The Stingiest Man in Town

I bought the recording in 1956 and have been playing it every Christmas since. I still get goose bumps when I hear the wonderful duet "It Might Have Been" and the song with the lyric "every man shall be my brother" Unfortunately my copy is getting a bit worn and I would like to secure another copy. If only they could show it again or provide a video of this program, but Alcoa has refused to do so. The music is so festive and cheerful that it makes me feel happy over the holiday season. I would like to correspond with others who appreciate this program. Basil Rathborn was magnificent as well as Patrice Muncel. The Four Lads were also outstanding.

I, too, have been searching for years for a video (now DVD) release of the original Alcoa Hour production of The Stingiest Man in Town, which I wish I had been able to see when it aired in the 1950's. In the late 1990s, I contacted NBC since the production was aired on that network. They told me they had a policy not to release certain productions, including this one. Hopefully they will change their mind about that policy. My parents had the record album, which I listened to as a child. But good news: A few years ago, the soundtrack/vocals (the original album) was released on CD, so I bought it to replace the scratched album (which I still keep, though). Also, here is a tidbit: One of the original Four Lads lives and was recently performing in the Cleveland (OH) area where I live. In the early 2000s, I went to a Four Lads performance with the album and asked him (Bernie Toorish) to autograph it. I also asked him about the Alcoa Hour production of Stingiest Man, and he gave me a few anecdotes about it. He mentioned that it was done live and that was somewhat stressful but fun, and he talked about how they (the Four Lads were the carolers/narrators) stood on the side of the stage, and it was a bit cramped in order to get it all on television at that time (given the cameras they used, etc.). When we talked, he said he wasn't sure whether a tape had been made of the original production. Mr. Toorish still resides in the Greater Cleveland area, as far as I know. He was really great to discuss the Stingiest Man in Town with me.

This production, and the wonderful music from it, was an important part of our family's Christmas tradition for many years-until the Long Play records were finally broken by one of the grandchildren. Although the story line was obviously very familiar, the stage craft and music gave new life to Dickens beloved Christmas tale. The casting was truly inspired -with Basil Rathbone the best of the lot. The original musical score was extremely clever and well done by some of the best artists (both from popular and classical venues)of that time. It's a shame that a video reproduction of performance is not readily available in tape or compact disc form. It would be wonderful if I could purchase a copy of the record of the musical score or if someone could burn a compact disc from a copy and allow me to purchase the same. Thanks very much.

In my senior year of high school (1974), we produced this musical. Ummm, yours truly played Scrooge. I had the LP of the original cast recording, but I'm too young to have seen the B&W original live action production on TV (I agree with the other posters who state that the animated version was disappointing compared to the live action production.

Please let me know when and how a DVD or download of the original B&W live action production of "The Stingiest Man in Town" becomes available.

Thank you, Steve Marcus semarcus1@yahoo.com

Only one other musical version of A Christmas Carol comes close and that's Muppet Christmas Carol. With the exceptions of Vic Damone's very wooden(but well-sung) Young Scrooge and the intrusive and overlong(if cleverly danced) Devil's Ballet, for such a very early live TV broadcast 1956's The Stingiest Man in Town is truly impressive. Even if there are technical and musical faults here and there they can be forgiven considering that it was one of the first, and those faults don't make the production look too cheap and don't hurt the production very much(or at least to me they didn't). The production isn't lavish visually but there was clear effort made and for very early live broadcast TV musicals it does look pretty good, the use of kinescope effective. The sound engineering is remarkably good and clear, suiting the acoustics well and with good attention to orchestral balance.

The staging is always entertaining, though the stage does look cramped on occasions, and with several heartfelt moments(Mankind Should Be My Business is especially good in this regard). The story is very easy to follow and captures the spirit of A Christmas Carol and Christmas beautifully, the ending was very moving. For a musical to work you have to have good songs, and you certainly have those in A Stingiest Man in Town as well as a musical score that has whimsy and energy. Sure, Golden Dreams does go on forever(still a lovely song though), but faring best were One Little Boy and Mankind Should Be My Business. Not only because they were the ones that stuck out as the most memorable but also they were the ones that sounded like they came straight from the heart the most. The orchestra play wonderfully, just loved the warm-sounded, soaring violins in An Old Fashioned Christmas and Tutti Camarata shows signs of a sympathetic conductor with a great ear for acoustics and textures.

The always-present Carollers played by the Four Lads move the story forward rather than distracting thankfully, the group's harmonies are tight and they blend very well. Apart from Damone, the performances are solid though only one's outstanding. Fred has more screen-time than most other Freds in Christmas Carol adaptations, and Johnny Desmond plays him with warm humour and joviality that he is a likable character, he has a good amount to sing and he does the songs justice. Martyn Green is suitably humble as Bob Cratchit, you really feel sympathy(you do wish considering his calibre as a singer that he had more to do) and Robert Weede is a chillingly effective Marley despite him looking ridiculous(Marley looking like he'd dressed up as a nun for a party was definitely not something that Dickens had in mind). Dennis Kohler's Tiny Tim is most sweet and moving and the three spirits are imposingly played(particularly Robert Wright as Ghost of Christmas Present, maybe there is a little bias as Present was always my favourite of the three spirits).

Outstanding though is Basil Rathbone in the title role, he relishes the miserable miser side of Scrooge's character- his experience in villainous roles being an advantage- but the reformed/changed side of the character is very touchingly portrayed as well. Also surprising was his singing, not only does his voice have a nice sound, speaking as a singer here, but he also sings with feeling, which is every bit as important and perhaps even more so. All in all, very, very impressive indeed, one of the best musical versions of A Christmas Carol and compares well with live musical broadcasts. 8.5/10 Bethany Cox