Manderlay

I won't disclose anything about the film. I liked it very it much, albeit slightly less than the first film, probably because, well, the first was very fresh and innovative in the way it presented this "theatrical" world and partly because of the shocking and raw power of the story of "Dogville". In "Manderlay" we also meet with hypocrisy and cruelty, but the movie moves on a different level than "Dogville". It is clearly more philosophical-political, it carries a more visible political agenda. It also relies upon dialogue more than "Dogville" did and of course the symbolism and allegory of the first film are present here, as well. Still, the movie is a masterpiece, in the same way "Dogville" was. Of course, someone can think otherwise (not to mention those people that will accuse Trier of being "Anti-American"), but having a different opinion about it is okay and acceptable. Personally, I can't wait to see how the trilogy is going to conclude.

Indeed one of this years best films. I have just returned from the cinema, and i'm still thinking about Manderlay. The story continues where Dogville ended. Grace and her father makes a short brake their travel, and discovers that a slave is getting punished near by in a plantation named Manderlay. Grace's father continues his travel and Grace stays in Manderlay to set the slaves free, as they should have been 70 years ago, when the slavery was made illegal. And of course this is not easy.

Manderlay isn't as shocking and far out as Dogville was. Not that it was a bad thing of course. But this is just a very much stronger film, because you get personally involved in the characters in a way that i don't think you did in Dogville. The only thing missing is a little bit of action. Nothing really happens. People just walk around and talk. The biggest scenes in the film has no direct influence on the following physical action and development in the story. well of course they does, but the development lies in the head of the characters. These developments are more interesting to analyze after you have seen the movie that during the movie. But instead of a lot of physical action we are given as i remember three truly terrifying and terrific scenes that are as strong as scenes in Dancer in the Dark and Breaking the Waves, and they does in my opinion make up for the lack of action.

Manderlay is also a lot stronger i it's message than Dogville was. Yes, the message is pointed against USA, but as in Dogville, it is so much more than just a criticism of that country... it's a criticism of the human kind. The reason for Lars von Trier to place the story in USA is that he likes to tease the big ones. He said that in an interview on TV not so long ago. He also said that the screenplay was written before the incidents in Iraq, so it's a coincidence that there are so many parallels between the events in Manderlay and in Iraq.

Lars von Trier is in my opinion one of the biggest directors of our time. It takes a courage, that i see in no other directors than him, to make a film like this. Manderlay is one of the bravest movies i have seen.

A person may not have to see "Dogville" before they get to this film-- but it helps. Von Trier takes his time getting where he is going, laying tracks in plenty of directions, and if you are not familiar with his style and don't know that it will all end with a colossal crunch, you may feel bored or confused. Fear not, though-- this movie's climax and finish depend wholly on the build-up, and when they happen they are shattering. In a shorter movie with less nuance and fewer ideas presented, it would just be exploitation.

Critics who say that Lars von Trier is just grinding an axe and that his views on America are unwelcome and inaccurate are missing the larger point. So far the two movies of his new trilogy seem to be seething with questions, not preaching answers. The spectrum of perspectives and philosophies presented make these movies themselves as experimental as the moral quests of Tom in "Dogville" and Grace in "Manderlay". We get to share initial outrage, labor for a solution, and then despair in how easily it all falls apart once human weakness and natural disaster are factored in.

Adjusting to the change of casting takes a few moments, but then it just fits right in with the theatrical nature of these movies. Anyone who has seen a play performed with different casts knows that the two productions are weird cousins, and this can make actors shine in their individual gifts. I would have loved to see Nicole Kidman devour this role, but Howard's youth and vulnerability really add to the tenuous nature of her power over Manderlay and its dark secrets.

