Liu befriends an Englishman bringing cinema to Beijing. Their modern interests conflict with traditions, Liu's father, and Liu's love for Ling. They navigate screening films for the Empress ... Read allLiu befriends an Englishman bringing cinema to Beijing. Their modern interests conflict with traditions, Liu's father, and Liu's love for Ling. They navigate screening films for the Empress Dowager while balancing progress and customs.Liu befriends an Englishman bringing cinema to Beijing. Their modern interests conflict with traditions, Liu's father, and Liu's love for Ling. They navigate screening films for the Empress Dowager while balancing progress and customs.
- Awards
- 6 wins & 11 nominations total
7.1847
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Featured reviews
10dsulpy
Very enjoyable.
A lovely little film about the introduction of motion pictures to China. Captures the amazement of film's first audiences pretty much as it's described to have been worldwide, and uses actual Lumiere films for most of the actualities. I don't agree with other people about bad acting on the British fellow's part - I thought he was fine, but the Chinese lead really stole the show. In any case, I found myself with a smile on my face through most of the movie. People who fear subtitles might note that a lot of the film is in English (which for some reason is given subtitles as well as the Chinese on the DVD).
Right movie for right mood.
This is good movie for historical drama mood. The movies is about the introduction of cinematograph to people who never saw unique from one point of view as it's tracking also the mixture of cultures, however many small things you've seen million of times (people are afraid of train on the screen). It's not boring, but it's not a masterpiece. It has good cinematography as well as interesting plot.
From historical point of view it is interesting to watch the mixing of Asian and European cultures, while cinematographic part of the movie involve a lot Chinese refinements. So, if you have time, grab the DVD, it won't disappoint you.
From historical point of view it is interesting to watch the mixing of Asian and European cultures, while cinematographic part of the movie involve a lot Chinese refinements. So, if you have time, grab the DVD, it won't disappoint you.
Unpretentious, warmly human, and quite fascinating portrait of how the introduction of cinema opened new worlds to the people of China in 1902.
Gentle and genial film seems to have been overlooked as a triviality...and to be fair the narrative is a bit tenuous and lightweight as drama....but I feel the simple wonder and joy of the scenes depicting the first impact of a new art on an alien and sceptical society have a radiance and naturalness which capture the century long romance between cinema and audience better than any film in years. Immensely sympathetic performance from Jared Harriss (who seems to have inherited all of his fathers charisma...hopefully without poor Richards penchant for hellraising and haminess)....and charming offbeat cuteness from costar Yu Xia combine to make this a real heartwarmer. Radiant location photography (including glowingly beautiful scenes at the great wall) and sensitive direction by Ann Hu give film added impact. In short a must for anyone ever enchanted by a shadow flickering to life...and making magic in the dark.
Gorgeous & Moving
A beautiful film about the coming of early silent cinema to China. SHADOW MAGIC deftly combines a love story with the drama of the cultural clash between China's ancient traditions and modern Western culture in the form of film. An amazing first film by Chinese director Ann Hu. If I correctly understood Ms. Hu's comments at the 2000 Sundance festival, this film was produced as an American film with co-funding by the Chinese government, and shot in China. SHADOW MAGIC reminds me of films like IL POSTINO and CINEMA PARADISO - not necessarily in theme or plot, but it has a similar feel.
Chinese "Nuovo Cinema Paradiso"
This is a beautiful, funny, vivid film. It's even better than "Nuovo Cinema Paradiso" -- which it parallels but doesn't replicate. The story completes a full circle and had the theater beaming as the credits rolled. A hundred years after this story takes place, we're just as intrigued by flickering images in a dark theater.
Did you know
- Quotes
Jewelry Tower: We can't escape what drives us.
- ConnectionsReferences Dingjun Mountain (1905)
Details
Box office
- Gross US & Canada
- $149,258
- Opening weekend US & Canada
- $19,772
- Apr 8, 2001
- Runtime
- 1h 56m(116 min)
- Color
- Aspect ratio
- 1.85 : 1
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