Three East-End Spivs spend their time wheeling and dealing wherever and whenever they can. After one of their scams goes south, the three con men are left to care for two young illegal immig... Read allThree East-End Spivs spend their time wheeling and dealing wherever and whenever they can. After one of their scams goes south, the three con men are left to care for two young illegal immigrants.Three East-End Spivs spend their time wheeling and dealing wherever and whenever they can. After one of their scams goes south, the three con men are left to care for two young illegal immigrants.
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Chooye Bay
- Japanese man
- (as Chooi Beh)
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This wasn't at all what I expected. I was expecting something along the lines of Snatch and instead got a reasonably thoughtful story about a middle aged man realising he has wasted the majority of his life on cheap con tricks.
I went to see this for Dominic Monaghan and let's be honest, Dom is barely in this and his character is, though entertaining and sweet, largely irrelevant to the film. In fact one of his scenes is so irrelevant you suspect it of having been inserted merely to up his screen time.
I didn't actually enjoy the film all that much, not because it was bad but I think because I could find no handle with which to identify with the three main characters. They lived lives I would never live, behaving in ways I would never consider, and the lead character (Ken Stott) more so than the others. There were a few moments when you felt emotion for him, but for me the whole thing was just too far from my sphere of experience. I am not a con man, I could never be a con man and have no desire to be one. I don't understand the mindset. Dom's character is actually easier to empathise with, for me anyway, and not just cause I can feel some sort of connection for any character played by Dom cause the connection already exists. He's a simple minded lad who doesn't think much about what he's doing, he drifts through his life in a cloud of cannabis smoke and that's enough for him, he's the pettiest of criminals, not out to hurt anyone in particular and not looking for the big time. He comes across as a sweet if slightly deluded guy, not the best influence in the world but not the worst either. He does add a nice lightness and goofiness to scenes that might have been a bit heavy otherwise. I would have liked to see more of him but there wasn't room for him in this script which settled down into a psychological drama with gangster side salad.
The film was good, but not great. It lacked connection and I can't take all the blame for that, a truly great film can make you connect with it's characters no matter how far they stray from yourself. Perhaps it was too tight lipped, you could never quite see deep enough into the characters to touch what was implied.
I went to see this for Dominic Monaghan and let's be honest, Dom is barely in this and his character is, though entertaining and sweet, largely irrelevant to the film. In fact one of his scenes is so irrelevant you suspect it of having been inserted merely to up his screen time.
I didn't actually enjoy the film all that much, not because it was bad but I think because I could find no handle with which to identify with the three main characters. They lived lives I would never live, behaving in ways I would never consider, and the lead character (Ken Stott) more so than the others. There were a few moments when you felt emotion for him, but for me the whole thing was just too far from my sphere of experience. I am not a con man, I could never be a con man and have no desire to be one. I don't understand the mindset. Dom's character is actually easier to empathise with, for me anyway, and not just cause I can feel some sort of connection for any character played by Dom cause the connection already exists. He's a simple minded lad who doesn't think much about what he's doing, he drifts through his life in a cloud of cannabis smoke and that's enough for him, he's the pettiest of criminals, not out to hurt anyone in particular and not looking for the big time. He comes across as a sweet if slightly deluded guy, not the best influence in the world but not the worst either. He does add a nice lightness and goofiness to scenes that might have been a bit heavy otherwise. I would have liked to see more of him but there wasn't room for him in this script which settled down into a psychological drama with gangster side salad.
The film was good, but not great. It lacked connection and I can't take all the blame for that, a truly great film can make you connect with it's characters no matter how far they stray from yourself. Perhaps it was too tight lipped, you could never quite see deep enough into the characters to touch what was implied.
What a flop. this film had promises of a "Snatch" lookalike. what a misleading cast too! a film with Paul Kaye and Jack Dee should be COMEDIC, not a load of fake drama. i thought the violence was supposed to be funny until it hit me, this movie is supposed to be serious. i found this film pretentious, and it was obvious that it had no heart whatsoever. further more, i was asking myself why anyone would cast a lead actor (Ken Stott) that annoys you so much you wanna rip your hair out. his voice alone is enough to infuriate the most patient of people, not to mention his "array" of witty remarks. i found that i really TRIED to like this film, even though i just couldn't. i think nick moran and dom monaghan are great actors, however, this film was a bad career move for them both. a POOR effort...really disappointed...