I think it's lucky that von Trier is not an American. If an American director showed these images of oppression and slavery, he'd be reviled even moreso, especially if he were white. Americans demand "sensitivity" from movies about real issues, and violence and humiliation are really only safe subjects in horror films and art cinema. Sometimes it takes an outsider to show you what you look like to the world and remind you of the work you have left to do. This movie feels distinctly American in its woe and in it's heartsickness at good deeds gone not unpunished. Isn't change impossible? Haven't we given it our best shot already? "Manderlay" agrees with us-- but urges us to keep trying.

Anti-American or not? This seems to be the most important question for many American viewers when deciding whether to like von Triers trilogy of films about America. Uninteresting as the discussion may be i must still say that i don't think it's anti-American, rather it just shows a very bleak view of humanity in general.

In my opinion Dogville was an amazing film. Even though it was artificial to the core with it's theatrical style i still felt it all the way to the bone. Seldom have i seen such an arty movie that still worked so well. Amazing actors, a story that is brutal and inhuman and an amazing ending. Doing a follow-up to such a movie is not easy, and yet von Trier has promised to make two. Today i saw Manderlay and the question is if it lived up to the expectations given by Dogville.

Right from the beginning Manderlay is at a disadvantage compared to Dogville. The theatrical style with it's stage-like setup and minimum of props has already been done and is not as unique as it was when Dogville was released. Also the lead actress Nicole Kidman is missing, replaced by the (at least to me) quite unknown Bryce Dallas Howard. Also James Caan as her father is replaced by Willem Dafoe. So how did they do? Willem Dafoe is in my opinion one of the most talented actors today in Hollywood and he does excellent here as usual, Bryce Dallas Howard on the other hand is rather pale as a replacement for Kidman. Don't get me wrong, Howard does a decent job of tackling the lead and she fits rather nicely in the movie. However she lacks the width and depth in her acting that Kidman has honed through the years and Howards version of Grace feels more shallow and a lot less haunted.

Otherwise the actors are, like in Dogville, the main attraction. One of von Triers main skills must definitely be bringing out the best in his actors. Everyone performs well despite the demanding format of the movie. The minimalist style demands it's actors to perform well at all times as there is no room for mistakes and nothing to cover them up.

Dogville is in my opinion a better movie than Manderlay. The story is more multi-layered, the actors (especially Kidman) are better and the moral points are presented in a much more powerful way. Yet Manderlay is undoubtedly also a good movie, as well as a good continuation of the story about Grace. If you enjoyed Dogville and accepted the format in which it was presented my guess is that you'll enjoy Manderlay. Part of the point of watching Dogville for me was that it was food for thought and Manderlay also gives you reason to think. So even though this was not as good as Dogville i'm still not disappointed.

I've only seen the film once, but I felt that the most consistent interpretation was strictly about arrogant imperialism. I found myself first seeing through a very direct lens of a slave narrative/American liberal white guilt. This is an easy interpretation that lives on the surface.

The film then transformed into a statement about the presumption that "we" can teach others how to govern when "they" may have a system that works better in their context. The system in Manderlay was not overseer/slave, the system was socialism/communism and each "slave," as Grace saw them, had his or her own specialized role. The inhabitants of Manderlay were free within their system, but Grace was so completely blinded by what her culture had taught her about "freedom" and "democracy" and the inferiority of all other ways of life. The democracy she implemented was a complete farce. Their society did not function when the arrogant outsider who thought she knew what was best for them began implementing her system with force. The most direct comparison is "operation iraqi freedom" and other US nation building exercises or sponsored coups.

I found many other characters to be representations of a global system of oppression. The card shark was an international lending institution like the World Bank or the IMF and the "prince" was a corrupt leader who sold out his people for a cut of the profits of the international business elites (like Marcos, Suharto, or seemingly countless others).

I was very pleased with Manderlay and thoroughly frustrated by simplistic the reviews I read of it. I feel that this film falls apart with a straightforward viewing. As a white guilt slave narrative the film is mediocre. As commentary on imperialism and an absolutely corrupt global system, the film is a wonderful composition. I can't wait for Wasington.