Cinderella Man

Truly inspiring story of James J. Braddock. This story is about more than boxing. It is about a man and his wife trying to raise a family in the tough times of the 1920s. And the integrity and example he shows his children in those times. Russell Crowe, Renee Zellweger and Paul Giamatti are just part of this incredible cast. It is a must see.

Just saw a preview of this film (opens June 3) and as shamelessly emotional as it is, I liked it very much. It provides a more visceral view of the Great Depression era than did another fine film, Seabiscuit. Call it Seabiscuit with even more heart!

Ron Howard teams with Russell Crowe (James J. Braddock) again and shows they can repeat with a winner. Like him as a person or not, Crowe puts forth another finely tuned, very convincing performance. Unlike in real life, he can be quite humble and sympathetic while beating the heck out of people. Really, his character is affecting, especially in his scenes with Braddock's children, and may be fairly reflective of the actual person of Braddock. (The fight game at that time, or any time, was not for saints but, whatever.) Renee Zellweger, who is not my favorite except for a brilliant portrayal in Cold Mountain, plays the wife effectively and mirrors the emotions for the females in the audience. (If my observations at the showing are typical, women fans will spend time alternately heading their eyes and virtually cheering out loud for Braddock/Crowe.)

There are a number of good supporting actors but Paul Giamatti strikes again! He plays the manager who supports Braddock through thick and thin and his character recalls the era better than anyone in the film. I don't know what kind of research he did for this role but his Joe Gould is the archetypal boxing manager of the time or, at least, our cinema image of one. Here's hoping he pulled some big bucks for a role for once.

(You will certainly recognize Bruce McGill, as the seemingly hard-hearted fight promoter who could care less about Braddock but really doesn't want to see him get killed in the ring, from many movie and TV appearances where he is always reliable and who may be remembered from an early exposure as "D-Day" in Animal House.)

Before I get to whether or not I liked this film, the history teacher in me thinks it's very important to set the record straight. Although the film is pretty accurate when it comes to the career of James Braddock, it's very inaccurate in portraying his opponent, Max Baer. The champion, Baer, is shown as a sadistic jerk who killed two men while boxing--and really delighted in taunting Braddock about this. In the film, the evil and filthy-mouthed Baer tells Braddock to bow out of the fight, as he could be the next to die in the ring--and he really seems to LIKE tormenting Braddock's wife about this. In reality, Baer killed one man in the ring. It was a horrible accident which occasionally happens in boxing--one which apparently haunted Baer for the rest of his life. In fact, he helped pay for his dead opponents to get educations and looked after this family--hardly the act of a sadist. I understand why the folks who made "Cinderella Man" changed this in an attempt to create tension, but the story would have STILL worked great if it had just stuck to the truth. Plus, think of how this film affected Baer's relatives when they saw it. Max Baer Jr. ('Jethro' from "The Beverly Hillbillies") knew his father was not like this and I am sure it pained him to see him so badly misrepresented.

As for the NON-Baer parts of the film, they are great. The look of the 1930s is exceptional--much more realistic than you often see in films. Also, the acting is terrific, the film VERY engaging and the story of Braddock very compelling. Without the misrepresentation of Baer's in the story, I would have given this one a 10. Really....it's that compelling and they did a great job. The acting, direction, designs...everything but the writing was perfect.

By the way, this isn't so much a complaint as an observation. In this movie, like practically EVERY other boxing movie, there is hardly any defense (such as blocked shots) in the boxing matches--punch after punch that lands on the opponent. If fights REALLY were like this, they'd rarely go beyond the first round!

The dilemma: I hate boxing movies; I love Russell Crowe movies. I've already seen "Million Dollar Baby" and "Raging Bull" this year, and accidentally watched part of one of the "son of Rocky" serial movies on a Saturday afternoon. I feel like I am being punched, as Renee' Zellwegger's character Mae Braddock says, and I'm not as tough as these prize fighters.

But this one has Russell Crowe in it. And that makes all the difference.

It is not that Renee Zellwegger and Paul Giamatti, Paddy Considine, Bruce McGill and Craig Bierko, among others, give less than stellar performances: they all live up to their justifiably great reputations. You have to believe they are at the top of their game. But for all of Russell Crowe's reputation for being "difficult", it is hard to think of actors who can equal his personal force on the screen. He is brilliant.

Ron Howard has made of the real life of Depression-era prize-fighter James J. Braddock a work of art. The camera work is phenomenal. Without using violins or cliché' pull-back shots showing the numbers of people homeless and in soup lines, Howard makes the Depression a visceral reality with scenes of near-hopeless men at the docks, pleading for a day's work; a stolen salami; Crowe's giving his daughter his breakfast piece of bologna, telling her he dreamed he was full. The bleakness of the times is the graininess and the sepia/greyness of the camera shots; the images are stark but completely descriptive. Crowe as Braddock with hat in hand and tears in his eyes, begging for twenty dollars so he can get his children back into his home, is the personification of pride sacrificed to desperation. But when Braddock is later asked at a press conference why he is fighting at his age and after so many poor showings, all he has to say is "milk" to be supremely eloquent.

Doubtless many people know the history of James Braddock, and know the outcome of his fights, including the championship bout with Max Baer, who had already killed two men in the ring. If you don't know, DON'T look it up before you see the movie, and if you DO KNOW, DON'T TELL, but go. Analogous to watching Howard's film "Apollo 13", you may know the outcome, but there's wonderful suspense in the details. These were among the most exciting last twenty minutes I've seen on film. I didn't expect to be able to watch, but like Braddock's terrified wife Mae, I was unable to tear myself away.

The audience was like a prize fight audience, cheering, booing, gasping, groaning during the fights. We applauded Braddock's wins, suffered his defeats. It is a great movie, with authentic heart. Solid A.

Geez, another boxing movie! Yeah, Yeah, I know the story. Down and out guy gets a break and makes the most of it. He's fighting for his family, he's fighting for all those other hopeless people. Been there, done that.

Oh, I forgot to mention one thing. This movie is about the best 140 minute I've spent in a movie theater since . . . . since . . . ., Oh, well, you get the picture. Better yet, instead of getting the picture, go see it.

Russell Crowe owns the character of James Braddock, the unlikely hero who makes the most of his second chance. He's a good fighter turned hack. Injury, bad luck and this thing called the Depression sends him down the drain.

His wife, Mae, played by Renee Zelleweger, wants to be his biggest fan, but the kids need a dad, the rent has to get paid and the money from boxing dried up along time ago. Her husband's courage is undoubted, but his nerve is killing her.

And then there's Joe Gould, played by Paul Giamatti.

A boxer by the name of George Cochan once told me his manager was the bravest man he ever knew, he was willing to pit his man (Cochan) against anyone. As a result, Cochan had his head handed to him multiple times by the likes of Jake LaMotta and other class middle weights of the Forties and Fifties. Gould, is that brave manager, if not literally, in spirit. He pits Braddock, out of shape and with one day notice, against the number two heavy weight contender. Regardless of the risk, it's a pay day needed by both Gould and Braddock.

The story, while familiar, is executed brilliantly. The camera work is both subtle and, in turn, spectacular. Craig Bierko, Paddy Considine, Bruce McGill and the rest of the cast give flawless performances.

Yes, been there, done that! And I'm ready to do it again for anyone who wants to go with me.