Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop M.Cs. of all time.Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop M.Cs. of all time.Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop M.Cs. of all time.
- Nominated for 1 Oscar
- 7 nominations total
Tupac Shakur
- Self
- (archive footage)
Rappin' 4-Tay
- Self
- (archive footage)
Bill Bellamy
- Self
- (archive footage)
William J. Bennett
- Self
- (archive footage)
Pat Buchanan
- Self
- (archive footage)
Connie Chung
- Self
- (archive footage)
Eldridge Cleaver
- Self
- (archive footage)
Kathleen Cleaver
- Self
- (archive footage)
Gary Coleman
- Self
- (archive footage)
Sean 'Diddy' Combs
- Self
- (archive footage)
- (as Puffy Combs)
Chris Connelly
- Self
- (archive footage)
Anthony 'Treach' Criss
- Self
- (archive footage)
Peter Criss
- Self
- (archive footage)
Featured reviews
I went into this movie kind of hesitant. A lot of albums have been put out after 2pacs death and all this and it seems like everyone just wants to make a quick dime off of him. Suge Knight more than anyone. But when i heard that 2pacs own mother had put this movie together I wanted to see it. So some friends of mine and I went to it. I've seen a lot of documentaries because a lot of documentaries interest me and though i completely disagreed with Bowling for Columbine it was interesting to watch. This documentary by far takes the cake. This movie was one of the deepest most heartfelt documentaries...wait i mean MOVIES ive ever seen. 2pac takes you through his life and what he's down and though it dragged a little in the beginning as he tells you about himself as a boy it picks up nicely as you're going through and you just can't help but think this man was pure genius. This movie is worth watching. Take a date, take your mom, take your dad, take your friends...take your kid sister. The message isnt about violence. Out of 4 stars I give it 3 3/4 . Beautiful Movie.
Documentaries, more than scripted movies, have to be about a topic you're interested in and/or people you're interested in. As much as I love documentaries, if there was a documentary about cabinet making or Kim Kardashian, I'm not wasting my time (though I'd choose cabinet making over KK anyday). So, you'd have to have at least a passing interest in Tupac to watch "Tupac: Resurrection." As for me, I was in high school and fully immersed in hip-hop when Tupac was at his zenith, so I have more than a passing interest in Tupac.
"Resurrection" pulls the curtain back. More than simply going into place of origin, important people, and important events, it goes deeper into who Tupac was in his own words. And as much as he was a controversial figure with some unflattering tendencies, he was fairly conscious. Some of that consciousness showed in songs such as "Brenda's Got a Baby," "Dear Mama," and "Keep Your Head Up." And at the same time his baser side is displayed in too many of his other songs which only means he was a flawed human being like we all are.
Unless you're a super Pac fan or a Tupac historian, "Resurrection" will give you some new information about Tupac you never knew, it will clarify things you were misinformed about, and the rest will be a refresher and a means to hear Tupac once more.
"Resurrection" pulls the curtain back. More than simply going into place of origin, important people, and important events, it goes deeper into who Tupac was in his own words. And as much as he was a controversial figure with some unflattering tendencies, he was fairly conscious. Some of that consciousness showed in songs such as "Brenda's Got a Baby," "Dear Mama," and "Keep Your Head Up." And at the same time his baser side is displayed in too many of his other songs which only means he was a flawed human being like we all are.
Unless you're a super Pac fan or a Tupac historian, "Resurrection" will give you some new information about Tupac you never knew, it will clarify things you were misinformed about, and the rest will be a refresher and a means to hear Tupac once more.
One never knows what to expect out of rock films. Going into Tupac: Resurrection, I half expected another mediocre blaxploitation groaner. The other half expected a gushy MTVish drool-fest out to promote the soundtrack artists, including current corporate media darling 50 Cent.
Resurrection is neither. The producer is not some slick Hollywood mogul with no understanding of rap except as a source for making a quick buck. Instead, Afeni Shakur, the late rapper's mother, takes charge. As both executive producer and the dominant force in her son's short life, her personal agenda impacts every frame. Like all documentaries, this is an extremely one-sided account, and it is likely due to her input that the movie downplays the darker aspects of Pac's self-destructive downward spiral after his move to Death Row Records. Nor is the film harsh enough on Tupac's seemingly endless capacity for paranoia and irresponsibility.
Fortunately, she also makes the crucial decision not to dwell on more tired hash-rehash of so called East Coast/West Coast rap war, which the movie clarifies as less of a reality than a media event. Nor does it choose to linger on the numerous rumors and conspiracies surrounding Tupac's murder.
