Open Window

This is a wonderful film. It is well crafted, beautifully written and sensitively shot. It deals with a topic that is difficult to view.

The treatment of this violent subject is amazingly soft and thoughtful. It brought me to tears in it's simplicity. And I think it is this delicate treatment that is the strength of the piece.

By carefully, tenderly working through the torment of the character and bringing her through to the other side we, as the audience are given a great gift--the gift of hope.

I understand why there is such a groundswell of support for this film. It is a testament to all who have been through any trauma.

This film's audio/visual quality gives it the cheapy feel of a Lifetime movie, and I guess it's fair to say that the movie's target audience is women, but the man's side is definitely explored, and Edgerton and Tunney give compelling enough performances to hold any adult viewer's attention for an hour and a half...I say adult viewers, because this film is pretty dark. The subject matter is not one that I would normally seek out, but I was captivated anyway. By the way, Tunney is definitely a "girlfriend experience" actress...that's twice now I've fallen in love with her. And on a final note, I was surprised at how forced and awkward Shepherd's performance seemed...I had fond memories of her as an actress before this.

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Mia Goldman both wrote and directed this fine little film that deals with the butterfly effect of an event affecting a whole family. The subtlety of the film is enhanced by unforced, subtle performances by a solid cast and further enhanced by a quality of filming (cinematographer Dennis Maloney) that creates disturbing images without obsessing over them.

Photographer Izzy (Robin Tunney) is deeply in love with Peter (Joel Edgerton) whose lives are brutally assaulted when Izzy is raped. Unable to cope with the concept and in the midst of a healing phase, Izzy and Peter breakup, consoled by Izzy's mother Arlene (Cybil Shepherd) and father John (Elliott Gould). Once the incident that is the driver of this story is revealed and discussed, the ramifications are bitter. How Izzy and Peter survive the ordeal is beautifully and subtly written and acted. Cameo roles by Scott Wilson and Shirley Knight add depth to the story. This film has some very disturbing moments, but the subject of rape has always and will always be a disturbing topic. How writer/director Goldman handles this is one of the finest moments on film.

It is a pleasure to see Robin Tunney, best known now for her ongoing role on televisions 'The Mentalist', tackle a role so demanding and make us stay with her character all the way. Joel Edgerton is also exception in a tough role. In all, this is one of those unnoticed films that deserves a larger audience.

Grady Harp

I loved this movie. With a fine hand and an elegant restraint, Mia Goldman's inaugural feature is a beautifully crafted work. With a concise and well articulated story line, Ms. Goldman, who wrote and directed, has made an engaging movie that moved me in many unexpected ways. The story of a young couple, deeply in love, confronting an enormous challenge startled me. Disturbed me. Robin Tunney and Joel Edgerton play the romantic leads with elegance and passion. Their love affair drives the story and they do it well. TElliot Gould and Cybil Shepard, in unusually textured roles, perform beautifully. This smart, sophisticated Indie film is subtly driven. We're sucked into the emotional vortex almost from the beginning. Once there, it's an intense ride. It's not everybody's cup of tea. There are disturbing elements that I will not reveal. But if you hang in you will be deeply and profoundly rewarded. This is one of those sleeper films. A wonderfully rewarding debut.

This is a quiet, subtle movie that drives its point home without any bells and whistles but very effectively. I especially thought the scenes between Izzy and Peter were moving and well-acted. Even though the film deals with a tough subject, it never felt forced or shoved down my throat or overacted. The film has a very simple structure which allows the complexities of the issue and the emotions to expand and fill up the space. It's too bad this didn't get a theatrical release, although I could see why it was overlooked, because it is so quiet and subtle. That, I think, is its strength but of course a studio exec wants explosions. This movie does fine without them. Robin Tunney and Joel Edgerton's performances are wonderful.