold killer, its story is something to feel your way through. These characters do not feel much. They do. The movie is mostly made up of deadpan scenes of bloody violence, occasional dialogue, and quiet medium closeups. The music, which like in all Takeshi films is lush and emotional, directs our feelings.
Brother is great for fans of crime movies, gangsters, violence overall, Asian cinema, and even action fans, but Takeshi Kitano's style is a strangely deadpan and very personal approach. It's an acquired taste.
I am a huge fan of the brilliant cinematic genius Takeshi Kitano, his films "Hana-Bi" (1997) and "Violent Cop" (1991) are two of my all-time favorites and I also found several other Kitano films such as "Zatoichi" (2003) excellent. "Brother" of 2001 is in my opinion Kitano's weakest film up to date, which does not mean that it's bad. It is just not quite as brilliant as Kitano's other work. Kitano is once again director and leading actor, and he once again delivers a great performance in the lead.
Yakuza Aniki Yamamoto (Kitano) flees to America after his death is ordered by a Yakuza clan. Yamamoto goes to LA where his younger brother Ken is supposed to study. Instead of studying, however, Ken deals drugs with some American friends. And it doesn't take Yamamoto long to plan some drastic improvements for his little brother's gang...
Takeshi Kitano's performance is once again superb, this guy certainly is one of the greatest cinematic multi-talents who ever lived. I found the Japanese characters great in general, and if it was only for them, "Brother" would have probably almost reached Kitano's masterpieces in brilliance. I personally didn't like the American characters though. Omar Epps certainly is a good actor, but his character of Denny is just not very deep, simply the very stereotypical African American street gangster seen in two out of three cheesy Hollywood blockbusters. And that counts for the other American characters too. It wasn't actually that bad with Omare Epps, simply because he is a very good actor. Besides the flatness of the American characters, I found the movie very good. It is once again beautifully and imaginatively filmed in typical Kitano style, and it has the typical Kitano humor that I love. The movie is also very violent, so it's probably not for people who are easily offended by brutality in films. What I also really like about "Brother" is the fact that at least half of the movie is in Japanese. The Japanese characters also talk Japanese when they are in the US.
"Brother" is arguably Kitano's weakest movie, and definitely my least favorite of his movies, but that doesn't mean it's bad. We're talking about a great cinematic genius here, and "Brother" certainly is a good, suspenseful, entertaining, stylish and interesting film. In case you don't know Kitano yet, i recommend to watch "Hana-bi" or "Violent Cop" before watching this, but in case you're already familiar with Kitano "Brother" is certainly worth watching. My fellow Kitano fans should not miss this. Recommended 7/10
Yakuza Aniki Yamamoto (Kitano) flees to America after his death is ordered by a Yakuza clan. Yamamoto goes to LA where his younger brother Ken is supposed to study. Instead of studying, however, Ken deals drugs with some American friends. And it doesn't take Yamamoto long to plan some drastic improvements for his little brother's gang...
Takeshi Kitano's performance is once again superb, this guy certainly is one of the greatest cinematic multi-talents who ever lived. I found the Japanese characters great in general, and if it was only for them, "Brother" would have probably almost reached Kitano's masterpieces in brilliance. I personally didn't like the American characters though. Omar Epps certainly is a good actor, but his character of Denny is just not very deep, simply the very stereotypical African American street gangster seen in two out of three cheesy Hollywood blockbusters. And that counts for the other American characters too. It wasn't actually that bad with Omare Epps, simply because he is a very good actor. Besides the flatness of the American characters, I found the movie very good. It is once again beautifully and imaginatively filmed in typical Kitano style, and it has the typical Kitano humor that I love. The movie is also very violent, so it's probably not for people who are easily offended by brutality in films. What I also really like about "Brother" is the fact that at least half of the movie is in Japanese. The Japanese characters also talk Japanese when they are in the US.
"Brother" is arguably Kitano's weakest movie, and definitely my least favorite of his movies, but that doesn't mean it's bad. We're talking about a great cinematic genius here, and "Brother" certainly is a good, suspenseful, entertaining, stylish and interesting film. In case you don't know Kitano yet, i recommend to watch "Hana-bi" or "Violent Cop" before watching this, but in case you're already familiar with Kitano "Brother" is certainly worth watching. My fellow Kitano fans should not miss this. Recommended 7/10
I am a fan of Omar Epps ever since I seen the TV movie First Time Felon so I decided to purchase Brother on DVD. I was shocked by the great quality of the film although it is extremely violent I feel it is necessary to get across the severeness of the yakuza. I recommend this film to anyone who likes gangster movies or violent flicks. Takeski Kitano is an extremely good actor/director. I rate it 4 out of 5. I also recommend Kitano's film Sonatine.
"Brother" may be Kitano´s most well-known and successful movie, but after all it´s just another sign that success at the box offices doesn´t make the perfect movie, because it lacks in many respects: the story is too one-dimensional and delivers nothing really new, the characters are not developed enough, excluding the brilliant play of Omar Epps and, of course, Kitano himself. However, if you like heavy gunfight violence in the style of "Reservoir Dogs" or Takeshi´s elder "Violent Cop" this is the right film for you! The body count is higher than in all Quentin Tarantino/Sam Peckinpah films together and even some gore like cut off fingers and heads is brought on here and there. Once more the violent pictures are laid under with beautiful piano music what gives some disturbing aspects as well as emotional rollercoasters to this film. Definitely one of the better gangster movies of the last few years, but not the best as often said. A good film which is a little bit overrated... Can´t await to see Kitano´s "Battle Royale" - this one must be really brilliant..!
Did you know
- TriviaThis was Takeshi Kitano's only American film he ever made. In an interview, Kitano said that he did not like the final result of Brother and that he regretted his "Hollywood adventure", which was supposed to bring him a wider audience. As a result, Kitano said that he had no intention of filming outside Japan again.
- Quotes
Aniki Yamamoto: I understand "fucking Jap," asshole!
- Alternate versionsUS version was heavily cut for violence to be in accordance with MPAA demands for a "R" rating.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Брат якудзи
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $450,594
- Opening weekend US & Canada
- $60,029
- Jul 22, 2001
- Gross worldwide
- $15,250,594
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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