Don't Look Up

Not on the same level as Ring (or Ring 2) but still a good Japanese horror flick nonetheless. I wish North American horror producers would take a page out of the Japanese horror template and put more 'spookiness' and less cheap shocks in their flicks. Lots of good examples in this one, scenes where a whited out face is scene staring behind a young actress, photographs on a wall are suddenly glimpsed smiling, just for a second, and more. Worth checking out if you like the genre.

First a bit about the story. A young director working in the japanese studio system is making a WWII period film requiring strong emotional scenes from two young actresses. There is quite a bit of plot revolving around the casting of the actresses, as well as illumination of their very different personalities and maturation. The director has to fight against agents and studio brass to cast the actors he wants to cast, and this preoccupies much of the early portion of the film.

While screening dailies, the production crew stumbles upon a strange accident. Some of the negative they were using appears to have been previously exposed, and has portions of a much older Japanese film featuring a rather transfixing actress from the past. The young Director is particularly intrigued, as the film seems to trigger a childhood recollection of watching the film years earlier on TV. He assigns the Studio editor to dig up information on this film, to put his mind at ease, and the film production proceeds from there, although clearly now haunted by questions about this other film, and its mysterious star.

If you are a fan of Ringu, now remade in the US as The Ring, you will no doubt find it interesting how many of the same ideas and motifs are present in Ghost Actress. In many ways, in retrospect, Ghost Actress appears to be a working out of stylistic and narrative techniques which made Ringu such a huge success.

The problems with Ghost Actress can primarily be traced back to the muddy script, which poses many questions without answering any. As I mentioned, much of the early film proves in the end to be entirely irrelevant to the central plot, and there isn't a strong linear thread driving the protagonist of the film, namely the young Director. He simply seems to be reacting to the situational dilemmas confronting him, and despite the nerdy likableness of Actor Yuurei Yanagi, doesn't illicit a lot of concern for his predicament or obsessions.

The conclusion of the film however, is undeniably powerful, and hints at Director Hideo Nakata's talent for combining supernatural themes with striking visual and sound design to great unnerving effect.

I really enjoyed this debut by Ring director, Hideo Nakata. If you've seen Ring beforehand then you'll be familiar with the style and idea of this flick. It's got a subtle spookiness about it that works better than the constant (and predictable) stingers that infest most mainstream movies of this genre. If you like films that give you the chills, then you will probably like this one. A good, creepy debut by Hideo Nakata. 8/10

This Japanese horror film, originally called 'Joyû-rei' and was one of the first films directed by Hideo Nakata of 'Ringu' or 'The Ring' fame, has its fair share of truly creepy and unsettling moments. However, the ending was way too rushed and unfulfilling for this film to merit a higher ranking, in my opinion.

Having said that, I still believe that this spooky Japanese film ought to have more recognition not only for historical reasons because of the similarities to 'Ringu' and as the director Hideo Nakata's first real film but also because it gets some things better than modern horror films.

Lots of effective, creepy moments building up in the first 2/3 of the film, but seems to putter out after that. Solid performances and great handling of the "movie within a movie (within another movie?)". Still, a good first effort from director Hideo Nakata ("Ring").