Shakur and director Lauren Lazin wisely decide to let Tupac's voice carry the film. Lazin wisely refrains from using the masterful, propagandistic gimmicks of a Michael Moore documentary. There are no distracting interviews or massively-edited montages. As a result, the movie has a lyrical, sacred tone. History has mystified Pac as a martyr for West Coast gangsta rap, although during his lifetime he only released one such album. Few choose to remember that Death Row was the twilight of his life, that he spent the first half-decade of his career recording in the East where he grew up. It is here that the film takes its cue.
Resurrection lays bare a magnetic, arrogant, charismatic spirit that immediately affirms why Pac remains one of rap's only true megastars. Though the film is not hard enough on how his growing obstinacy may have hastened his demise, it does not shy away from the controversy, the premonitions of death, the sex abuse conviction, and the inflated ego. The result is a well-drawn sketch of man aware of his genius but haunted by demons, a tortured soul navigating a realm more thuggish than he was at his core, a contradiction which plays as a general commentary on rap's manufactured images.
This movie's production value alone easily outclasses nearly every other cinematic work that has ever pretended to be about hip-hop. It bears little resemblance to How High or Belly or to the shameless self-promotion of the vanity project 8 Mile, which was so sanitized as to kill any revelations it might have made about its star Eminem, the most high profile rapper to yet arise. I don't understand how someone could praise 8 Mile for its beauty and honesty (it isn't) and then criticize this film.
By contrast, the sincerity of Resurrection solidifies Pac's reputation as `the only rapper that matters.' It shows why he is peerless and maybe the greatest artist the genre has yet produced: whatever can be said about his music, as an intelligent personality there is simply no one else in his class. He is so much more painfully relevant than all star rappers, and the sharpness of his observations on everything from politics to poverty leaves dust in the eyes of all his contemporaries. He represents a paradigm that has become all-too-rare in a musical form now dominated by cartoon images: a constructive rather than destructive point-of-view.
A ball of contradictions, Tupac is finally much more complex and brilliant than most people would expect. People are uninformed and uninterested in hip-hop probably will get little out of this movie. Those who know will realize that the biggest tragedy is that not that Tupac died before reaching his full potential, but that other young black men with similar sensibilities rarely reach his level of visibility. 9.5/10.
Resurrection is neither. The producer is not some slick Hollywood mogul with no understanding of rap except as a source for making a quick buck. Instead, Afeni Shakur, the late rapper's mother, takes charge. As both executive producer and the dominant force in her son's short life, her personal agenda impacts every frame. Like all documentaries, this is an extremely one-sided account, and it is likely due to her input that the movie downplays the darker aspects of Pac's self-destructive downward spiral after his move to Death Row Records. Nor is the film harsh enough on Tupac's seemingly endless capacity for paranoia and irresponsibility.
Fortunately, she also makes the crucial decision not to dwell on more tired hash-rehash of so called East Coast/West Coast rap war, which the movie clarifies as less of a reality than a media event. Nor does it choose to linger on the numerous rumors and conspiracies surrounding Tupac's murder.
Shakur and director Lauren Lazin wisely decide to let Tupac's voice carry the film. Lazin wisely refrains from using the masterful, propagandistic gimmicks of a Michael Moore documentary. There are no distracting interviews or massively-edited montages. As a result, the movie has a lyrical, sacred tone. History has mystified Pac as a martyr for West Coast gangsta rap, although during his lifetime he only released one such album. Few choose to remember that Death Row was the twilight of his life, that he spent the first half-decade of his career recording in the East where he grew up. It is here that the film takes its cue.
Resurrection lays bare a magnetic, arrogant, charismatic spirit that immediately affirms why Pac remains one of rap's only true megastars. Though the film is not hard enough on how his growing obstinacy may have hastened his demise, it does not shy away from the controversy, the premonitions of death, the sex abuse conviction, and the inflated ego. The result is a well-drawn sketch of man aware of his genius but haunted by demons, a tortured soul navigating a realm more thuggish than he was at his core, a contradiction which plays as a general commentary on rap's manufactured images.
This movie's production value alone easily outclasses nearly every other cinematic work that has ever pretended to be about hip-hop. It bears little resemblance to How High or Belly or to the shameless self-promotion of the vanity project 8 Mile, which was so sanitized as to kill any revelations it might have made about its star Eminem, the most high profile rapper to yet arise. I don't understand how someone could praise 8 Mile for its beauty and honesty (it isn't) and then criticize this film.
By contrast, the sincerity of Resurrection solidifies Pac's reputation as `the only rapper that matters.' It shows why he is peerless and maybe the greatest artist the genre has yet produced: whatever can be said about his music, as an intelligent personality there is simply no one else in his class. He is so much more painfully relevant than all star rappers, and the sharpness of his observations on everything from politics to poverty leaves dust in the eyes of all his contemporaries. He represents a paradigm that has become all-too-rare in a musical form now dominated by cartoon images: a constructive rather than destructive point-of-view.
