Mother of Mine

I saw this at the 2006 Palm Springs International Film Festival and of the 35 films I saw there this one was my #1. The audiences at the festival seemed to agree in that it won the Audience Award for Best Narrative Feature. Actually it tied with the film Mrs. Palfrey at the Claremont for the award in a rare first place tie. I was hoping this would gain a nomination for Best Foreign Language film at the Academy Awards but it's submission didn't make the final five. Director Klaus Härö, Producer Ilkka Matila and Music Score Composer Tuomas Kantelinen were on hand to present the film and take Q & A after. I was happy that they brought with them the guy who scored the music soundtrack because the music was a perfect fit for this film. Topi Majaniemi as Eero is charming and Michael Nyqvist as Hjalmer Jönsson is excellent but Maria Lundqvist as Signe Jönsson is superb and really carries this film. This is a very, very good film and I would rate it a 9.0 and highly recommend it.

I saw this film at the Toronto International Film Festival in September '05, near the end of the festival. By that time, I have seen enough, and I am quite critical: I will walk out on films (I almost never do that!), or resent a mediocre film for wasting my precious TIFF time.

Not this film. I can't think of a reason why I shouldn't give this beautiful film a 10. It had me literally from the opening shot, right through to the credits. When I see a film like this, it makes me wonder what American film makers are doing, offering rehashes of stuff we saw thirty years ago (think Batman, Star Wars, even King Kong).

Here is a wonderful story, gut wrenching at times, painful to see, but compelling. Maria Lundqvist as Signe is amazing to watch, as is Topi Majaniemi as Eero. Michael Nyqvist (Hjalmer) is sublime in the supporting role.

Beautiful cinematography, fabulous acting, a great thought provoking story. What more could you ask for at the cinema?

My final comment on "Mother of Mine:" Find a way to see this film.

I used to think that it's silly to cry over something like a movie and that it's only girls that do so - until now. I felt like being torn apart when realizing the pain Signe felt when she realized that there was nothing in the world she could do to keep Eero.

It was beautiful to see the development of the bond between Signe and Eero, and it made the outcome so hard to bear. It was easy to understand how deep wounds were left in the souls of the Finnish children that were sent to "safety" in Sweden during WWII.

This is a film everybody should see. It shows a depth I have NEVER seen on the movie screen.

Thank you Klaus Haro!

I liked this movie for several reasons: 1. It differs from other similarly-themed movies by focusing on the one "war child" (Eero) and his relationship with the two mothers in his life. That was fresh for me.

2. Great cinematography! Many beautiful shots of the Swedish countryside and other nicely-framed shots. One that impressed me was the shot of Eero sitting inside the concrete bunker with the sea and sky in the window next to his head. This movie is worth it just for the camera work.

3. Great acting by all of the actors.

4. Excellent story/plot that kept moving at a good pace.

The one negative comment I would make is regarding Eero's young female peer. She tries to be his friend, but he ignores her and their friendship is never developed, so I wondered what was the use of her character, since she had such a minor role. Maybe it ended up on the cutting room floor?

All in all, I highly recommend this movie.

"Mother of Mine" tells a story about nine-year-old Eero (Topi Majaniemi) who is one of the war children who were sent from Finland to Sweden in order to escape the war against USSR. It is a very hearty film, and especially at the beginning, when the ruthlessness of the war begins to show its ugly head, it contains downright heartbreaking material.

On the other hand, those parts where grown-up Eero (played by Esko Salminen) converses about the past with his mother feel a bit too much like commentaries, and they might have benefited from a little more liveliness. On the first viewing I thought also that Eero's relationship with the foster mother Signe (Maria Lundqvist) doesn't ever really open and warm up like the narration implies later. However, on the second viewing I noticed that the scene in the graveyard is honestly trying to deal with this point. So that part of the theme is not completely left undeveloped.

Michael Nyqvist as Hjalmar Jönsson does a pretty good job, but one of the best virtues of the film is the fact that director Klaus Härö has been able to cultivate an extremely believable Eero-boy from young Topi Majaniemi. Praises also belong to the numerous incredibly beautiful scenes, of which one of the finest is a shot where a bus comes from the left side of the panorama picture and continues its drive to a stop in the middle of desolation with Eero as its only passenger traveling towards his new home.

In short, "Mother of Mine" is a recommendable movie for everyone who considers him-/herself to be a friend of honest and straightforward drama. See it by yourself or show it to the mother of yours.