The Nine Lives of Tomas Katz

This black and white film was shot on a low budget in London. It is quite funny, but occasionally in fact often very odd. I think the oddness may have been because the production was German and they have a different sense of humour over there or alternatively it may have been because the director was just having a laugh with his Art School mates.

Very funny in places though. I enjoyed it.

Apparently I have to write more so I will also say that the film uses old testament themes to play out an apocalypse in contemporary London. Much of this is quite interesting however according to my mum "the film could have done with better editing". I would say this is accurate

How do I describe this one of a kind masterpiece?

I could tell you to throw the work of David Lynch, Monty Python, Stanley Kubrick, Guy Maddin, and Maya Deren into a blender, and you might have an idea as to what this film will be like.

This film is extremely clever, and very thought provoking. However, one can also enjoy loud bursts of laughter throughout this film as well. The comedy is very fresh and even irreverent at times, making it a great dark comedy for those who like a more intellectual film rather than a box-office hit.

This film is not for narrow minded people. If you can't sit through a film that requires constant thought, you're best to just stay away and prevent people from bashing a great film.

This movie defies description, categorization, genre placement. There is simply almost nothing like it - a clever mind trip that relentlessly weaves the plot in a neck-breaking-paced surreal, absurdest, postmodern apocalyptic story with a great soundtrack, trippiest image sequences, great sense of humor, and deep paranoia and darkness. Despite using seemingly gimmicky effects and tricks, very low budget and mostly black-and-white shooting, this movie feels so well done and so well narrated, they don't hinder it at all as they would many other movies - instead, as if on the height of its "genre", this movie absolutely flourishes with them, as the very best silent movies do on their own unhindered by the absence of sound. A must see, but also definitely a "not-for-everyone-er".

Ben Hopkins in The Nine Lives of Tomas Katz presents a Kafkaesque take on London on the verge of apocalypse. Ian McNeice is a million miles from Bert in Doc Martin, reveling in the role of the blind police inspector trying, through psychic means, to make sense of it all. His enjoyment of the role is infectious. There are some genuinely funny set-ups here, carried off by a cast not afraid to go for high camp. The comedy works most of the time, but when deeper meanings are the target the film is a little hit-and-miss. Shot ultra-low budget, it looks like a very slick student movie, but has enough laughs and surprises to overcome its aesthetic limitations. The films big achievement is to present London in a fresh, and vaguely frightening, way. More of interest to aspiring lo-budget filmmakers than a general audience.

As the movie started, I have expected somehow good picture, an intriguing mix of art and expressionism. And I've got all of that, but in the very bad way. The movie starts very promising (accelerated crowd in London with techno soundtrack + first blust of Tomas) but that's where ends everything nice and reign of absurd starts. And it made me starting to hate the movie, and left me confused and angry. I'm not a huge fan of art movies but I could watch anything while it has a logical story to follow. And, the most important, while it is tasteful. This movie isn't! It has a short story of the end of the world with many unconnected and unnecessary scenes which spoil the whole movie. I am a huge fan of Monty Pyton. It isn't very logical but it is very tasteful. This movie is mainly a BAD TASTE.