A ball of contradictions, Tupac is finally much more complex and brilliant than most people would expect. People are uninformed and uninterested in hip-hop probably will get little out of this movie. Those who know will realize that the biggest tragedy is that not that Tupac died before reaching his full potential, but that other young black men with similar sensibilities rarely reach his level of visibility. 9.5/10.
First of all, let me say that I am biased, I think the world of Tupac. That said, this is his (and his mother's) mission statement for his life and death and everything in between. I have followed 'Pac for almost 10 years now, and my obsession for him has only grown deeper and deeper as the years, months, even days have passed since his departure from the music game.
When I first heard about this film, I thought it was going to be another video release accounting his legacy and mystery. I had no idea that it had a theatrical release date until a few months ago. Then I started hearing the hype behind it, and really started to anticipate it strongly. I informed all my friends and anyone else who shared the same passion of 'Pac as I, of it's existence and when it was close to release. After reading some very positive advance reviews from "Rolling Stone" and a few other publications, my anxiety only increased. It hits it's peak when I saw that ROGER EBERT gave it 3 1/2 out of a possible 4 stars. I saw the film tonight at an 8:00 showing fully prepared sportin' my 'Pac t shirt, ticket stub in my hand, and an unmistakable grin of happiness of things to come. One word: OUTSTANDING. Afeni, Mtv, and Paramount were really, really, really seriously devoted to this project!
I don't want give anything at all away to either serious 2pac devotees or casual fans, but EVERYTHING you ever needed to know, or wanted to know about him, is presented in ACES. I rated this documentary a 9 out of 10 stars on the Imdb scale. To sum up, I really and truly believe it is an enormous shame that some people just don't understand or "get" how iconic and influential Tupac was on both the music industry and to a certain extent society as well. He was WAY, WAY more than just a "rapper", he was an IMPACT!
2PAC FOR EVER.
When I first heard about this film, I thought it was going to be another video release accounting his legacy and mystery. I had no idea that it had a theatrical release date until a few months ago. Then I started hearing the hype behind it, and really started to anticipate it strongly. I informed all my friends and anyone else who shared the same passion of 'Pac as I, of it's existence and when it was close to release. After reading some very positive advance reviews from "Rolling Stone" and a few other publications, my anxiety only increased. It hits it's peak when I saw that ROGER EBERT gave it 3 1/2 out of a possible 4 stars. I saw the film tonight at an 8:00 showing fully prepared sportin' my 'Pac t shirt, ticket stub in my hand, and an unmistakable grin of happiness of things to come. One word: OUTSTANDING. Afeni, Mtv, and Paramount were really, really, really seriously devoted to this project!
I don't want give anything at all away to either serious 2pac devotees or casual fans, but EVERYTHING you ever needed to know, or wanted to know about him, is presented in ACES. I rated this documentary a 9 out of 10 stars on the Imdb scale. To sum up, I really and truly believe it is an enormous shame that some people just don't understand or "get" how iconic and influential Tupac was on both the music industry and to a certain extent society as well. He was WAY, WAY more than just a "rapper", he was an IMPACT!
2PAC FOR EVER.
This documentary of Tupac Amaru Shakur's life was amazing. I am a huge Tupac fan and have seen many other stories and and biographies of his life, but this movie by far surpassed any expectations I had about it. Even if you are not a Tupac fan; you will still be amazed at the life he lived, grew up with, and his legacy. One of the film's strong parts is the fact that it really explains Tupac's mind and how he though about life. Not only that, but many people have a misconception that Tupac Shakur was just a "gangstar" that ran the streets and made music; and this film shows that he was not all bad and that he had a more sensitive side to his life and music. Overall the film captured a lot of his life through his eyes. The film isnt about his friends and family getting interviewed and recalling facts.....It's real interviews of him in the studio, in court, on MTV, personal interviews, and live accounts of him being him.
Did you know
- TriviaThe font used on screen throughout the film is taken from samples of Shakur's own handwriting.
- Quotes
Tupac Shakur: What makes me saying 'I don't give a f - -' different than Patrick Henry saying 'Give me liberty or give me death'?
- ConnectionsEdited from Diff'rent Strokes (1978)
- Soundtracks2 of Amerikaz Most Wanted
Written by Tupac Shakur, Snoop Dogg and Daz Dillinger
Performed by Tupac Shakur and Snoop Dogg
- How long is Tupac: Resurrection?Powered by Alexa
Details
Box office
- Budget
- $300,000 (estimated)
- Gross US & Canada
- $7,718,961
- Opening weekend US & Canada
- $4,632,847
- Nov 16, 2003
- Gross worldwide
- $7,808,524
- Runtime
- 1h 52m(112 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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