10mummzy12
I had to search the internet to find a cinema where it was showing(it has not been widely promoted)but I was glad that I did find it.the film brought out a wide range of emotions in me it was in places tender,dramatic,exciting and midway through the film there is a shock I certainly didn't see coming.The acting was top class. Dominic Monaghan was totally believable as a cockney dope head and even brought a little comic relief to a film dealing with some very serious issues:ken stott gave a great performance too,the parts of the two children caught up in the drama are convincingly played and I found nothing at all to complain about in Spivs:it is well worth watching and I look forward to seeing it again
Gentleman Jack (Stott), his edgy right-hander Steve (Moran), sexy self-styled moll Jenny (Ashfield) and stoner Goat (Monaghan) pull elaborate cons on wannabe villains, buoyed by the motto: "You can't cheat an honest man". Victims include O'Brien, played by Kaye as a lisping ne'er-do-well with a silly haircut and a penchant for cash machine fraud, and nice-but-dim Nigel (Dee), owner of an ailing haulage company.
But Jack and Co. find themselves in deep water after they attempt to steal the latter's office equipment and drive it away in a 'borrowed' lorry which turns out to be full of Albanian human traffic. When the immigrants scarper, a little brother and sister are left behind. Grudgingly, Jack becomes their unofficial guardian - but is closely trailed by some murderous parties, while Steve and Jenny, intent on closing that mythical long con, walk headlong into harm.
Spivs initially hoodwinks audiences into assuming it's something that it's not, featuring the usual checklist of East End settings, shady characters and slang ("What do you think I am, some kind of meat-puppet?") which must be included by law in all contemporary British crime flicks.
However, it soon reveals itself to be both a textured character-study of a drowning middle-aged man yearning for redemption, and a harrowing expose of the illegal immigrant / underage sex slave trade.
That the slapstick and tragic elements mostly hang together bears testament to a well-plotted, well-researched script (occasionally sentimental, though never mawkish), along with an immensely touching central performance by Stott. It's rare and refreshing in these kinds of films to find a late fortysomething taking precedence over two young hipsters like Moran and Ashfield. Fine support too from Bassett as Jack's tough-talking sister Vee.
A modern Brit crime movie sporting substance over style? It must be a con!
But Jack and Co. find themselves in deep water after they attempt to steal the latter's office equipment and drive it away in a 'borrowed' lorry which turns out to be full of Albanian human traffic. When the immigrants scarper, a little brother and sister are left behind. Grudgingly, Jack becomes their unofficial guardian - but is closely trailed by some murderous parties, while Steve and Jenny, intent on closing that mythical long con, walk headlong into harm.
Spivs initially hoodwinks audiences into assuming it's something that it's not, featuring the usual checklist of East End settings, shady characters and slang ("What do you think I am, some kind of meat-puppet?") which must be included by law in all contemporary British crime flicks.
However, it soon reveals itself to be both a textured character-study of a drowning middle-aged man yearning for redemption, and a harrowing expose of the illegal immigrant / underage sex slave trade.
That the slapstick and tragic elements mostly hang together bears testament to a well-plotted, well-researched script (occasionally sentimental, though never mawkish), along with an immensely touching central performance by Stott. It's rare and refreshing in these kinds of films to find a late fortysomething taking precedence over two young hipsters like Moran and Ashfield. Fine support too from Bassett as Jack's tough-talking sister Vee.
A modern Brit crime movie sporting substance over style? It must be a con!
well first of all i want to say that the featurette on the DVD is better than the actual film, which is why i gave it a seven. i only watched this movie because i knew dominic monaghan was in it, i think they underused his character though. i thought it was a good plot and nothing at all what i expected it to be. its quite a sad movie and doms characters only purpose, apart from 1 line, is only there to lighten the mood. it was very...British. lots of grey, if you know what i mean. but still a good bit of British film. they had a very low budget and many investors were actually given places in it as extras. so with no money and limited resources i think they did a pretty good job. byeX
Did you know
- TriviaRita Ora's debut.
- ConnectionsSpoofs Only Fools and Horses (1981)
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- Also known as
- 混世情真
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- Runtime
- 1h 35m(95 min)
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- 2.35 : 1
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