Self Medicated

If it had not been for the wonderful Santa Fe Film Festival it is unlikely that I would have ever had the pleasure of seeing this little gem of a movie. In my view, Diane Venora is one of the most underrated actresses of her generation. She was just incredible in this film, just as she is in any other movie she's in that I can think of, but this is certainly among her most powerful performances. The scene in the bedroom on the floor - just heartbreaking. If there is any justice in the world then this movie should find its way into theaters and I definitely recommend seeing it. If you're a fan of quality acting then you will not be disappointed because everyone in the movie is simply excellent, especially Diane Venora and the young man who plays her son. Certainly one of the best movies I can recall seeing in a very long time. I wish they would bring more quality independent films like this to New Mexico apart from just the film festivals. Thank goodness for the Santa Fe Film Festival for finding wonderful films like this for all of us to discover. What a treat!

This is really such a wonderful movie. It's like a breath of fresh air to see a drama driven by characters rather than by a typical Hollywood plot. The characters think, act and talk like real people. They could be us. That's the genius of this movie. If you want fantasy, don't see this film. If you want to be touched by great acting and a wonderful plot that shows the complexities of human relationship, see this film. This is real. Mixed with wry humor and heartbreaking family drama, this film is an indie triumph. The actors and writing steal the show, which is kind of the point of movies like this anyway. I don't think you ever really notice the writing which is what makes it great. The writer feels like he knows his characters and is able to write them in their many moods and allowing their complexity as humans to remain intact. The cinematography deserves a word in my opinion too. I just loved the color of the movie. I am not sure why but something about the way it looked I just couldn't help but be drawn into watching it. I'm not sure where else this film will be playing as I saw it at a film festival, but if you have the chance, go see it. I loved it and both of my kids loved it too. Well done.

From all the reviews so far, I'm thinking I've stumbled upon a meeting of the Monty Lapica Fan Club.... Meanwhile, there's this film I saw last night with an audience that merely got up and walked out when it finished. And this particular indie theater is the kind of place where audiences easily clap when the credits roll -- unless the film is a dud.

This may not be the worst movie I've seen, but it's no Basketball Diaries. For starters, I commend Lapica for his multiple efforts, but he would have done better to have an actual teenager play the lead. I kept looking at this mid-to-late-20s guy and wondering why he was trying to portray a high school angst-ridden druggie. I don't care how intelligent the character (i.e. Lapine) is, he was just too-- neatly pressed, and too old, to be believed.

The dialog was wooden, the acting either stilted (Lapica and various reprobates) or overblown (Bowen), and the cinematography often washed-out and grainy (and not for effect). I'll give editor Kendall points for good flow and no continuity errors. But he had to work with trailing characters who said their lines and went nowhere -- and a big hole in the form of the pivotal but missing father whose death remained unexplained, and whose memory was as poorly detailed as the home movies that featured him.

There was a homogenized blandness to the proceedings that had me wondering if this project was backed by the Mormons or some other white-bread Christian group.... Despite the profanity, it had a fundamentalist ring to it. As a result, I had to keep focusing my attention consciously instead of being drawn in. The story may be based on actual events, but I had a hard time believing in it because almost everyone was isolated and self-centered. And so I remained unmoved by the plight of a handsome young narcissist who miraculously mends his ways thanks to the homeless black angel "Gabe"(riel), reminiscent of a Bulworth plot device.

All in all, it just goes to show what GQ looks and financial backing will do for a fella (who is this Tommy Bell producer-dude anyway?).... but I'm crashing the party here. Both the film and all the gushing about it smacks of major pretense. In fact, "Self Medicated" almost made me wish I was when I sat through it.

Self-Medicated is a truly refreshing movie. The most enchanting aspect of the movie is its true-to-life characters and brilliant acting.

The characters are human - just real people, with real failings and real weaknesses, real moments, real heartbreak, real warmth, real everything ... a story that is beautifully told. A sometimes dark yet romantic movie, a family movie even, an intelligent movie about human relationships and the complexities involved.

This is an absolutely wonderful movie that has no false moments, the background score is terrific, the acting is brilliant, especially Diane Venora who is quite extraordinary. There are many funny scenes in the movie, the movie is well-paced and the script well brought out, the dialog is enjoyable. A truly fine movie.

Absolutely recommended for people who are pretty bored of the big budget fake Hollywood scripts, with their phony characters. This movie keeps it real, and close to the heart.

Movies like "Self Medicated" don't come around often. The originality factor in independent features has been sadly lacking in recent years, but hope should be restored after a film of such dazzling and brilliant creativity like this one.

Nothing about it seems to be familiar, and the finished product will leave you totally amazed and compelled. The interactions between the characters are what fortify this film and breathe life into it.

In the long run, this is an amazing piece of cinema, and should be seen by anyone who thinks independent films of exceptional quality aren't being made anymore.